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I Love You Forever 2024 - ()
Queer 2024 - ()
The Glassworker 2024 - ()
Niko Beyond the Northern Lights 2024 - ()
Die Alone 2024 - ()
Joe Crist 2024 - ()
Bagman 2024 - ()
Mystery Island Winner Takes All 2025 - ()
Racing Mister Fahrenheit 2024 - ()
The Quiet Girl 2024 - ()
Warden 2025 - ()
The Electric State 2025 - ()
Borderline 2025 - ()
Bill Burr Drop Dead Years 2025 - ()
High Rollers 2025 - ()
Anthony Rodia Totally Relatable 2024 - ()
Mickey 17 2025 - ()
Silent Zone 2025 - ()
The Parenting 2025 - ()
Control Freak 2025 - ()
True survival horror is not a thing we see a lot of these days, and it's even rarer to see it done truly well. _Prey_ an example of the former, but not so much the latter. It is okay, and reading some audience reviews of _Prey_ it seems like I did enjoy it more than most, but I can definitely see those complaints being made as valid. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
Prey stalks its victims by offering a suspense-free horror flick that seems more idyllic than terrifying. Y’know, when I temporarily go insane or witness a traumatic incident, I openly discuss my feelings with a therapist or spend the day watching films involving eternal happiness. Had I been referred to a behavioural rehabilitation programme that sends its clients to a supposedly uninhabited island for three days for the purpose of “finding myself”, with only your survival instincts equipped, well I’d probably be a much different person than I am now. These are psychologically disturbed characters, granted the freedom of an entire island, to do whatever the heck they want. Build a campsite, create some intricate traps, slaughter the local wildlife and even murder each other. The insurance costs must’ve been catastrophic! Khalfoun conceives a ridiculously contrived premise and, essentially, serves it to the demonic beast entity thing that prowls the luscious jungles of the island. What is a horror film without suspense? What is a psychological thriller without character development? What is a film without entertainment? Khalfoun irrefutably understands no element into adequate filmmaking. None! Cheap mundane jump scares that were predictable right down to the very second. More plot holes than a washed up sponge from the nearby capsized boat. Enough foreshadowing to plunge the island into everlasting darkness. Aside from Miller who atleast attempted to bypass the shoddy script he was given, the acting was weaker than a coconut branch surviving a monsoon. Expositional flashbacks, that resembled advertisements for a “hot rod” vehicle, clumsily spliced into the main narrative through inexplicably basic editing. However, what truly makes Prey a bloodthirsty piece of life drainage, are the details. We are to believe that a young girl and her mother, have lived on the island for over a decade. That’s fine and all, but when she looks fresher than a speared fish, something’s not right. Eyebrows plucked, makeup on point, hair pristinely straight as she conditions using TRESemmé. You sure she didn’t reside in a salon for a decade? Not to mention Toby transforms into Bear Grylls in a matter of days. Where the hell did that come from!? Khalfoun attempts to fool audiences by leading viewers down the path of imagination. Inferring that the protagonist is in fact fabricating all this nonsense. The five minute self-conversational scene explicitly hypothesised that his lunacy was profound. Yet whilst that would’ve been clichéd and typically dull, that scenario would’ve fared better than the one devised by Khalfoun. Cult rituals. Voodoo shenanigans. Cave full of multi-coloured paintings. All culminating into an ending that made me want to squish some numbing berries onto the disc and serve it to the beast itself. What was that? Seriously! I loathe endings that make the whole ordeal pointless. Detest them. Especially when there was a perfectly available boat in the middle of the film! Where did the rescue raft go that was beached by the programme manager? The CGI demonic swine could obviously swim, considering that atrocious conclusion. Urgh. No more. Atleast Robbins’ cinematography made the idyllic island endurable. Prey exercises all of the worst traits found in uninspired low-budget horrors, and doesn’t even attempt to hide from its predatory allurement, consequently cementing this as one of the worst of the year.
As New York City is invaded by alien creatures who hunt by sound, a woman named Sam fights to survive with her cat.
Terrorists hijack a 747 inbound to Washington D.C., demanding the release of their imprisoned leader. Intelligence expert David Grant (Kurt Russell) suspects another reason and he is soon the reluctant member of a special assault team that is assigned to intercept the plane and hijackers.
Delos is a futuristic amusement park that features themed worlds—ancient Rome, Medieval times and the Old West—populated by human-like androids. After two patrons have a run-in with a menacing gunslinger in West World, the androids at Delos all begin to malfunction, causing havoc throughout the park.
In October of 1994 three student filmmakers disappeared in the woods near Burkittsville, Maryland, while shooting a documentary. A year later their footage was found.
A mysterious video has been linked to a number of deaths, and when an inquisitive journalist finds the tape and views it herself, she sets in motion a chain of events that puts her own life in danger.
Police inspector and excellent hostage negotiator Ho Sheung-Sang finds himself in over his head when he is pulled into a 72 hour game by a cancer suffering criminal out for vengeance on Hong Kong's organized crime syndicates.
Master burglar Max Hopper is released early after three years and soon gets an exceptional job: stealing an advanced computer-chip from the IQ Industries headquarters. His first attempt fails; when he enters in cop uniform during an emergency board meeting, a fire quickly spreads- he considers it a godsend opportunity and stays, but soon has his hands too full saving other lives and just surviving to concentrate on the chip; only the owner, his wife who just filed for divorce and a few employees remain, but it soon turns out one of them stole company secrets but the arsonist and/or another chip-thieves are among them.
When his young son is killed in a hit and run accident, Charles Thenier resolves to hunt down and murder the killer. By chance, Thenier makes the acquaintance of an actress, Helène Lanson, who was in the car at the time of the accident. He then meets Helène’s brother-in-law, Paul Decourt, a truly horrible individual.
As a child, Ed was cleaning his father’s hunting rifles - a surprise birthday treat for the old man - when one of them went off, hitting and killing his mother. On seeing the bloodshed, his father flew into a murderous rage - Ed just barely escaped with his life. Now in his teens, he returns home; he doesn’t expect to find his father, still there, waiting for a chance to settle the score . . .
The spirit of a comatose teenage girl possesses the body of a newcomer to her girls' boarding school in order to enact bloody revenge against the elitist, lingerie-clad coeds responsible for her condition.
Six young adults in the woods run afoul of a berserker, a viking warrior who dons the fur and snout of a bear, and are slain in turn by him.