Lila

A 1997 Filipino horror film by Lore Reyes and Peque Gallaga.

A mysteries happening in the province of Batangas. It soon happens upon the arrival of a city veterinarian named Frederick. He is summoned by the village officials in order to cure the disease of their livestock. He is befriended by a mute.

The brothers, Jun and Diego embark on a quest to find their father. Their journey leads them to a mountain town where they meet the beautiful Lila and her brother, the charismatic Pido. Pido is a gracious host, introducing the brothers to the ways of the tribe, where members live a simple existence of brotherhood and equality, far from the corruption and greed that rule “civilization”. Jun is enamored by the possibility of living in Panimdim, little suspecting that the tribesmen’s pacifistic exteriors belie a terrible secret.

Amidst the vast sugar plantations of Negros in Southern Philippines, a matriarch lies in the throes of death. Her children rush home to confront the crisis as news of the impending death of their well-loved mother spreads among the community. There, in their ancestral house, the siblings are forced to deal with the issues of inheritance, tradition and the family legacy. It is a familiar tale. After all, every family has its story. And to each one, its own deserved secrets.

Don Victorino Hernandez, a creole secular priest from Manila, has two passions: botany and the total conversion of the native population particularly the Agtas, who in spite of the rigorous undertakings of Spanish colonialism continue to live in the hinterlands, giving them a notorious reputation in the minds of the lowlanders as well as the colonizers.

A journalist investigates a woman with the name of China Doll. Soon, he discovers his knowledge of her turns out to be dangerous.

You'll never look at a statue of the Virgin Mary the same way again. Based on the assertion that divine apparitions aren’t what they always appear to be, Vesuvius is an interesting take on the psychopath with Catholicism smacked against the background. Gio Alvarez provides a convincing portrayal of a madman, and people can even argue if this short inclines toward the supernatural or the psychological. Whereas Grave Torture uses darkness impeccably, Vesuvius plays with light so well.

A story of a group of pranksters who scares a homeless girl and accidentally injuring her. One by one, they start encountering a shadow whose glare causes them to fall severely ill and die.

Pedro Calungsod, a young Filipino man, leaves his Visayan native roots to join the Spanish Jesuit priest Fr. Diego de San Vitores in his mission to the Marianas Islands (Guam) in 1668. The San Diego Mission arrives in the Marianas where the young Pedro, a trained catechist and mission assistant, begins work for Fr. Diego de San Vitores in baptizing the Chamorro natives, preaching the holy gospel and spreading the good news of salvation through the Christian faith amidst paganism, doubt and disbelief. Despite the longing for his father and the threats to their lives, even at the peril of death, Pedro and Fr. Diego continued their missionary work. They roamed the dangerous islands and baptized many more natives and continued to enlighten them about Christianity.

When Fr. Xavi is put on the case as a last resort, she sees one last chance to find help for the girl. With the aid of his keen observation skills, his rigorous learning, a heady clairvoyant assistant and perhaps a little faith, the cynical Fr. Xavi must find the means to confront a gripping darkness bigger than himself, and in doing so find some measure of purpose and redemption.

After she gets into a film-production accident that leaves her crippled, successful actress Jane Ciego slowly transitions into madness after experiencing horrors and torture in her own home.