Disneyland 60: The Wonderful World of Disney

A celebration of the finest performances and appearances by the New Romantic sensations on the BBC. They came out of Birmingham in the early 80s, took over the world, and helped define the look and sound of an entire decade. Although pioneers of the pop video age, this collection of hits and rarities – from Planet Earth to Ordinary World and beyond – captures the impact and excitement of their music on a huge selection of BBC shows, from the Old Grey Whistle Test to Wogan and, of course, Top of the Pops.

Carlin returns to the stage in his 13th live comedy stand-up special, performed at the Beacon Theatre in New York City for HBO®. His spot-on observations on the deterioration of human behavior include Americans’ obsession with their two favorite addictions - shopping and eating; his creative idea for The All-Suicide Channel, a new reality TV network; and the glorious rebirth of the planet to its original pristine condition - once the fires and floods destroy life as we know it.

In February 2017, Journey went to Japan for a special show at Tokyo’s Budokan that featured a complete performance of 1981’s Escape and 1983’s Frontiers at the request of legendary Japanese concert promoter Mr. Udo in honor of his 50th anniversary in the business. “There’s a few songs I don’t even recall playing, like [the Frontiers track] ‘Troubled Child,” Journey guitarist Neal Schon told Rolling Stone at the time. “Digging back into that stuff has been a lot of fun.”

A journey through the BBC's synthpop archives from Roxy Music and Tubeway Army to New Order and Sparks. Turn your Moogs up to 11 as we take a trip back into the 70s and 80s!

Moonwalker is a 1988 American experimental anthology musical film starring Michael Jackson. Rather than featuring one continuous narrative, the film expresses the influence of fandom and innocence through a collection of short films about Jackson, some of which are long-form music videos from Jackson's 1987 album Bad. The film is named after his famous dance, "the moonwalk", which he originally learned as "the backslide" but perfected the dance into something no one had seen before. The movie's introduction is a type of music video for Jackson's "Man in the Mirror" but is not the official video for the song. The film then expresses a montage of Michael's career, which leads into a parody of his Bad video titled "Badder", followed by sections "Speed Demon" and "Leave Me Alone". What follows is the biggest section where Michael plays a hero with magical powers and saves three children from Mr. Big. This section is "Smooth Criminal" which leads into a performance of "Come Together".

Recorded during Otakon 2004, L'Arc en Ciel brings the band's live energy to the U.S. for the first time!

Sylvester Stallone and John G. Avildsen narrate behind-the-scenes footage from the making of "Rocky" to mark the film's 40th anniversary.

When it comes to animation, few do it better than Pixar and Disney. They are the dreamers and doers with multi-billion dollar imaginations. Bloomberg television takes you behind closed doors to see how this powerhouse makes movie magic.

The Pogues playing on St. Patrick's Day in London's Town and Country serves to remind fans why we loved the band and possibly why their breakup was inevitable. A thoroughly sloshed Shane MacGowan mumbles and screams his way through most of their hits to that point in time. Of course, real fans like the mumbling and the screaming. Lots of energy, great guests - The Specials, the late Kirstie MacColl and especially the late great Joe Strummer - who not only gets up on stage for a stirring rendition of London Calling, but serves as a kind of host for the evening as he discusses what made the Pogues so great. The video times in at a paltry 60 minutes which leaves you begging for more, but between the singalong Wild Rover and the silly string silliness of Fiesta, it is a jam-packed entertaining piece of music history.

This all-star cast is framed by Peter Hall’s gritty, realistic production and conducted by James Levine, who brings out all the surging emotion and gripping drama in Bizet’s score. At the center of the story is Agnes Baltsa, whose smoky mezzo is tailor-made for the gypsy Carmen, an independent woman who glories in obeying only her own rules, but who is haunted by fate. Superstar tenor José Carreras is Don José, the solider from a small town who catches Carmen’s eye and is destroyed by his growing obsession with her. Samuel Ramey is the charismatic matador Escamillo, who lures Carmen away from Don José with tragic result. Leona Mitchell is Micaëla, the simple girl from Don José’s hometown who cannot save him. March 21, 1987 Matinee Broadcast.