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The Abominable Snowman Tom Friend is about to embark on a life changing expedition, his aim? To find the fabled creature known as the Yeti, or Abominable Snowman. Joining him on the trip is botanist John Rollason, whose scientific interest is totally at odds with Friend and his trapper companion, Ed Shelley. As the expedition moves deeper into the Himalayas, bad luck and differences of opinions dog the party, and as the confrontations draw closer it becomes apparent that the Yeti is not a dumb animal to be killed or captured. Adapted by Nigel Kneale from his own BBC play, "The Creature", The Abominable Snowman is one of the finest early offerings from Hammer Studios. The long running (to this day) stories of a giant beast living up in the Himalayas is of course interesting stuff, much like Nesse up in her Loch, it seems their worth will never ever fade. Thankfully there is a ream of intelligence in this picture, forgoing out and out shocks in the name of horror, director Val Guest has treated Kneale's story with the utmost respect. This is more of a character story as regards men with different ideals on a supposed legend, we barely see the creature until the wonderful last quarter, we don't need to because there are other creatures on this expedition, it's very adroit and accomplished in its telling. The cast do not let the material down, Hammer stalwart Peter Cushing takes the role of Rollason, Forrest Tucker ("Sands Of Iwo Jima") is Friend, Robert Brown ("The Masque of the Red Death") is Shelley and Maureen Connell is wonderful down in the village as Rollason's fraught wife, Helen. Now in this day and age we can get good digital transfers of old black and white classics, and here the Regalscope Widescreen brilliantly captures the snowy landscapes, firmly enhanced by Arthur Grant's gorgeous monochrome photography. So what you waiting for? The technical side is great, the story is of course excellent, all that remains to say is that the ending is perfect and seals the deal. A British treasure. 8/10
This was entertaining to watch, especially it being the first Hammer Horror filmed in black and white. An adventurous expedition turns into a fight for survival, with a horrifying discovery. It's similar to The Thing and Mountains of Madness, but the difference being it is less gruesome than the other two.
Forrest Tucker was drafted in to bring a bit of box office to this actually quite atmospheric tale of an expedition to the heights of the Himalayas where he - "Friend" and scientist "Rollason" (Peter Cushing) encounter the mysticism of the locals and, well slightly more than they bargained for! Clearly nobody set foot outside the studio here, and the confetti sellers must have a field day; but Cushing was always quite good at sustaining these slightly eccentric boffin roles; the rather stilted Tucker does what's required with a rather listless script and Maureen Connell offers just a little more as the leading lady that is oft provided in these adventures. The use of lighting and audio does help create a sense of menace and I did quite like the ending... Cheap and cheerful, yes - but still quite watchable.
Once an architect, Frank Bannister now passes himself off as an exorcist of evil spirits. To bolster his facade, he claims his "special" gift is the result of a car accident that killed his wife. But what he does not count on is more people dying in the small town where he lives. As he tries to piece together the supernatural mystery of these killings, he falls in love with the wife of one of the victims and deals with a crazy FBI agent.
Scientists and US Air Force officials fend off a blood-thirsty alien organism while investigating at a remote arctic outpost.
After experimenting on himself and becoming invisible, scientist Jack Griffin, now aggressive due to the drug's effects, seeks a way to reverse the experiment at any cost.
Humanity finds a mysterious object buried beneath the lunar surface and sets off to find its origins with the help of HAL 9000, the world's most advanced super computer.
When Dr. Indiana Jones – the tweed-suited professor who just happens to be a celebrated archaeologist – is hired by the government to locate the legendary Ark of the Covenant, he finds himself up against the entire Nazi regime.
A circus' beautiful trapeze artist agrees to marry the leader of side-show performers, but his deformed friends discover she is only marrying him for his inheritance.
During its return to the earth, commercial spaceship Nostromo intercepts a distress signal from a distant planet. When a three-member team of the crew discovers a chamber containing thousands of eggs on the planet, a creature inside one of the eggs attacks an explorer. The entire crew is unaware of the impending nightmare set to descend upon them when the alien parasite planted inside its unfortunate host is birthed.
Dr. Frankenstein and his monster both turn out to be alive, not killed as previously believed. Dr. Frankenstein wants to get out of the evil experiment business, but when a mad scientist, Dr. Pretorius, kidnaps his wife, Dr. Frankenstein agrees to help him create a new creature.
Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep.
Adventurous filmmaker Carl Denham sets out to produce a motion picture unlike anything the world has seen before. Alongside his leading lady Ann Darrow and his first mate Jack Driscoll, they arrive on an island and discover a legendary creature said to be neither beast nor man. Denham captures the monster to be displayed on Broadway as King Kong, the eighth wonder of the world.
A short black and white horror film about the corruption of a woman
