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The tagline for this film is 'Does for the moors what "Jaws" did for beaches', and well, it doesn't exactly do that (American Werewolf in London holds that title) but this curious little Brit comedy-horror does just about work, just, though it does fall fairly flat in a few places. In late 2013, early 2014 production on this title was supposedly pretty much wrapped up. For whatever reason it did not release until almost 3 years later. Directed by first time feature director Michael Anderson who before this, had only directed a couple of shorts. Interestingly, he he had worked on American Werewolf as a clapper loader along with a few other films in the eighties, as well as being a cinematographer on a couple of things in the nineties. Add in (with the aforementioned Anderson) a TV series regular in Potts (Primeval), Aikman (Freight) who is perhaps more known for her video game voice artist work than her on-screen credits and Turgoose (This Is England, Eden Lake) who is not exactly shall we say prolific, this all adds up to a curious film that could have been a major disaster. The script from Squire adds just enough wit to keep this rolling along, naturally helped by the recent successes of other similar films such as Shaun of the Dead which really helped revive this sub-genre. Anyway, as to the actual story-line, Tim Webber (an adequate Potts) sneak out of boarding school one night on a dare to steal some crocodile eggs from the local zoo. As you do one might say. Naturally, as any idiot could envisage, it all goes horribly wrong with Tim taking all the responsibility. Fifteen or so years later, Tim returns home after the death of his father and this is where the film begins in earnest. Only our intrepid hero finds something a sinister lurking in the local moors and canals which is quietly and unassumingly dispatching with the local Somerset villagers. Nothing to worry about then I hear you say. Can Tim make amends for his actions fifteen years earlier? will Tim become just another statistic along with residents of this sleepy village? Do we even care? Well, given the raft of rubbish that is released yearly, especially VOD and straight to cable, this one is probably worth finding out, specially when you add in the rather off-beat serial killer sub-plot. Is this a sensible film? For sure it is not. Monster feature, serial killer, comedy with a little horror mixed in, it is certainly all of those and more. A simple film made all the weirder by the plot and characters, and there are many weird characters. But it is all this and more that makes the film the curious little treasure it is. Am I biased with it being a British film? I'd like to think not, but certainly the humour is what I have grown up with and maybe that resonates a little more with myself than perhaps it would with others. As has been mentioned, the script is fairly good and keeps the comedy elements nicely mingling with the more serious sections of the film, though some more character development would have been nice, or at least some of their motivations aside from our protagonist. Is the actual story-line a little silly? Hell yes it is, but that adds to it's charms. And tell me, when has any creature-feature ever had an Oscar worthy plot? Does it steal elements from Lake Placed and such films like Alligator? Yes it does but this just keeps things refreshing and original enough to keep you entertained. As for the bad, well the acting bar a couple of the main actors is nothing to get excited about, the special effects are not the greatest by any stretch of the imagination (neither is the creature either) and the film does suffer from some meandering moments. Perhaps it's biggest failing is the actual lack of creature action. But thinking on this for a moment, if you were to add up the screen time of a creature in a flick like this I really don't think it is low comparing to other films. We all love a good dodgy B-movie creature feature, but why? The creature itself is hardly on screen. Now given the budget for this film was a rumoured one million, then I personally think they did fairly well with using that money. To sum up, there are far worse films for you to spend ninety minutes of your life watching and if you are a fan of either the creature-feature or Brit horror-comedy than you can certainly do worse. For more reviews follow the links below: http://thecelluloidsage.com/ https://www.facebook.com/thecelluloidsage/
Many loosely connected characters cross paths in this film, based on the stories of Raymond Carver. Waitress Doreen Piggot accidentally runs into a boy with her car. Soon after walking away, the child lapses into a coma. While at the hospital, the boy's grandfather tells his son, Howard, about his past affairs. Meanwhile, a baker starts harassing the family when they fail to pick up the boy's birthday cake.
Over the course of five social occasions, a committed bachelor must consider the notion that he may have discovered love.
King Arthur, accompanied by his squire, recruits his Knights of the Round Table, including Sir Bedevere the Wise, Sir Lancelot the Brave, Sir Robin the Not-Quite-So-Brave-As-Sir-Lancelot and Sir Galahad the Pure. On the way, Arthur battles the Black Knight who, despite having had all his limbs chopped off, insists he can still fight. They reach Camelot, but Arthur decides not to enter, as "it is a silly place".
London is terrorized by a vicious sex killer known as The Necktie Murderer. Following the brutal slaying of his ex-wife, down-on-his-luck Richard Blaney is suspected by the police of being the killer. He goes on the run, determined to prove his innocence.
When the seaside community of Amity finds itself under attack by a dangerous great white shark, the town's chief of police, a young marine biologist, and a grizzled hunter embark on a desperate quest to destroy the beast before it strikes again.
Police chief Brody must protect the citizens of Amity after a second monstrous shark begins terrorizing the waters.
After another deadly shark attack, Ellen Brody decides she has had enough of New England's Amity Island and moves to the Caribbean to join her son, Michael, and his family. But a great white shark has followed her there, hungry for more lives.
Bridget Jones is an average woman struggling against her age, her weight, her job, her lack of a man, and her various imperfections. As a New Year's resolution, Bridget decides to take control of her life, starting by keeping a diary in which she will always tell the complete truth. The fireworks begin when her charming though disreputable boss takes an interest in the quirky Miss Jones. Thrown into the mix are Bridget's band of slightly eccentric friends and a rather disagreeable acquaintance into whom Bridget cannot seem to stop running or help finding quietly attractive.
Unscrupulous boxing promoters, violent bookmakers, a Russian gangster, incompetent amateur robbers and supposedly Jewish jewelers fight to track down a priceless stolen diamond.
A mother and daughter move to a small French town where they open a chocolate shop. The town, religious and morally strict, is against them, as they represent free-thinking and indulgence. When a group of gypsies arrive by riverboat, the Mayor's prejudices lead to a crisis.
Mortimer Brewster, a newspaper drama critic, playwright, and author known for his diatribes against marriage, suddenly falls in love and gets married; but when he makes a quick trip home to tell his two maiden aunts, he finds out his aunts' hobby - killing lonely old men and burying them in the cellar!