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RELEASED IN 1977 and written & directed by William R. Stromberg, “The Crater Lake Monster” details events in the high country of central California after a meteor strikes the eponymous (fictitious) lake and incubates a prehistoric egg, which hatches a plesiosaur-like creature that terrorizes the locals. Despite the title, the story does not take place in Crater Lake, Oregon, and the filmmakers don’t hide this fact in light of (1.) the California plates of the vehicles and (2.) the lake is clearly snake-like in shape and not round like Crater Lake in Oregon. Speaking of the lake they used for establishing shots, it’s located roughly 425 miles southeast of Crater Lake in central California. The movie is akin to modern Syfy flicks, but shot on a low-budget in the mid-70s. It lacks the production quality of 70’s creature features like “Jaws” (1975) and “Prophecy” (1979), but isn’t even up to the production level of TV flicks like “Snowbeast” (1977) and “Kingdom of the Spiders” (1977). The second-rate acting of the principles in particular distinguishes “The Crater Lake Monster” from these movies. But the Ray Harryhausen-like stop-motion effects are effective, although whenever the creature is shown emerging from the lake the contrast between the two (the monster and the lake) looks decidedly fake. Kacey Cobb shines on the female front and looks great in tight jeans, but her role is too small. There’s some goofy slapstick provided by Arnie and Mitch, which is only a notch or so above the antics of Skipper and Gilligan. Other than that, the tone is serious and there are some highlights, like the excellent locations, the 70’s atmosphere (styles/décor/etc.) and the surprisingly moving close. I should add that I never perceived the plesiosaur as a particularly scary or formidable dinosaur, but this flick gave me a different perspective. THE FILM RUNS 1 hour & 25 minutes and was shot in Huntington Lake and Palomar Mountain, California. ADDITIONAL WRITER: Richard Cardella. GRADE: C
Now then - where to start. It would be easy to just rip it to shreds. It's rubbish - on just about every level. For reasons that are not immediately clear, it was digitally remastered (if, indeed, it was ever "mastered" in the first place) in 2011 which, if anything, seems to have merely exacerbated the already dreadful production standards. A meteor lands in the remote "Crater Lake" and before we know it, "Nessie" arrives for a summer vacation from Loch Ness and - getting peckish on the way - decides to feast on the residents of the local town. The story is routine, but fine, it is the manufacture that is abysmal. The stilted acting might not have seemed quite so bad were it not for the staccato assemble-editing done in such an amateur fashion that really draws attention to the silly script, a soundtrack straight from the basement of a 1960s ad agency and to the risible visual effects that owe a lot more to plasticine than to Ray Harryhausen. There are far too many characters to distract from the dodgy narrative, the attempts at humour are cringingly contrived and at 85 minutes, it is far, far too long! It is worth a watch just to calibrate your senses, and put true dross in proper perspective!
A circus' beautiful trapeze artist agrees to marry the leader of side-show performers, but his deformed friends discover she is only marrying him for his inheritance.
Dr. Frankenstein and his monster both turn out to be alive, not killed as previously believed. Dr. Frankenstein wants to get out of the evil experiment business, but when a mad scientist, Dr. Pretorius, kidnaps his wife, Dr. Frankenstein agrees to help him create a new creature.
An adrift musician travels to his family's lake home for the weekend to record music with an ambitious local singer only to be hounded by a starving felon.
Welcome Home is being touted as a psychological drama with lots of thrills. The movie follows a pregnant woman living in a house. She is visited by a few other ladies presumably some officials and ask her about her lifestyle.
A newly-married woman and former prostitute whose husband, a ship's captain, has gone to sea, is pressured into returning to her old profession. When she refuses, she is violently gang-raped and left pregnant and despondent. She kills herself while attempting to abort the fetus but returns as a vengeful Sundel Bolong, a ghost with a putrid, rotting hole in her back. When the rapists and conspirers start turning up dead, her husband and the police try to put a stop to the violence, once and for all.
Looking for work, Aaron comes across a cryptic online ad: “$1,000 for the day. Filming service. Discretion is appreciated.” Low on cash and full of naiveté, he decides to go for it. He drives to a cabin in a remote mountain town where he meets Josef, his cinematic subject for the day. Josef is sincere and the project seems heartfelt, so Aaron begins to film. But as the day goes on, it becomes clear that Josef is not who he says, and his intentions are not at all pure.
Japan is thrown into a panic after several ships are sunk near Odo Island. An expedition to the island led by Dr. Kyohei Yamane soon discover something far more devastating than imagined in the form of a 50 meter tall monster whom the natives call Gojira. Now the monster begins a rampage that threatens to destroy not only Japan, but the rest of the world as well.
Two fishing scout pilots make a horrifying discovery when they encounter a second Godzilla alongside a new monster named Anguirus. Without the weapon that killed the original, authorities attempt to lure Godzilla away from the mainland. But Anguirus soon arrives and the two monsters make their way towards Osaka as Japan braces for tragedy.
A diplomatic couple adopts the son of the devil without knowing it. A remake of the classic horror film of the same name from 1976.
In the year 10,191, the most precious substance in the universe is the spice Melange. The spice extends life. The spice expands consciousness. The spice is vital to space travel. The spice exists on only one planet in the entire universe, the vast desert planet Arrakis, also known as Dune. Its native inhabitants, the Fremen, have long held a prophecy that a man would come, a messiah who would lead them to true freedom.
Chris and his girlfriend Rose go upstate to visit her parents for the weekend. At first, Chris reads the family's overly accommodating behavior as nervous attempts to deal with their daughter's interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he never could have imagined.
