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Douglas Fairbanks' last film is hardly a triumph, but it is still quite an enjoyable tale that takes a slightly quirkier take on the life of the famous Lothario. A man in middle age, he still has success with the ladies - but his doctor is a little worried that his health is failing. Heaven forfend that he die on the job! Of course he believes none of this, but when his servant is murdered by someone who believed the man to be him, he takes advantage of this error and retires to private life. Bored by that, after a while, he decides to reappear but his aged looks draw naught but ridicule from all concerned. Meantime, his wife "Dolores" (Benita Hulme) hasn't given up hope of a reconciliation with the rogue she loves - but can she bring him to heel? It is quite a tame production. Whilst there is plenty of swordplay action, it is much more gingerly delivered. That adds authenticity to the thread that he is a much more elderly gent, but it also slows the pace down and at times this film is actually a bit too dull; too wordy. Merle Oberon is stunning as "Antonita" the dancer and Melville Cooper tries his best as his amiable sidekick "Leporello" but sadly this film just never really catches fire.
Giovanni Percolla lives in Catania surrounded by the attentive cares of his three sisters. He permanently acts like a Don Giovanni to hide his real poor "knowledge" of women. With his friend he moves also to Rome but women still continues to remain part of his fantasies. But Giovanni succeeded to build anyway a fame of "tombeur de femmes". One day he meets the real love of Maria Antonietta and decides to marry. Will things change?
Spanish Lothario Don Juan, the legendary lover and adventurer returns to Spain following a scandal and comes to the aid of his queen, who is under threat from sinister forces.
The Stockholm publisher Adam, a wealthy gentleman with a favorable appearance, has completely undeservedly gained a reputation for being a great Don Juan. Women of all ages are drawn to him and give him their invitations. To be at peace, Adam escapes on his sailboat out into the archipelago and settles down on a small islet. But the ladies follow him and in their footsteps follow jealous fiancés and angry courting cavaliers.
John Arnold DeMarco is a man who believes he is Don Juan, the greatest lover in the world. Clad in a cape and mask, DeMarco undergoes psychiatric treatment with Dr. Jack Mickler to cure him of his apparent delusion. But the psychiatric sessions have an unexpected effect on the psychiatric staff and, most profoundly, Dr Mickler, who rekindles the romance in his complacent marriage.
Unlikely Lothario, the less-than-dashing crossed-eyed Ben Turpin, finds himself pursued by many beautiful ladies.
Every woman wants him, every man wants to be him: Mozart’s version of the irresistible rogue who brings excitement with him and leaves destruction it his wake has always attracted top singing actors, as in this performance brilliantly led by James Levine. Samuel Ramey is Don Giovanni, pursued by the incandescent Karita Mattila (Donna Elvira) in her Met debut season and role, and by the white-hot avenging fury of Carol Vaness (Donna Anna.) Ferruccio Furlanetto delivers a masterful comic turn as the Don’s servant, Leporello.
This production was originally staged for the Pepsico Summerfare Festival, The International Performing Arts Festival of the State University of New York at Purchase. Leaving the lyrics in their original Italian, acclaimed American director Peter Sellars transports Wolfgang Amadeus Mozart's "Don Giovanni" to a modern-day metropolis, nestling the opera's beloved characters among the brownstones of New York City's Harlem. Sellars's contemporary retelling of a classic musical tale is one of three performances in a Mozart series that also includes "Le Nozze di Figaro" and "'Così Fan Tutte."
Sharif tries to get Zahra, the girl he has long chased, but he fails to catch her, so he finds himself getting her in another way, which is to marry her, and he actually advances to her and marries her after he is unable to catch her.
Madrid, Spain, early thirties. The charming playboy Sergio Hernán is an unscrupulous womanizer who over the years has seduced and abandoned hundreds of women with the complicity of Oshidori, his cynical butler. However, his brief encounter with Elena Fortún, blonde, posh and a bit cheesy, unexpectedly leaves an indelible mark on his soul.
If there was one thing that Don Juan de Marana learned from his father Don Jose, it was that women gave you three things - life, disillusionment and death. In his father's case it was his wife, Donna Isobel, and Donna Elvira who supplied the latter. Don Juan settled in Rome after attending the University of Pisa. Rome was run by the tyrannical Borgia family consisting of Caesar, Lucrezia and the Count Donati. Juan has his way with and was pursued by many women, but it is the one that he could not have that haunts him. It will be for her that he suffers the wrath of Borgia for ignoring Lucrezia and then killing Count Donati in a duel. For Adriana, they will both be condemned to death in the prison on the river Tigre.