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This is one of those cases of a movie that should have worked way better than it did. Just the very idea of watching Earp and Mix solving some murder mystery in Holywood sounds incredible and fun to watch. However, Edwards' screenplay never truly finds its identity, floating between Neo-Noir, Western and Comedy. Maybe paired in Noir-Western or Comedy-Western it would've worked better: it just didn't know wheter to take itself seriously or not. That is, however, the only real problem with it. The production and time setting is awesome, with a shoutout to the costume design. Mix's especially. The colors are a sight to see, creating a warm-hot feel to the movie, reminiscent of the Western, but in a Noir setting. Mancini's soundtrack is one of the best I've ever heard. Perhaps as a consequence of the film's lack of true identity, Mancini went every which way with it. His "Sunday west" bits combined with more somber and serious tracks - reminiscent of his work on Touch of Evil (1958) - just complete each other so well. Willis is in a point in his career that is intersting to watch. Even before his greatest hit (and masterwork) Die Hard (1988), in which he hadn't found his persona yet. Still, he looks and sounds much like the star he would become months later, with a touch of Mix-cowboy in. He is a very "light" presence on-screen, and in the good way. McDowell is always a convincing actor, and his "Happy Hobo" Alfie Alperin is quite fun to watch - especially given the parallels to another Happy Hobo, Chaplin's The Tramp - but he isn't given a lot of screen time, and from the very beginning, it's quite clear that he is the villain. But the highlight of the film is the veteran James Garner. His incarnation of the legendary frontier lawman Wyatt Earp is (albeit anachronistic) one of the best. In my opinion, only second to Kurt Russell's in Tombstone (1993). That "hawk-eyed" archetype that Earp basically defines in pop-culture was very well-captured by Garner - even out of his "natural habitat" of the west. Sunset is a very fun, lighthearted buddy movie. It is a great movie that should have been an all time classic, yet it somehow feels right. It's a one-of-a-kind curio piece. And my heart says it deseves more recognition. Give or take a star or two.
In a corrupt city, a small-time gangster and the estranged wife of a pot dealer find themselves thrown together in an escapade of love, money, drugs and danger.
CREMASTER 2 is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney's abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1.
A group of young horror fans go searching for a film that mysteriously vanished years ago but instead find that the demented killer from the movie is real, and he's thrilled to meet fans who will die gruesomely for his art.
An airline pilot pursues a live-in babysitter at his hotel and gradually realizes she is not as stable as perhaps she should be.
Michael manages to free himself from Laurie Strode's trap to resume his ritual bloodbath. As she fights for her life from injuries from their last encounter, she inspires her daughter Karen, her granddaughter Allyson, and all of Haddonfield to rise up against the unstoppable monster.
The story revolves around a man trying to uncover the mysterious death of his girlfriend and save an innocent man from the death chamber in the process, by using his unique power to time travel. However in attempting to do this, he also frees a spiteful serial-killer.
Maimed by bullies at a California high school, a new student engineers acts of revenge.
Having finally secured her first assignment from her family's demolition business, Sam Walczak is sent to supervise the destruction of an apartment house, only to discover a group of tenants still living in the condemned building. One such tenant, Jimmy, tells Sam an urban legend about a serial murderer who used to live in the building and entomb his victims in the walls. What's worse, the dead are believed to still harass the residents to this day.
After a relaxing anniversary cruise, Andrea and his wife Barbara are dropped off in Istanbul, Turkey. There, they meet Andrea’s reserved assistant Silvia and his Turkish colleague Omar, who hasn’t been back to his home country in fifteen years. Andrea’s secretary has arranged a luxurious seafront villa for them to stay in while they’re in the country. Upon arriving at the villa, Omar experiences an unsettling feeling of déjà vu, as though he has been in the house before, while the married couple can’t stop bickering. However, the vacation soon turns into a nightmare when mysterious and deadly events begin to unfold.
Young Al Capone catches the eye of Johnny Torrio, a criminal visiting New York from Chicago. Torrio invites Capone to move to Illinois to help run his Prohibition-era alcohol sales operation. Capone rises through the ranks of Torrio's gang and eventually takes over. On top, he works to consolidate his power by eliminating his enemies, fixing elections to his advantage and getting rich. In his spare time, Capone courts the principled Iris Crawford.
After being implicated in a murder, a young woman flees New York City and moves to Los Angeles, where she rents a room from a writer. They begin an affair, but it seems she's been followed by a homicidal duplicate of herself.