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"While filmmakers and audiences tend to gag at the thought of ‘the other C-word’ onscreen, writer/director Julia Ducournau and her fearless leading lady Garance Marillier launch themselves teeth first into their bloody and occasionally brilliant cannibal horror pic..." Read the full review here: http://screen-space.squarespace.com/reviews/2016/5/16/raw.html
Sex, drugs and rock & roll. What more could you possibly ask for in your "Fucked-Up-Coming-Of-Age" movies... Cannibalism? No dramas. _Raw_ has got you sorted. _Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
**An extreme desire for blood and flesh!** Totally unexpected. I had no idea what I'm about to watch. Because usually I do small research of films I watch before the click play. I did not know it was even a French film or a horror. But it was not actually a horror in a sense. Seeing the initial set up, I thought it would be about a freshman medical student. Then things turned out strangely. Like it was decades ago when I was young, I have felt uncomfortable for those intentional film. For this, it felt all real. As the contents, I disliked them. But the film succeeded if that's what it's intended to give to its audience. It lived up to what the title meant. But on the other hand, I thought it was making fun of vegetarians. You usually won't find many vegetarians in Europe, but this film's topic was bizarre. Because you know someone who has never consumed meat in his entire life, but then when he begins this new habit, it is like completely going out of control. It's not just one, but two from the same family. Something was very clear, that one not knowing the differences. Because they were never before used to it. Justine is all set to join her sister to practice to be a veterinarian. Coming from a pure vegetarian family, she has to go through some of college traditions. From the beginning itself, it did not go well for her. It affected her health and body. A drastic change in a short period of time, forcing her to uncontrollable desire. Then on one accidental situation, it turns even worst. Ultimately, a conflict between the sisters arise. It takes them to unexpected paths and finally how it all ends were revealed with many uneasy events. > -xX] An animal that has tasted human flesh isn't safe. [Xx- I have seen many films like this, but this one was a stand-alone from all of them. I'm not saying it is a masterpiece, but they have got all things right just as they wanted. Obviously this is for grownups, though not all of them can watch without feeling disgust. Some of article, reviews says, people left the cinema hall halfway through. A very challenging film to watch. You might think I'm exaggerating for a simple cinematic performance, but that's what I really experienced. Only when you give it a try, you might get it. A bit confusing as the story progressing. Like what kind of universe, it is set in. Because whatever happens around Justine, seems nobody caring. Where were the professors! So many doubts. It's just what it is. An imaginative perspective, what if kind of situation turned more uglier. But if you analyse it properly, the only issue was the cannibalism. Not that one showing a desire in consuming meat all of sudden. So, I appreciate the writing, direction and performances, but definitely it is not my cup of tea. Probably for most of you as well. So this is not for all, but selected viewers. Films can be anything, only we have to assert whether we liked it or not. The maker knew what they were doing, the kind of subject they have undertaken for their film. Often a film like this hits the screen, and makes some noise among the film critics and film goers. I don't know on what merit one should decide to watch it. Because it is not for entertainment, nor an art, nor a message film. But I still think it is worth a watch. Just be aware of what you are going to watch. _6/10_
I have wanted to see this movie for a while, and it did not disappoint. Beautifully shot. Not for the timid. My wife had a hard time with a couple of scenes. Granted, it is a bit of a "gross for gross sake", but I loved every minute of it.
“Justine” (Garance Marillier) is a fairly robust young vegetarian who has just started attending veterinary school when she is hazed into eating some raw rabbit liver by her popular elder sister “Alex” (Ella Rumpf) and then unsurprisingly feels sick! That’s just the start of her problems though as it turns out her new roomie in the entirely functional gay lad “Adrien” (Rabat Nait Oufella) and their first week is going to see them undergo loads of frat-style challenges at the hands of their “elders”. She develops a nasty looking rash for which she gets some ointment but the rash appears to be symptomatic of something way more worrying. She is developing a taste for meat - and it’s cooking appears to be entirely optional. It’s beyond a craving, and - well let’s just say she doesn’t need a supermarket to procure her victuals. What’s happening to her, and is she the only one at this school who wants to eat the patients? Marillier is on top form here as this gore-fest becomes more entertainingly grisly. Her character becomes more and more desperate to feed then ashamed of just what she’s doing and she’s slowly going mad! It’s presented with it’s tongue in it’s cheek with some fairly graphic gruesomeness but also with plenty of sexually-charged humour, especially from the confident Oufella who’s “Adrien” probably doesn’t realise how precarious life with his new room-mate is about to become. It’s not especially scary, it more funny than frightening, and it’s an enjoyable take on the college horror genre that’s largely devoid of special effects and endless swearing and is just good fun.
A hypochondriac irks his partner by embracing the advice of an eccentric healer.
Kōhei is a former competitive swimmer who lives an ordinary life with his wife and high school daughter. One day, his wife suddenly asks him for a divorce. He then has a fateful encounter in Tokyo’s gay district, Shinjuku Ni-chōme, with a beautiful boy named Yūtaka. Yūtaka dreams of becoming an animator while working as an online chat boy. At the same time, he is struggling to tell his father that he is gay. They are both confused but eventually become attracted to each other. Then, they have sex. One day they make love, and the next day they hurt each other. Through these emotional ups and downs, their relationship grows deeper and deeper.
A moving comedy-drama about the love, identity and courage of the LGBTQ community during the first walk towards Gay Pride in 1950s England. Based on the real-life events of Yorkshire coal miners and secret gay lovers, Tommy and Eddy, who spend their annual week holiday at a quirky B & B in Blackpool, along with a few other alternative members of society – the transgender Mr. Elbridge, the ex-show girl Red Ethel and the eccentric owner Gladys and her flirty daughter Maureen.
Adam and Marklin’s 5-year relationship has gone from a passionate flame to a simmer, forcing them to reconcile with each other’s shortcomings while their friends endlessly search for love in New York City.
Ted Morgan has been treading water for most of his life. After his wife leaves him, Ted realizes he has nothing left to live for. Summoning the courage for one last act, Ted decides to go home and face the people he feels are responsible for creating the shell of a person he has become. But life is tricky. The more determined Ted is to confront his demons, to get closure, and to withdraw from his family, the more Ted is yanked into the chaos of their lives. So, when Ted Morgan decides to kill himself, he finds a reason to live.
A beautiful 14-year-old girl has just reached marriageable age in a village in Senegal. She has many suitors; however, she is in love a poor student who has returned to the village while the university is on strike. At birth, she had been promised in marriage to Diogoye, who went away to work in France. Diogoye, who supplied her parents with many things over the years, has now sent a dowry, and asked that she be married to him in the village in his absence; she would then be sent to France.
A young engineer on holiday gets involved with a boy who has a strange relationship with the wind. Their close friendship arouses suspicion in the small town. When the boy disappears, the engineer is accused of murdering him.
When Terri Hansen (Mary McDonnell) emerges from a fiery car crash as a widow, the local sheriff at first believes her account of the accident. But there's a snag in her story. Namely, a bullet in her dead husband. Just what did happen on that dark desert road? Through a series of telling flashbacks, we and the jury learn the bizarre truth. Randy Quaid and Sam Elliott costar in this riveting drama.
An unmarried aristocrat (Jacqueline Bisset) resists the advances of the adventurous man (Peter Weller) whom she actually desires, causing him to turn his attentions to her new ward (Amy Locane) and a young maid (Karen Dwyer).
Four very different people live in the same building but avoid each other because of differences in how they live their lives, what they believe in, and where they come from. They would probably never exchange a word, but misfortune pushes them towards each other. Their lives entangle in ways that profoundly challenge deep-held beliefs and prejudices surrounding material status, sexual orientation, nationality and religion. Slowly, and even painfully, they begin to open up to each other and recognize the essential humanity each of them possesses.
When Alice, a beloved neonatal intensive care unit supervisor, is forced to take early retirement, her young colleague Jenny decides to turn the upcoming staff Christmas party into a surprise celebration for her. The plan is complicated by Matt, the hospital’s new CFO, who’s been tasked to cut costs. Initially at loggerheads, Jenny and Matt get to know and understand each other —a sweet Christmas gift neither saw coming.