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As with "Blood Brothers", Willy Russell has created another wonderfully evocative scenario for a bored, alcoholic "Professor Bryant" (Michael Caine) who finds himself tutoring aspiring working-class "Rita" (Julie Walters). She is the product of a state education system that has given her the rudiments but she needs more; she wants to be able to make her own choices - and they don't necessarily include settling down with her husband and having babies. Initially she is as daunted as she is inspired by the more intellectual environment he, and his students, inhabit but gradually their personalities entwine as it becomes clear that "Bryant" has plenty of demons in his own life - exemplified well by girlfriend "Julia" and her clumsily disguised affair with fellow lecturer Michael Williams' "Brian", as well as by his dependency on Scotch! On the face of it, the plot is really quite predictable, but that simplicity belies the real issues that many women faced when attempting to break free from their class-bound cycle of responsibilities of home and hearth, even in as late as the 1980s. The humour is frequent, dry and pithy with a fun, and quite telling contribution from Maureen Lipman as "Trish", the new flatmate who simply adores Mahler. The score could have been orchestrated a bit better - the synthesised sound is a bit amateur; and at times - like the original play - it drags a little, but that all serves to give us a little more of idea as to what makes both of them really tick - she is prepared to sacrifice much for her opportunity. Caine & Walters are superb, plausible and likeable in equal measure delivering a poignant story of salvation for both of them. It lost out to "Terms of Endearment" & "Tender Mercies" at the Oscars - which is a shame; it is much more memorable than either of those...
London, 1929. Frank Webber, a very busy Scotland Yard detective, seems to be more interested in his work than in Alice White, his girlfriend. Feeling herself ignored, Alice agrees to go out with an elegant and well-mannered artist who invites her to visit his fancy apartment.
Australian good girl Sandy and greaser Danny fell in love over the summer. But when they unexpectedly discover they're now in the same high school, will they be able to rekindle their romance despite their eccentric friends?
It's a dreary Christmas 1944 for the American POWs in Stalag 17 and the men in Barracks 4, all sergeants, have to deal with a grave problem—there seems to be a security leak.
In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their creator for a way to extend their short life spans.
Polish immigrant Karol Karol finds himself out of a marriage, a job and a country when his French wife, Dominique, divorces him after six months due to his impotence. Forced to leave France after losing the business they jointly owned, Karol enlists fellow Polish expatriate Mikołaj to smuggle him back to their homeland.
Several lonely hearts in a semi-provincial suburb of a town in Denmark use a beginner's course in Italian as the platform to meet the romance of their lives. The film, which unspools the connections and family drama shared between the students, complies with several aesthetic principles of Dogme 95 movement.
A black hairdresser's sexual escapades with married customers lead to a confrontation with a jealous mobster.
This whimsical Off-Broadway hit musical is aptly reworked and transferred to the screen. The self-descriptively titled Naked Boys Singing is a musical revue of songs that poke fun at gay life, body image, love, loss and yearning.
The argument between Enrique and Javier, his best friend and Marta's husband, his lover, ends with the accidental death of Javier. Faced with the difficulty of proving his innocence, Enrique decides to start, along with Marta and the corpse of Javier, a trip without direction.
