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As the title indicates, Appa dwells on the role of fathers — how they bring up their kids becomes a deciding factor in their children's lives. Like some of his previous films, in this one, too, Samuthirakani touches upon a few socially relevant issues. To start with, there are three fathers — Dayalan (Samuthirakani), a humanitarian who has high hopes on society, Singaperumal (Thambi Ramaiah), a self-centered person who is concerned only about his ambitions, and Nadunilaiyan (Namo Narayana), a well-calculated man who always prefer to be on 'safe side' in life. The story kicks off when each of them is blessed with a child, and they try to instil their philosophy of life into their respective kids. Dayalan's wife can't digest the fact that the former wants their son, too, to adopt his progressive ideologies. All hell breaks loose when she realises that her husband is planning to make their child Vettreeswaran (Vignesh) a 'good person' than a 'well-educated' man with a white-collar job. On the other hand, Singaperumal is keen on making his son Chakravarthy (Raghav) a doctor, despite a not-so-effective protest from his wife. His principles and insistence on an over-disciplined lifestyle become a nightmare for Chakravarthy. Nadunilaiyan, too, brings up his child Mayilvaganam (Nasath) in a way that he wants him to be — asking him to stay away from all sort of issues which would lead to an uneasy life. His wife, however, has little say at home. The story focusses more on the relationship between Dayalan and Vettreeswaran, and the father-son episodes are a delight to watch. As all the children grow older and reach their mid-teens, each of them chooses a career — quite obviously, Vettreeswaran succeeds in pursuing what he likes, thanks to the guidance of his father. Chakravarthy struggles to meet his father's endless expectations. Interestingly, Mayilvaganam manages to put up an impressive show in his area of interest, despite a not-so-common physical problem and discouragements from his father. Meanwhile, Vettreeswaran and Chakravarthy fall for (read infatuation) girls (played by Gabriella and Yuvalakshmi respectively), whom they happen to meet at different situations. Dayalan, who has been successfully maintaining a friendly rapport with all the children, including the girls, becomes a reliable father figure for them. Even as the plot moves at a slow pace, an unexpected tragedy hits them putting one of these lives in danger. Nadunilaiyan feels bad when he realises the mistake he has been doing to his son all these years, while Singaperumal has to pay for his unjust deeds. Despite the sluggish narration at a few places and the clumsy making, Appa, for sure, throws light upon a few issues which need to be addressed promptly. Prominent among them is the little-known horrible life students lead in the educational institutions and the manipulation which influential people resort to, for justifying the wrong doings. Samuthirakani excels as an actor again, though this is not one of his best roles. However, as a director, he gets too preachy. Thambi Ramaiah puts up an impressive performance. It is the little boy Nasath who is the attraction of the film, while Vignesh, Raghav and the girls are apt. The music by Ilaiyaraaja hardly contributes to the film, as does Sasikumar's brief appearance.
The story of Jody, a misguided, 20-year-old African-American who is really just a baby boy finally forced-kicking and screaming to face the commitments of real life. Streetwise and jobless, he has not only fathered two children by two different women-Yvette and Peanut but still lives with his own mother. He can't seem to strike a balance or find direction in his chaotic life.
A devastated father is the victim of a violent carjacking, his four year old daughter kidnapped in the process. A small town journalist, out of his depth, is tasked with the story; and burdened with the hope of finding the girl.
A widowed new dad copes with doubts, fears, heartache and dirty diapers as he sets out to raise his daughter on his own. Inspired by a true story.
Blue-collar Paulie prepares for fatherhood and his forthcoming wedding to Sue by hanging out with his groomsmen. Brother Jimbo, cousin Mike, and his pals fill the reunion with drinking, boys-will-be-boys antics and a few unexpected personal confessions. But, when the bonding devolves into accusations and regret, Paulie has to decide whether he's ready to tie the knot and take this big step into adulthood.
The Living Room of the Nation is a documentary film that portrays a number of Finnish living rooms. The film is a story of changes, the inevitable passing of time, and the human desire to be needed, visible.
The Talbots, formerly one of the Eastern Shore's first families, have gone to seed: Pap is a drunk, soddenly decaying in his ruined ancestral home, and three of his sons (William, Carol, and Ezra) are lazy, shiftless young men. Mulligan, Pap's second son who supports the entire family by oyster fishing, falls in love with wealthy Anna Lee, but when he first kisses her, she calls him "white trash."
Two sides of the same country: a chaotic and violent city contrasting against a natural paradise where the oldest mountains on the planet can be found. Two main characters that find each other at a crucial moment. Two fearless journeys, one that begins as a childlike adventure and ends up on the other side of the country and a one-way journey, free and determined. The same destiny will inevitably bond a woman with her grandson. Without knowing it they are part of an unbreakable family circle that deeply unites them. Second opportunities will arise while individual freedom of choice will become imposing. Everything comes together to tell us: there is only one destiny, the one you choose for yourself.
Clancy (Malcolm Goodwin), an amateur late-night radio host, decides to play his recently deceased jazz hero Sterling Hutch's (Lester Purry) final recorded single on air. However, Clancy comes to find that what exists on the record isn’t music.
When his husband Gabriel files for divorce, Nicky fights for custody of their 8-year-old son Owen, as he struggles to come to terms with what it means to love someone and what it means to be a father.
Jonas, a sales professional from Frankfurt, finds the best solution to every problem at work. In his private life, however, there is something that can still be optimized: being a father! When his daughter Laila, who is growing up with her mother Shari in Hamburg, demands more time and closeness from him, he has to readjust his life, much to the chagrin of his girlfriend Kim.
Christian, a young man from the city, travels to a town in Zaragoza, Spain of his recently-deceased father to throw his ashes and give a final farewell. He arrives to find the town abandoned years ago by everyone, leaving their houses to slowly crumble into memory, in search of better opportunities. Yet, one resident remains. An eccentric and wild man who has chosen to live alone in nature, to protect the remains of the village from the pillagers that often drive by in search of valuable artefacts. Their encounter will force Christian to confront his father's identity and perhaps finally understand why his father was the way he was.
