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I love Jennifer Lawrence, she's just amazing. It's not her best apparition but she's the main character of the plot, so you can appreciate her like in no other of her movies. Twisted and complex, the main plot is defined by itself during the development of the movie. By synopsis, Dominika Egorova (Jennifer Lawrence) it's a professional ballet ballerina that tragically forced to change her career path by an "accident". Moved by her family needs, she's accept some "business" propositions that subsequent convert her into an Sparrow, a secret government physiologic weapon of seduction. By personal opinion you can feel this movie very slow because of the absent of a good sound work. The image of this movie was perfect for an excellent sound editing and mixing, so the absent of this take some points in the final score in public perception.
It's one of those movies where you know what's going to happen in the end but you aren't sure how it's going to happen. Then at the end you know you have to watch it again so that you can understand how it happened.
I thought I was going to get _Black Widow_ only boring, but what I ended up getting was actually _Atomic Blonde_ only boring. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._
Charlotte Rampling is rather menacingly calculating in this otherwise rather dreary espionage thriller. She is the matron of a school where acclaimed ballet dancer turned agent "Dominika" (Jennifer Lawrence) is being sent to learn how to use sex (and sexuality) as weapons of war. After a pretty squeamish (best not say sticky) start, she gets into her stride and is soon on the trail of her CIA target "Nash" (Joel Edgerton). Of course it isn't going to be straightforward as loyalties are tested, she hasn't really a clue whom she can trust and - yes, it does all sound a bit familiar doesn't it? I am afraid I just could not get "Hunger Games" out of my head for most of this and the starkness of the sexual brutality wore very thin very quickly - rendering the remainder of the film quite sterile and frankly, rather dull and repetitive as she proceeds to try to entrap her quarry and discover who his Soviet sources are. It is poorly paced, I felt, and at over 2¼ hours long it seemed to drag interminably once we, the audience, had sort of put two and two together. Edgerton is a competent actor, and the easy on the eye Matthias Schoenaerts adds a little complexity to the plot, but I am afraid, otherwise, this is a long and rather lacklustre outing for a star far from her best delivering a story that is most definitely not John le Carré.
A TransSiberian train journey from China to Moscow becomes a thrilling chase of deception and murder when an American couple encounters a mysterious pair of fellow travelers.
Jimi, a computer game designer, finds that his latest product has been infected by a virus which has given consciousness to the main character of the game, Solo. Tormented by the memory of his fled girlfriend Lisa and begged by Solo to end its useless "life", Jimi begins a search for people who can help him both to discover what happened to Lisa and to delete his game before it is released.
A man obsessed with conspiracy theories becomes a target after one of his theories turns out to be true. Unfortunately, in order to save himself, he has to figure out which theory it is.
Six years after the events of The X-Files series finale, former FBI agent Doctor Dana Scully is now a staff physician at Our Lady of Sorrows, a Catholic hospital, and treating a boy named Christian who has Sandhoff disease, a terminal brain condition. FBI agent Drummy arrives to ask Scully’s help in locating Fox Mulder, the fugitive former head of the X-Files division, and says they will call off its manhunt for him if he will help investigate the disappearances of several women, including young FBI agent Monica Banan. Mulder and Scully are called back to duty by the FBI when a former priest claims to be receiving psychic visions pertaining to a kidnapped agent.
CIA agent John Jessup lives a seemingly normal life in the busy capitol of Berlin. He is in one of CIA’s most important sleeper cells in Europe, but on his last mission in Italy, he made a terrible mistake, putting not only himself in danger, but also the very existence of the CIA in Europe. The past is now about to catch up with him…
Doormat Wesley Gibson is an office worker whose life is going nowhere. He meets a sexy woman named Fox and discovers that his recently murdered father - whom Wesley never knew - belonged to the Fraternity, a secret society of assassins which takes its orders from Fate itself. Fox and Sloan, the Fraternity's leader, teach Wesley, through intense training, to tap into dormant powers and hone his innate killing skills. Though he enjoys his newfound abilities, he begins to suspect that there is more to the Fraternity than meets the eye.
The Belgian detective Hercule Poirot investigates a series of murders in London in which the victims are killed according to their initials.
Mr. Fortescue, owner of a big company, unexpectedly dies. The autopsy shows that he has been poisoned. Nobody actually loved him, and even his family members had their reasons to kill him. But who really did it? And who is responsable for killing his young servant and his wife within the next couple of days? Of course the only person who can answer this question is Ms. Marple. And of course, the murderer is the person you least expected it to be.
Aging Major Palgrave, an idiosyncratic but charming mystery writer, reveals to Miss Jane Marple that one of the guests at a luxurious Caribbean resort they're staying at is a Bluebeard-type wife murderer. Unfortunately, the Major succumbs to an apparently accidental overdose of alcohol and blood pressure medication before revealing the killer's identity. When it's discovered that the medicine belonged to another guest and the revealing photograph the Major was carrying is missing, Miss Marple realizes that the serial killer has struck again and more murders will follow.
A talented American actress enlists the help of the famed Belgian detective, Hercule Poirot, to negotiate a divorce from her husband, Lord Edgware, only to find him the next day stabbed to death in his library. Who would want him dead?
Black Coffee is a 1931 British detective film directed by Leslie S. Hiscott. Based on the 1930 play Black Coffee by Agatha Christie featuring her famous private detective Hercule Poirot, it stars Austin Trevor as Poirot with Richard Cooper playing his companion Captain Hastings. A famous but hated scientist, Sir Amory, is killed during a house party, and some of his valuable papers are missing. Poirot rapidly determines the cause of death and the motive, then narrows down the suspects to the most likely culprit.