Opry 100 A Live Celebration 2025 - Movies (Mar 22nd)
I Saw the TV Glow 2024 - Movies (Mar 22nd)
The Ruck March 2025 - Movies (Mar 21st)
Popeye the Slayer Man 2025 - Movies (Mar 21st)
Baby Invasion 2024 - Movies (Mar 21st)
McVeigh 2024 - Movies (Mar 21st)
Riff Raff 2024 - Movies (Mar 21st)
High Ground 2025 - Movies (Mar 21st)
Meet the Pickles The Making of "Win or Lose" 2025 - Movies (Mar 20th)
Tyler Perrys Duplicity 2025 - Movies (Mar 20th)
ODessa 2025 - Movies (Mar 20th)
Hamlet 2024 - Movies (Mar 20th)
Hard Truths 2024 - Movies (Mar 19th)
Modì Three Days on the Wing of Madness 2024 - Movies (Mar 19th)
The Twister Caught in the Storm 2025 - Movies (Mar 19th)
Novocaine 2025 - Movies (Mar 18th)
DSLR 2025 - Movies (Mar 18th)
One Night in Tokyo 2025 - Movies (Mar 18th)
Midwinter 2024 - Movies (Mar 18th)
Flight Photographers 2025 - Movies (Mar 18th)
American Terror Tales 3 2024 - Movies (Mar 18th)
Jesus Crown of Thorns - (Mar 22nd)
Alex Witt Reports - (Mar 22nd)
Portugal with Michael Portillo - (Mar 22nd)
Our Dream Farm with Matt Baker - (Mar 22nd)
Britains Got Talent - (Mar 22nd)
Gladiators - (Mar 22nd)
Britains Got Talent- Unseen - (Mar 22nd)
The 1 Club - (Mar 22nd)
99 to Beat - (Mar 22nd)
Somedays Dreamers - (Mar 22nd)
The Beat with Ari Melber - (Mar 22nd)
The Sunday Show with Jonathan Capehart - (Mar 22nd)
Lidias Kitchen - (Mar 22nd)
The 11th Hour with Stephanie Ruhle - (Mar 22nd)
Landscape Artist of the Year - (Mar 22nd)
Penn and Teller- Fool Us - (Mar 22nd)
Masters of Illusion - (Mar 22nd)
Dimension 20 - (Mar 22nd)
Buried Hearts - (Mar 22nd)
The Last American Vagabond - (Mar 22nd)
Martin Kušej's brilliant 2006 Carmen represents a landmark interpretation of a truly timeless opera. Led by Rolando Villazón as Don José and Marina Domashenko in the title role, the virtuoso cast joins forces with the celebrated Staatskapelle Berlin under the direction of the legendary maestro Daniel Barenboim.
Tony Award winner Bartlett Sher’s bold new production probes the psychological underpinnings of Verdi’s dynamic setting of Shakespeare’s great tragedy. At the helm of this performance is riveting conductor Yannick Nézet-Séguin, who brings out all the cascading emotions in Verdi’s turbulent score. Aleksandrs Antonenko is the Moor Otello, the triumphant general of the Venetian army who is ultimately brought down by the sly insinuations of his friend Iago (Željko Lučić). Sonya Yoncheva continues to win fans as Desdemona, Otello’s faithful and long-suffering wife. With Günther Groissböck as Lodovico and Dimitri Pittas as Cassio.
When the most voluptuous, sought-after courtesan in the world meets an ascetic monk whose life is devoted to God, you know erotic sparks are going to fly. And when the clash takes place in a glorious, but rarely performed, opera by Massenet, it’s a delight to the ear just as much as to the eye. Renée Fleming is every inch the glamorous Thaïs, swathed in elegant gowns designed by Christian Lacroix. Thomas Hampson is Athanaël, the tortured man of God. This production by John Cox, which premiered in December 2008, brilliantly sets the stage for a confrontation as old as civilization itself.
Live performance from the Opéra de Lyon, July 1 2012. Controversial production by Olivier Py.
This 2003 performance of Georges Bizet's 19th century opera Carmen was produced and directed by filmmaker and stage director Franco Zeffirelli, best known to many for the Academy Award-winning big-screen adaptation of Shakespeare's Romeo and Juliet. Shot at the Arena di Verona, the production features Marina Domashenko in the title role and music by the Orchestra of the Arena di Verona under conductor Alain Lombard.
Live performance from the Metropolitan Opera, March 1, 2014. Absent from the Met stage since 1917, Borodin’s masterwork about an introspective prince’s military campaign against the invading Polovtsians returned in 2014 with a first-rate cast and an astonishing production by Dmitri Tcherniakov. Well worth the wait, the sets feature visually striking projections interlaced with lush flowering fields, and the first act delivers one of opera’s most exciting dance medleys, a portion of which went mainstream in the 1950s when Tony Bennett recorded “Stranger in Paradise.”
David McVicar’s inventive hit production of Handel’s most popular opera sets the story of Caesar’s conquest of Egypt—and of its queen, Cleopatra—in the era of British 19th-century imperialism while also including elements of Baroque theater and Bollywood movies. David Daniels in the title role and Natalie Dessay as Cleopatra lead the cast. Christophe Dumaux is Ptolemy, Cleopatra’s brother, and Alice Coote and Patricia Bardon star as Sesto and Cornelia, son and widow of Caesar’s opponent Pompey. Early music specialist Harry Bicket conducts and plays harpsichord continuo.