Drzewa

Enclosed by a civilised landscape, society reduces the problem of human survival to a minimum. The sidewalk, the fence, the clearing, demarcate a treaty between man and nature whereby neither one of us shall pass these thresholds lest we become subject to the law of the other.

An ever evolving alien life-form arrives on a comet from the Dark Gaseous Nebula and proceeds to consume pollution. Spewing mists of sulfuric acid and corrosive sludge, neither humanity nor Godzilla may be able to defeat this toxic menace.

Guima and Aras are star-crossed lovers in this sardonic tale of fruit and global genocide. One day, a black mango suddenly appears in Guima and Aras's tree. To eat or not to eat: that was their question. Toxic Mango is a silent, black-and-white film that ruminates on a dystopian future where the effects of the oil spill tragedy have reached nightmarish proportions.

A sci-fi, eco-conscious fantasy about a 14-year-old heroine, Suzu, a descendent of a distinguished shaman who saved people from catastrophe in the past. Suzu sets out on a journey, along with the spirit of nature, Coluboccoro, to regain peace and nature to the ruined villages.

Kellou, in her forties, lives in Bol, the capital of Sahel’s province. She’s a fisher, profession transmitted from mother to daughter. She learned it from her mother. But since a few years, Lake Tchad has been shrinking, and fish has become rare. Kellou’s job is threatened. One day, after an un- successful catch, her 12 year old daughter Mouna gives her an idea: pick up plastic bags invading the lake and make ropes out of it to sell them on the market. By this simple gesture, Kellou gets to, in her own way, fight against plastic pollution and adapt to the new conditions brought about by climate change.

Fifteen years after giving up his studies as a botanist, the filmmaker decides to visit his old professor — Julio Betancur — and returns to the tropical forests of Colombia with Julio and his new disciple, the young Cristian Castro. This reunion launches a voyage that immerses us in doubts over science and the way we see the world, as Julio and Cristian look for their beloved plants in remote forests. Through their work, the film shows us the importance of legacies, and the strength of that ancient bond between master and disciple. Their search also prompts a personal reflection on modern man’s obsession with controlling and mapping nature. In the diverse and nearly infinite world of the tropics, what is the point of counting plants forever?

The history of humanity and of our planet in four minutes. An eco-friendly statement developed in a single shot that has it all: humor, action and tragedy.

A vast, rocky desert. A lone woman struggles to preserve the last remaining bit of the last remaining glacier with a crazy patchwork of cloth and rags that she retrieves from the abandoned valleys. Sisyphus' work. Only at night, when the blazing sun has disappeared, other creatures appear. Wolves and mountain goats drink in unison from the last source of water. And the woman is no longer alone.