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With an opening straight out of "Ben Hur", the old codgers at the assurance company rebel when one of their number is fired. They consign their new, yuppie, management to the vault - or make them walk the plank. Then cannibalising just about everything from the ceiling fan to the coat hook detach their building from it's m foundations and set off on the voyage of a lifetime. Shiver me timbers, but they're off a-pirating in their eponymous ten-storey vessel. Determined to make waves amidst Mrs Thatcher's newly formed economic policy, they head straight for the gleaming merchant banking centre. Weapons loaded, eye-patches firmly attached (didn't see any parrots) they launch their assault. Perilous thing being a window cleaner! Who will win out? Well it's got a rousing, maritime-style score and loads of swash and buckle as the filing cabinets double for cannon and just about every bit of office furniture becomes a lethal weapon. It's quite good fun with the typical surrealism you'd expect from Gilliam and there's even a message-reinforcing ditty to ram the message home. Possibly a bit long, but enjoyable to watch - right to the end!
In the style of a documentary this tragic comedy tells the story of a relationship crisis between two married couples and their longing to break out of their miserable daily lives. In this East German post-wall movie Andreas Dresen introduces the sad everyday life of two couples from Frankfurt an der Oder in a honest and tolerable manner.
Brian Cohen is an average young Jewish man, but through a series of ridiculous events, he gains a reputation as the Messiah. When he's not dodging his followers or being scolded by his shrill mother, the hapless Brian has to contend with the pompous Pontius Pilate and acronym-obsessed members of a separatist movement. Rife with Monty Python's signature absurdity, the tale finds Brian's life paralleling Biblical lore, albeit with many more laughs.
Lovable Sulley and his wisecracking sidekick Mike Wazowski are the top scare team at Monsters, Inc., the scream-processing factory in Monstropolis. When a little girl named Boo wanders into their world, it's the monsters who are scared silly, and it's up to Sulley and Mike to keep her out of sight and get her back home.
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.
Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
"RRRWGHHRW! RRRWGHHRW! RRRWGHHRW!" How far will you go to reach your dreams? Let Eloy tell you how. Eloy Macapagat is a grade school student who dreams of becoming an artist someday. You'll most probably see him acting inside his room with movie posters. So, when given the chance to act in a school play as a carabao, Eloy accepted the role. That's his chance! But how will he become a carabao if he does not know how to act like one? Mang Kiko, a farmer, and Papa P., a carabao, got Eloy's back. Mang Kiko taught Eloy how to act and be like Papa P. Soon, the farmer, the carabao, and the carabao-wannabe eventually grew fond of each other on the mud and green lands. Yet, how far will Eloy really go to reach his dreams? Will he continue to bond with Mang Kiko and Papa P. after his school play? Here, let Eloy tell you—"RRRWGHHRW! RRRWGHHRW! RRRWGHHRW!"
An absent-minded traveler arrives at a Spanish beach where chaos is about to break out. (Followed by Mad in Xpain, 2020.)
An outcast duckling's search for a family to accept him leads to constant rejection before learning his true identity as a swan.
Boy meets boy. Almost like any love story - but what happens when you are not only discovering the other person but also yourself? Marco has just separated from his ex-girlfriend and meets Galo, a carefree and pleasant boy who shakes up his world. And the structure. And the thoughts. Because Marco thinks a lot, more than he acts, although his active mind and his hyper-obsessive analysis of everything around him can help him get closer to Galo. Boy gets boy?
