War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
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Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
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Renner 2025 - Movies (Mar 28th)
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Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
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Through the Door 2024 - Movies (Mar 27th)
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England’s Lions The New Generation 2025 - Movies (Mar 26th)
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The One Show - (Mar 29th)
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One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
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Gold Rush - (Mar 29th)
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Gogglebox - (Mar 28th)
Branagh's 2022 black and white film **BELFAST** is considered his most personal film. I offer that his 1995 black and white film **IN THE BLEAK MIDWINTER** is equally autobiographical. And I guess that we will see a third black and white film in the future that would showcase the twilight of his career to close out the Branagh Trilogy. (_Cross your fingers_.) **IN THE BLEAK MIDWINTER** is also the first film that Branagh does not appear. It is arguably the least popular film in his oeuvre, partially because of the release in the United States under the name **A MIDWINTER'S TALE**. For ease of understanding, this review will refer to it as **MIDWINTER**. The storyline is brief, almost a British **WAITING FOR GUFFMAN** as a small group of theatrical performers are mounting an overly ambitious, _underly_ funded production of that old Christmas classic, **HAMLET**. Yes the _everyone's dead at the end_ **HAMLET**. It even results in a powerful movie producer attending opening night in an environment not typical to great theatre. The screenplay is filled with great characters and very funny circumstances. Although not on screen, Branagh's voice is loud and clear. In fact, by this sixth film of his, we are able to see a bit of critical weakness. Branagh's films are lacking in quiet moments - usually wall to wall dialogue mixed with Patrick Doyle's regal musical scoring. This film is the first to subtly address that. In fact, it ends with many payoffs that the heart understands oh so well. **MIDWINTER** is a very good film, but will likely remain his most forgettable work... Until my _dream Branagh Trilogy_ Box Set exists!
The Davenport sisters have drifted apart over the years but when their Dad wins the lottery all he wants is having his girls home for Christmas. Getting over years of resentment proves a big task but it's pushed aside when their mother suffering from dementia loses the ticket. They put aside their differences to help find the ticket and in doing so get over their differences and finally learn to come together.
Pettson and Findus find themselves snowed in their house. The little cat is scared that Christmas is ruined, but Pettson promises that they will celebrate "the best Christmas ever".
In this enchantingly cracked fairy tale, the beautiful Princess Buttercup and the dashing Westley must overcome staggering odds to find happiness amid six-fingered swordsmen, murderous princes, Sicilians and rodents of unusual size. But even death can't stop these true lovebirds from triumphing.
Buck Russell, a lovable but slovenly bachelor, suddenly becomes the temporary caretaker of his nephew and nieces after a family emergency. His freewheeling attitude soon causes tension with his older niece Tia, loyal girlfriend Chanice and just about everyone else who crosses his path.
Geeky teenager David and his popular twin sister, Jennifer, get sucked into the black-and-white world of a 1950s TV sitcom called "Pleasantville," and find a world where everything is peachy keen all the time. But when Jennifer's modern attitude disrupts Pleasantville's peaceful but boring routine, she literally brings color into its life.
Two drag queens and a transgender woman contract to perform a drag show at a resort in Alice Springs, a town in the remote Australian desert. As they head west from Sydney aboard their lavender bus, Priscilla, the three friends come to the forefront of a comedy of errors, encountering a number of strange characters, as well as incidents of homophobia, whilst widening comfort zones and exploring new horizons.
Jerry Powell is a gas-huffing thief with memory distrust syndrome. At the brink of insanity, Powell finds himself chased by a pulpy gang of criminals as he attempts to deliver a mysterious package for a money-launder.
Created by gay directors and actors, Boys On Film features numerous award-winning shorts that deal with all aspects of gay life. Volume 2: In Too Deep contains nine complete films: Till Kleinert's "Cowboy" starring Oliver Scherz and Pit Bukowski; Håkon Liu's "Lucky Blue" starring Tobias Bengtsson and Tom Lofterud; Matthieu Salmon's "Weekend In The Countryside" starring Théo Frilet, Pierre Moure, and Jean-Claude Dumas; Soman Chainani's "Kali Ma" starring Kamini Khanna, Brendan Bradley, and Manish Dayal; Julián Hernández's "Bramadero" starring Cristhian Rodríguez and Sergio Almazán; Craig Boreham's "Love Bite" starring Will Field and Aidan Calabria; "The Island" featuring director Trevor Anderson ; Arthur Halpern's "Futures (and Derivatives)" starring Kelly Miller, Cam Kornman, and Bill Barnett; and Tim Hunter's "Working It Out" starring Simon Kearney, Paul Ross, and Glaston Toft.
Ashley Scott plays an executive for a company that produces pet supplies. Just after getting into a fight with her boyfriend about their relationship status, she takes up with the company's mascot and the company president's son on a road trip across America at Christmastime in an effort to get home for the holiday season.
Jaded rock star Dax is found by New York paparazzi passed out in his car with a frozen holiday turkey in the passenger seat. In order to repair his tarnished image, Dax publicly agrees to grant a fan’s “Dear Santa” Christmas wish. To his dismay, his manager Jason drops Dax off in Cedar Grove, a Midwest small town, where he’s committed to spend a week and perform in a local holiday Christmas concert.
Single mother Ryan has just about given up on dating after her divorce, happily accepting her young son as the most important man in her life. That all changes when Ryan's brother Owen, also feeling unlucky in love after a bad breakup, swaps his home in their small North Carolina town with New York City adman Sean.