I racconti di Viterbury (Le più allegre storie del 300)

Four women of Gubbio – Angelica, Violetta, Lisa and Bettina – are conducted before the court by their lovers and husbands.

Two musicians witness a mob hit and struggle to find a way out of the city before they are found by the gangsters. Their only opportunity is to join an all-girl band as they leave on a tour. To make their getaway they must first disguise themselves as women, then keep their identities secret and deal with the problems this brings - such as an attractive bandmate and a very determined suitor.

Animation film based in some stories of the better illustrators and humorists of Spain during the democratic transition, on seventies: Chumy Chumez, Perich, Oscar, Ja, Fer, Ivà. They are quotidian stories about love, death, sex and violence.

Miss Klein runs a boarding-school. The girls that go there are really "free spirited." They chloroform a peeping Tom, lock two plumbers in the dormitories, strip for a gamekeeper and tease their gym teacher. In class, their biology teacher gets carried away while giving a demonstration of sex positions with the gym teacher. In the meantime, one of the girls makes some exciting alterations to their bicycles to make their rides more enjoyable.

Laughter and Grief by the White Sea is a 1987 Soviet traditionally animated feature film directed by Leonid Nosyrev made at the Soyuzmultfilm studio. The film is a celebration of the culture of the Russian Pomors who live around the White Sea.

Michele is a three-testicle, sexually insatiable man who goes around bedding all women in town (regardless of age), until one day things goes terribly wrong.

Don Santiago, a forty-year-old owner of a pastry shop in Madrid de los Austrias, receives surprising news: a woman, in fact his real mother, leaves him with a brothel in England.

This three-part ballad, which often uses music to stand in for dialogue, remains the most perfect embodiment of Nemec’s vision of a film world independent of reality. Mounting a defense of timid, inhibited, clumsy, and unsuccessful individuals, the three protagonists are a complete antithesis of the industrious heroes of socialist aesthetics. Martyrs of Love cemented Nemec’s reputation as the kind of unrestrained nonconformist the Communist establishment considered the most dangerous to their ideology.

Kirsten Kosinski (Anna Kristina) leaves her provincial town to work in the big city. After getting a job as a secretary, she finds herself occasionally "sellin her charms." Eventually, she becomes a full-time prostitute and feels the need to ensure the protection of a pimp to survive in this environment.

When a foreign-exchange student and a hooker - both named Dominique - show up on a college campus, the unsuspecting student body is in for the education of a lifetime!

A guy starts a fake casting agency in hopes that he will meet his soul mate.