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Freeeeeeeeeeeeeeeeeeeeeeeee me! Can't you hear that's what I say. John McVicar is a tough uncompromising armed robber, after being sent to a maximum security prison for 23 years he dreams of escaping every day. As his reputation grows and friendships are formed, it would appear that his friend Wally Probyn may have figured a way out of this tough rigid prison. In 1979 America had The Warriors and The Wanderers, at pretty much the same time us British had Quadrophenia and McVicar to hold dear to our hearts, both films produced out of The Who Films Ltd, both films eminently quotable to a certain age group that were of the teenage persuasion. I love McVicar, I really do, based on the true life story of McVicar, well from his own accounts written in his book, "McVicar by Himself", the film boasts a Who soundtrack and a script that positively sparkles with wit and anger speak. Yes the charges of the film making hardened criminals seem likable characters is a fair one, but not only does the film show the disgust (and rightly outright hatred) for sex offenders, it also showcases just what a hard job the prison officers have, this is something that many of the user comment writers on line have failed to acknowledge. Roger Daltrey takes on the role of McVicar and dons a career best, gruff, perfectly in shape and a wide boy arrogance that comes off as gold dust in this particular piece. Backing him up is wonderful turns from Brian Hall (comic gold), Steven Berkoff (clearly enjoying himself), Matthew Scurfield (frighteningly unnerving) and Peter Jonfield. Once the escape happens the film switches in tone as McVicar tries to make some sense of his life, it's an emotional switch that tones the film down but never the less takes us successfully to the highly accomplished finale. We are then left with a wonderful quote from John McVicar himself and we are told just what this tough as nails armed robber actually did with himself from that point on. Perhaps it's because I was a teenager when the film came out, that I love it so much? Or maybe the script just appeals to me on a very primal level? Either way I'm always going to be a fan of it, and McVicar remains to me, along with Quadrophenia and Scum, British standards to revisit every single year. I don't care how late it is I'm not going home 8/10
When illegal card dealer and recovering heroin addict Frankie Machine gets out of prison, he decides to straighten up. Armed with nothing but an old drum set, Frankie tries to get honest work as a drummer. But when his former employer and his old drug dealer re-enter his life, Frankie finds it hard to stay clean and eventually finds himself succumbing to his old habits.
Brimming with action while incisively examining the nature of truth, "Rashomon" is perhaps the finest film ever to investigate the philosophy of justice. Through an ingenious use of camera and flashbacks, Kurosawa reveals the complexities of human nature as four people recount different versions of the story of a man's murder and the rape of his wife.
The true story of technical troubles that scuttle the Apollo 13 lunar mission in 1970, risking the lives of astronaut Jim Lovell and his crew, with the failed journey turning into a thrilling saga of heroism. Drifting more than 200,000 miles from Earth, the astronauts work furiously with the ground crew to avert tragedy.
20 volunteers agree to take part in a seemingly well-paid experiment advertised by the university. It is supposed to be about aggressive behavior in an artificial prison situation. A journalist senses a story behind the ad and smuggles himself in among the test subjects. They are randomly divided into prisoners and guards. What seems like a game at the beginning soon turns into bloody seriousness.
101-year-old Rose DeWitt Bukater tells the story of her life aboard the Titanic, 84 years later. A young Rose boards the ship with her mother and fiancé. Meanwhile, Jack Dawson and Fabrizio De Rossi win third-class tickets aboard the ship. Rose tells the whole story from Titanic's departure through to its death—on its first and last voyage—on April 15, 1912.
New York Times reporter Sydney Schanberg is on assignment covering the Cambodian Civil War, with the help of local interpreter Dith Pran and American photojournalist Al Rockoff. When the U.S. Army pulls out amid escalating violence, Schanberg makes exit arrangements for Pran and his family. Pran, however, tells Schanberg he intends to stay in Cambodia to help cover the unfolding story — a decision he may regret as the Khmer Rouge rebels move in.
Held in an L.A. interrogation room, Verbal Kint attempts to convince the feds that a mythic crime lord, Keyser Soze, not only exists, but was also responsible for drawing him and his four partners into a multi-million dollar heist that ended with an explosion in San Pedro harbor – leaving few survivors. Verbal lures his interrogators with an incredible story of the crime lord's almost supernatural prowess.
People in the future live in a totalitarian society. A technician named THX 1138 lives a mundane life between work and taking a controlled consumption of drugs that the government uses to make puppets out of people. As THX is without drugs for the first time he has feelings for a woman and they start a secret relationship.
A tormented jazz musician finds himself lost in an enigmatic story involving murder, surveillance, gangsters, doppelgängers, and an impossible transformation inside a prison cell.
A true story about Frank Abagnale Jr. who, before his 19th birthday, successfully conned millions of dollars worth of checks as a Pan Am pilot, doctor, and legal prosecutor. An FBI agent makes it his mission to put him behind bars. But Frank not only eludes capture, he revels in the pursuit.
Based on a real event, twelve dead bodies are found in the Tula River, we see the events that lead up to the massacre in a tale of crime, vice, corruption and sleaze.