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**The story of how a hitman became hitgirl!** Actually, it was a much better film than what I've heard of it. What could you expect from a B movie? This was a much better film for its small budget with a decent cast. The storyline seems okay, but Michelle Rodriguez is the one who made it possible. Yeah, it was like created for her to play the main role and she excelled. The filmmaking was quite compromised when the initial part of her character was played by herself. Because of particularly her height, but decently convinces us with all the rest of the makeovers. The film was about an assassin, who after encountering some wrong men, discovers later that he'd went through gender reassignment surgery. Now raged with anger, he begins his hunt whoever behind it, especially finding the reason for. With a small romance and action sequences, the film comes to an end. Before giving it a try, you must understand that it is not the film you should expect to be a masterpiece. It tried its best to narrate a decent story, as well as you get your entertainment along. So it is not a must see, but still worth a watch. _6/10_
A risky movie to make, people on both ends of the political spectrum are going to have things to say about _The_ _Assignment_ without ever having seen it, of that I have no doubt. But personally, and trying to put all that aside, _The_ _Assignment_ is actually halfway decent. It uses a couple of tropes I don't enjoy, for instance it has not one but two separate point of view framing devices, and I got the distinct impression that Sigourney Weaver was only there for maybe one full day of shooting, but I still was able to engage in the story, which was certainly one I hadn't seen on screen before. Between this and _Inconceivable_ I'm having a great month for film titles that are super inappropriate puns. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
Boring--which is the worst thing that a B-movie can be. Points only for Michelle Rodriguez's prosthetic penis, her natural titties, and Sigourney Weaver's cinematic debasement via thriller cliches. This fauxploitation film doesn't even have the guts to do exploitation right.
Big thumbs down. I truly wanted to enjoy 'The Assignment' due to Michelle Rodriguez's involvement, but man it is unfortunately a pretty cruddy flick. Rodriguez herself is the film's only noteworthy positive, but only just to be honest - she isn't given much to work with. The premise has potential, though its execution here leaves a lot to be desired. Everything onscreen involving the characters of Sigourney Weaver and Tony Shalhoub bored me tremendously, every time it's just the filmmakers trying to come out looking smart - the dialogue, which is poor overall, is particularly bad for those two. The editing is also awful, the phoney comic book bits are weak and the transitions a very amateur-ish. This 2016 release also has an annoying habit of telling us every single location that a scene takes place, why I do not know - and if you are going to, choose a different font. I know that's an odd thing to mention, but they chose a TV police procedual-esque font, which doesn't fit with the aforementioned attempt at the comic book schtick. This should've been fun. Sadly, it is anything but.
The murderous, backwoods Firefly family take to the road to escape the vengeful Sheriff Wydell, who is not afraid of being as ruthless as his target.
The seemingly invincible Spider-Man goes up against an all-new crop of villains—including the shape-shifting Sandman. While Spider-Man’s superpowers are altered by an alien organism, his alter ego, Peter Parker, deals with nemesis Eddie Brock and also gets caught up in a love triangle.
After another deadly shark attack, Ellen Brody decides she has had enough of New England's Amity Island and moves to the Caribbean to join her son, Michael, and his family. But a great white shark has followed her there, hungry for more lives.
In the poverty-stricken favelas of Rio de Janeiro in the 1970s, two young men choose different paths. Rocket is a budding photographer who documents the increasing drug-related violence of his neighborhood, while José “Zé” Pequeno is an ambitious drug dealer diving into a dangerous life of crime.
During the 1972 Olympic Games in Munich, eleven Israeli athletes are taken hostage and murdered by a Palestinian terrorist group known as Black September. In retaliation, the Israeli government recruits a group of Mossad agents to track down and execute those responsible for the attack.
When a ruthless robber baron takes away everything they cherish, a rough-and-tumble, idealistic peasant and a sophisticated heiress embark on a quest for justice, vengeance…and a few good heists.
A New York nightclub manager tries to save his brother and father from Russian mafia hitmen.
After the imperial court targets Wuliang Manor in search of a powerful Sutra, Feng Ren, a Gushi, is tasked with protecting Po Xiao, a blind boy believed to hold the Sutra. As they journey together, Feng Ren suspects Po Xiao may be hiding deeper secrets.
A former gunslinger is forced to take up arms again when he and his cattle crew are threatened by a corrupt lawman.
After a mobster agrees to cooperate with an FBI investigation in order to stay out of prison, he's relocated by the authorities to a life of suburban anonymity as part of a witness protection program. It's not long before a couple of his new neighbours figure out his true identity and come knocking to see if he'd be up for one more hit—suburban style.
Charley Partanna is a hitman who works for the Prizzis, one of the richest crime families in the US. When he sees Irene Walker, it's love at first sight. But he soon finds that she, too, is a killer for hire. Charley can overlook his suspicions, but he can't turn off his heart. And the couple must remember that even if they love each other, the Prizzis love only money.