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We're all hurt someplace and we're all looking for a painkiller. Looking for Mr. Goodbar is directed by Richard Brooks and Brooks adapts the screenplay from the Judith Rossner novel of the same name. It stars Diane Keaton, Tuesday Weld, William Atherton, Richard Kiley, Richard Gere, Alan Feinstein and Tom Berenger. Music is by Artie Kane and cinematography by William A. Fraker. Theresa Dunn (Keaton) is a dedicated schoolteacher to deaf children by day, but at night she cruises bars looking for abusive men with whom she can engage in progressively violent sexual encounters. First off it should be noted that the Judith Rosner novel is based on the real life case of the 1973 murder of New York City schoolteacher Roseann Quinn. Also of note is that Rossner was not enamoured with this filmic adaptation. What we have here is a tragic tale set in the promiscuous pre AIDS era of 1970s America. It's a bleak observation of the swinging singles scene of the era, providing caution of patriarch pressures, religious suffocation and the dangers of casual encounters for sexual gratification. Is it any wonder the big hitting critics of the time were nonplussed by it?... The pic generated a lot of buzz for handsome new actor, Richard Gere, even if he does overact, it actually works in context to the brashness of the period. It also introduced Tom Berenger, in what is a frightening portrayal of a very sexually confused man. Tuesday Weld got a Best Supporting Actress Oscar nomination for playing Theresa's sister, which was richly deserved, so much so one wishes she was in the film more. Yet it's Keaton who absolutely shines here, lifting an overlong picture to greater heights. Proving she had more in her armoury than merely playing kooks, Keaton imbues Theresa with a desperation and loneliness that is shattering for viewing purpose. The whole narrative bites with a crushing inevitability, that the nihilistic back drop can only bring pain and misery, and so it proves. Richard Brooks should have sliced at lest thirty minutes from the run time, especially given that the "Theresa fantasy sequences" just come off as pointless and take one out of the heartbeat of the story. Yet this is still a fine movie, not one to be cheered up by of course, but poignant, relative and with the real life story at the core, important. 7/10
Gail and Tom Hartman are struggling to stay together and decide to take a white-water rafting holiday adventure in Montana for their son Roarke's 10th birthday, only to meet up with a pair of mysterious men whose desperation grows, turning their vacation into a nightmare.
New York cop Frank Serpico blows the whistle on the rampant corruption in the force only to have his comrades turn against him.
Tracy Flick is running unopposed for this year’s high school student election. But Jim McAllister has a different plan. Partly to establish a more democratic election, and partly to satisfy some deep personal anger toward Tracy, Jim talks football player Paul Metzler to run for president as well.
1986 - The protest movement against the construction of the nuclear power plant in Brokdorf is on its last legs. Only one rural commune remains: the "Alternative Wohnkollektiv Regenbogen". For them, it could go on and on with endless consensus discussions, shearing sheep and naked communal bathing. One day, the lowland communards are joined by two city dwellers, Hanne and her son Niels. While Hanne gets used to scream therapy and raising vegetables surprisingly quickly - and even more quickly to the tantra games with commune guru Peter - Niels has less and less desire for the dogmatic commune rules. Out of defiance, he joins the violent nuclear power plant resistance, thus upsetting the tranquil chaos of the commune. The big bang, however, comes when a reactor explodes in distant Chernobyl. Exactly on the day Bobby Ewing dies, the petroleum prince from "Dallas" and series favorite of the commune.
A young street hustler attempts to escape the rigors and temptations of the ghetto in a quest for a better life.
Dimitris Thalassias is a single singing teacher at a senior high school in Athens and undertakes the care of a child abandoned by its mother at the door of the foundling hospital. He does everything required to raise it right, but he sees his life changing unexpectedly, since his fiancée leaves him, and his relations with his students go from bad to worse. While this is happening, the mother shows up to claim her child. In the end, everything is corrected, and a solution is provided through marriage.
Two stoners wake up after a night of partying and cannot remember where they parked their car.
A novice con man teams up with an acknowledged master to avenge the murder of a mutual friend by pulling off the ultimate big con and swindling a fortune from a big-time mobster.
Teacher and novelist François Bégaudeau plays a version of himself as he negotiates a year with his racially mixed students from a tough Parisian neighborhood.
Four inner-city Black women, determined to end their constant struggle, decide to live by one rule — get what you want or die trying. So the four women take back their lives and take out some banks in the process.