War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
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Gabriel Pascal and (George) Bernard Shaw have reunited for this enjoyably paced, quirky and characterful adaptation of his 1905 play. That creation uses chocolate, this one replaces it with arms as the eponymous, upright and virtuous character - Wendy Hiller - re-evaluates her leading light position in the Salvation Army when their General (Dame Sybil Thorndike) agrees to accept two huge donations - one from a recently ennobled brewing magnate, the other from her father "Andrew Undershaft" (Robert Morley) - the aforementioned, billionaire arms dealer. It's oft described as a comedy, this - and there are certainly comedic elements to it, especially from Morley and her academic suitor Rex Harrison ("Adolphus Cusins"), but is largely presented more of a question to us, the audience. It challenges us to assess which is (or might be) the more important influence: religion or money; prosperity or integrity. Are they mutually exclusive? Perhaps it is a rather simplistic choice, but Shaw offers us scenarios ably illustrating the opportunity and hypocrisy that we may appreciate both the emotional and practical quandaries of "Maj. Barbara" as her resistance to her father's mercenary existence is tempered with his argument justifying his wealth, and his power. Morley is super - his delivery potently justifies his position to the point where it seems irrational to doubt it! The staging is a little too fixed. Though there are a few outdoor scenes, the vast majority appears overly hemmed in. The brewery lights flashing on and off; the scenes in their shelter, and at their home - all are just a bit linear. The pretty lively scenes with an on-form Robert Newton (the down-to-earth, working-class pragmatist "Billy") come across as just a bit too stifled - the flow is almost staccato at times. With the likes of Ronald Neame, David Lean, Charles Frend and Vincent Korda helping out behind the camera, it was always going to be a well made film, and indeed it is. A social commentary that pitches avarice against principle - and one that leaves us to decide... Good stuff.
Corporate billionaire Edward Cole and working class mechanic Carter Chambers are worlds apart. At a crossroads in their lives, they share a hospital room and discover they have two things in common: a desire to spend the time they have left doing everything they ever wanted to do and an unrealized need to come to terms with who they are. Together they embark on the road trip of a lifetime, becoming friends along the way and learning to live life to the fullest, with insight and humor.
Roberto Bolle smuggles himself as a stowaway on an ocean liner that of Hamburg gen New York sets sail. On board is also his lover Barbara Shadwell, whom he wants to marry, but who, at the request of her mother, the syrup millionaire Ceila Shadwell, should marry the oatmeal millionaire David.
Broadway producer Max Bialystock and his accountant, Leo Bloom plan to make money by charming wealthy old biddies to invest in a production many times over the actual cost, and then put on a sure-fire flop, so nobody will ask for their money back – and what can be a more certain flop than a tasteless musical celebrating Hitler.
Tonya Korovyak dreams of being a superstar. Dreams of fame, fans, applause and a white limousine became her obsession. If at one time ambitious girl mastered the basics of noble manners at the guest house, now to achieve this goal Tonya's going to go to study on "Factory of stars." Her father Korovyak - the owner of a large supermarket chain - he is crazy about the "creative ideas" of his little daughter, that will not tell about the aunt.
Brave new steps put Scott's career in jeopardy. With a new partner and determination, can he still succeed?
Renowned oceanographer Steve Zissou has sworn vengeance upon the rare shark that devoured a member of his crew. In addition to his regular team, he is joined on his boat by Ned, a man who believes Zissou to be his father, and Jane, a journalist pregnant by a married man. They travel the sea, all too often running into pirates and, perhaps more traumatically, various figures from Zissou's past, including his estranged wife, Eleanor.
Murderesses Velma Kelly and Roxie Hart find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.
Australian good girl Sandy and greaser Danny fell in love over the summer. But when they unexpectedly discover they're now in the same high school, will they be able to rekindle their romance despite their eccentric friends?
It's a dreary Christmas 1944 for the American POWs in Stalag 17 and the men in Barracks 4, all sergeants, have to deal with a grave problem—there seems to be a security leak.
The fat knight Sir John Falstaff imagines that Mistress Ford and Mistress Page are both taken with him and so, attracted as much by their husbands’ money as their personal charms, he decides to woo them both. But the women are up to the old lecher’s tricks and turn the tables on him with a series of humiliating assignations, midnight terrors and a very damp, extremely smelly laundry basket. Gutsy, colloquial and bustling with vivid characters, The Merry Wives of Windsor is a brilliantly constructed farce and the only comedy Shakespeare set in his native land. It is also the ancestor of English bourgeois comedy and gave birth to a tradition that reaches down to the modern TV sitcom. The production made merry with the relationship between the life of middle-class Elizabethan England and the late medieval period in which the play is set.
When an Italian man comes out of the closet, it affects both his life and his crazy family.