Swing, Sister, Swing

The duo made up of musician and actress Julia de Castro and double bass player Miguel Rodrigáñez thus premieres their latest show, Exhalación: vida y muerte de De La Puríssima. With it, they intend to put an end to the ten-year revolution of EL CUPLÉ this scenic musical genre, which the singular tandem has merged with jazz, cumbia and electronics on stages around the world. Show nominated for the Premios Valle Inclán. As the duo explains, De La Puríssima was born in 2009 “as a transit project, in which music was the most direct and ritualistic medium from which to raise core issues such as sex, bullfighting, folklore or religion”. Now, a decade later, it is time to remove the peineta and celebrate the end of a stage in which the provocative lyrics by Julia de Castro have traveled through numerous audiences to bring up to date a genre that was in the forgetfulness of national folklore, the cuplé.

Story about two boys, whose dreams of pursuing music careers are destroyed through substance abuse and drug trafficking.

Sissy St. Claire graces the small screen for her first ever television special, an evening full of music and laughter, glamour and entertainment! But Sissy's live event quickly begins to curdle into a psychedelic nightmare of vanity, insecurity and delusional ambition, provoked by the glowering presence of a mysterious masked man.

In this musical comedy, the trouble begins when a carefree playboy steals the virtue of a young French maiden and is forced to marry her when her angry father, a financier finds out. The playboy is flat broke, but does the honorable thing. The newlyweds then board a ship and sail off to the States. They are accompanied by the girl's ex-fiance. The plan was for the young marrieds to get a divorce as soon as possible, but then the groom realizes that he really does love the girl. Happiness ensues

Three young musicians and three female singers strive for success, competing each other. But love gets in their way.

Hammerstein and Kern’s Show Boat is a true classic of American musical theater - a tale of life on the Mississippi from the 1880s to the 1920s is both a poignant love story and a powerful reminder of the bitter legacy of racism. The exuberant production from the San Francisco Opera features songbook classics such as “Ol’ Man River” and “Can’t Help Lovin’ Dat Man”.

In the days leading up to Partition, a Hindu woman is abducted by a Muslim man. Soon, she finds herself not only forced into marriage, but living in a new country as the borders between India and Pakistan are drawn

This puzzling experimental film is written and directed by Raymond Rouleau, who uses effects like changing color tones and masks to put across a drama within a dance drama. The set is a sound stage and the actors in this film are dancers on the stage, performing a mime-ballet derived from one particular legend. Both the enacted legend and the actual events affecting the dancers are parallel. The lead dancer Isa (Ludmila Tcherina) is still nursing her wounds after her first love left her to stand alone at the altar. Now one of the dancers wants to expand his relationship with Isa - and soon after, the cad who jilted her suddenly shows up again. Tragedy follows closely behind.

Joe Lane, radio entertainer and songwriter, learns that the manager of the studio, Arthur Phillips, has made improper advances to his wife, Katherine. Infuriated, Lane engages him in a fight, and the encounter results in Phillips' accidental death. Joe goes to prison for a few years, and when he is released he visits his son, Little Pal, at school and is begged by him to run away together.

A soldier stationed on an army base and his fiancé, who runs a women's "fat farm" nearby, want to get married but don't have enough money. Three customers of the "fat farm" scheme to get back at their philandering husbands by hiring the soldier and two of his buddies as "escorts" for the weekend. Complications ensue when the husbands show up unexpectedly.