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Gangland Chronicles - (Oct 1st)
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Whilst at times a bit messy, Terence Davies and Jack Lowden have put together quite a compelling story of the life (and loves) of acclaimed British poet Siegfried Sassoon. Though not a conscientious objector - he got an MC in France during WWI, he regaled against the wartime policies of the Government and was invalided to an hospital near Edinburgh, where under the care of Dr. Rivers (Ben Daniels) he began to explore his sexuality and to fall in love for the first time (here, with an other equally acclaimed WWI poet Wilfred Owen (Matthew Tennyson)). The film uses two timelines to tell the story. The first, more of a chronology as Sassoon meets and loves the handsome yet frequently unreliable and scathing Ivor Novello (Jeremy Irvine) and Calam Lynch's excellent portrayal of Stephen Tennant. The second, less developed, strand takes a more up-to-date position with Peter Capaldi, a somewhat disillusioned and curmudgeonly old fellow. As the young man's story is told, we begin to understand a little more about why the older is whom he has now become - and that is all told poignantly with a gentle, if sparing, contribution from Gemma Jones as his long-suffering wife. Intercut with actuality from the Somme (not for the squeamish) and with the on-form Lowden (who frequently reminds be, here, of James McAvoy) reading some of Sassoon's more potent poetry and, especially at the end reading one of Owen's, this stylishly produced film provides much food for thought. The quality of the narrative ebbs and flows a bit, but for the most part it works well with an excellent ensemble in support. The marvellously catty Simon Russell Beale as Robbie Ross and Lia Williams as a superbly aloof Edith Sitwell make for a characterful study of a class of society in which homosexuals thrived; creatives created and stress, guilt and angst were really and enduringly affecting the lives of all.
Love, sex, heterosexual, homosexual ... But then people think of gay sexuality, their meetings? Is there a way to love more than another? This is the first thread of the film Bruno Rodriguez-Haney, for which he also signed the BO and scenario. This film, based on the novel of the same name (Edilivre-APARIS Editions) takes us to the heart of reality. love between people of the same sex is good! A story told with humor, but also with great sensitivity.
This American Experience tells Whitman's life story, from his working-class childhood in Long Island, to his years as a newspaper reporter in Brooklyn when he struggled to support his impoverished family, then to his reckless pursuit of the attention and affection he craved for his work, to his death in 1892.
Like the perfect ending of a great film - that is the way filmmaker João describes the end of his 10-year relationship with Hugo. Despite breaking up, they remained best friends. However, reentering the dating scene brought a whirlwind of emotions, revealing that reality can’t be controlled like a movie script.
Hannah, an aspiring young actress, has dreamed all her life to make it big in America. When this dream doesn't come true, she must learn to live life back home again and heal past relationships.
Ricky is a young man who takes care of his sick mother. His father hovers at the edge of the picture, so Ricky provides for himself and his mom through prostitution, running errands, and acting as a caregiver for a blind man. Through the course of the film, Ricky befriends Janey, a young woman he finds beaten by her ex-boyfriend, and Trenn, a mysterious young man in trouble with the law. The three of them navigate a dark and confusing world. It uses many of the actors who have come to constitute the Dar A Luz company, including Tony Torn, Tom Fitzpatrick, Juliana Francis, and Tom Pearl. It will disappoint those who approach it looking for a film analogue of the “faster and louder” aesthetic that critics have used to characterize much of Abdoh’s stage work. The Blind Owl does use a variety of techniques reminiscent of his stage direction, giving it an unusual theatricality.
Based on the true story of Canadian doctor Norman Bethune, this film traces his life from his beginnings with his deeply religious family in Ontario, through his medical studies in school, where he developed his overwhelming compassion for those less fortunate, and his driving desire to see that they get the medical attention they need. Most of his life after college was spent either working in war zones around Europe or developing new treatment techniques in his home country.
Aitana, Pierrick, Rita and Jorge are all in their twenties and all look for ways to make their nights in the city of Madrid a little less lonely. Aitana is a sweet girl trapped in a men’s body; Pierrick is a cute French gay; Rita doesn't much care about her partner, Carolina, and walks through life with no expectations; Jorge is trapped in a relationship with no future: the one he has with Maria. Set against a background of drugs, sex, multiple partners and differing sexualities, Longing Nights follows the individual stories of these young people. A candid portrait of four relationships highly loaded with eroticism from beginning to end. Four stories told without no borders between fiction and reality.