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It’s, um… creative RELEASED IN 1967 and written/directed by Michael Carreras, "Prehistoric Women” (aka “Slave Girls”) chronicles events in deepest African when a hunting guide (Michael Latimer) enters the forbidden area of the white rhino and passes through a portal into a prehistoric world where dark-haired white women led by Queen Kari (Martine Beswick) cruelly rule over blondes. Meanwhile, all men are kept captive in a cave dungeon, which is where the guide will find himself if he doesn’t submit to Kari’s amorous whims. Beswick is striking and has a killer body, but she never tripped my trigger, maybe because she seems too Amazonian. Regardless, the flick’s filled with gorgeous women, including the protagonist’s wannabe babe, Saria (Edina Ronay). The indoor English sets are too obvious, contrasted by the authentic opening location shots. There are so many curious native dance sequences that the movie borders on being a musical. Thankfully, they’re entertaining and the tribal ditties are catchy. The story seems to be a commentary on gender dynamics from a late 60’s English perspective, but the film’s too cheesy to take overly serious. Nevertheless, it has its points of interest, particularly the prehistoric women (lol). THE MOVIE RUNS 1 hour 30 minutes and was shot in England (Elstree Studios, Borehamwood) with establishing shots of Africa. GRADE: C
Welcome to lush Dinosaur Island, where a tribe of gorgeous cavedwelling warrior women satisfy the exotic fantasies of five downed military airmen. Fearsome battles with the island's ferocious maneating dinosaurs are the only disruption of their seductive pleasures on this island paradise. Narrowly surviving with their lives, the rugged men fall under the seductive spell of their lovely captors and soon find their every dream fulfilled.
Times are changing for Manny the moody mammoth, Sid the motor mouthed sloth and Diego the crafty saber-toothed tiger. Life heats up for our heroes when they meet some new and none-too-friendly neighbors – the mighty dinosaurs.
The TARDIS arrives in a desolate future London, where the Doctor discovers his old enemies the Daleks have taken control of Earth.
The TARDIS crew take up residence near Rome in 64AD, where Ian and Barbara are kidnapped by slave traders, and the Doctor's imitation of Maximus Pettulian sees him taken to the court of Emperor Nero where he inadvertently plays a part in deciding the course of history...
Four schoolboys go on an awe-inspiring expedition back through time, where they behold landscapes and creatures that have long since vanished from the earth.
An orphaned dinosaur raised by lemurs joins an arduous trek to a sancturary after a meteorite shower destroys his family home.
Disgraced and cast out of his tribe for lusting after Lana, the mate of the tribe's head muscle man, Atouk stumbles along gathering other misfits and learning a bit about the world outside of his cave. Eventually he and friends Lar and Tala learn the secrets of fire, cooked meat, and how to defend themselves from the brutal, yet very stupid dinosaurs.
Harry Holt returns to Africa with his friend Martin Arlington to head up a large ivory expedition.
Cartagena, Colombia – 1666. An enslaved woman accused of witchcraft comes face to face with evil incarnate and a Faustian bargain for her freedom while imprisoned in the bowels of the Palace of the Inquisition.
The warrior Deathstalker is tasked by an old witch lady to obtain and unite the three powers of creation - a chalice, an amulet, and a sword - lest the evil magician Munkar get them and use them for nefarious purposes. After obtaining the sword, Deathstalker joins with other travelers going to the Big Tournament to determine the strongest warrior. The false king holds the true princess in captivity, and plots to have Deathstalker killed, and Deathstalker must fight to free the princess.
When a couple of lazy hunter-gatherers are banished from their primitive village, they set off on an epic journey through the ancient world.