War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
"Victoria" (Virginie Efira) hasn't her problems to seek! She's a divorced lawyer with custody of two children and a messy and fairly fluid love life. She manages to fall out with her baby sitter and so is even more stretched when the tousled young "Sam" (Vincent Lacoste) - an aspiring lawyer himself, offers to help her out. He will be her cook and bottle washer, mind the children and work with her - all for free! Suspicious, she gives him a week but soon he proves his worth and becomes a bit of an anchor for her increasingly complicated life. These complications emanate from her decision to sue her ex (the father of the children) for using her career as a template for his popular and salacious blog, and also from defending a friend and potential murderer (Melvil Poupaud) in a criminal trial that also involves another friend, too. The scene now set, this could have been quite a good scenario for Efira and the charismatic Lacoste, but the writing really lets it down. The story lurches from frying pan to not very humorous fire just once too often, the romantic melodrama is all just a bit passé and were it not for an outstanding effort from a Dalmatian with taste and a chimp adept with an iPhone, the humour would be distinctly lacking. The odd calamity in the plot would have been welcome, but here there are just too many implausibles and not enough comedy. Laure Calamy has a bit of fun as her defending counsel - French law courts are always so much more flamboyant and lively than British ones, but sadly she's not on screen often enough to make much difference. It's watchable enough, but just not that special.
It's Ted the Bellhop's first night on the job...and the hotel's very unusual guests are about to place him in some outrageous predicaments. It seems that this evening's room service is serving up one unbelievable happening after another.
In a little house all for herself, an elderly woman moves through her day. While she tends to every chore on the docket, we learn some things about her. She has a green thumb, she speaks Polish while on the phone, she likes to nap. A prayer sounds. They are words from her mother-in-law, Polish poet Zofia Bohdanowiczowa, who was also displaced from her native Poland. Three generations meet, one by writing, one by living, and the third by the very making of this film, a composition of her ancestors through sound and image.
An 18th birthday mushroom trip brings free-spirited Elliott face-to-face with her wisecracking 39-year-old self. But when Elliott’s "old ass" starts handing out warnings about what her younger self should and shouldn't do, Elliott realizes she has to rethink everything about family, love, and what's becoming a transformative summer.
Dolzura Cortez has had several men in her life. One returns to her as an AIDS researcher and unwittingly, Dolzura becomes his subject. He encouraged her to come out in public so she can dispel the social stigma that comes with the disease.
An eclectic foursome of aspiring teenage witches get more than they bargained for as they lean into their newfound powers.
The Horváth family is a Romani family with seven children, and the story begins with the tragic death of the father. His wife, Vera, is suddenly in a fight with the authorities, determined to keep her large family together at all costs, but she is hopelessly ill-prepared for the task. They are evicted from their home and her case-Vera versus the city-finds its way to a young, ambitious lawyer. She doesn't know the world of the Romani, nor is she particularly interested in it. Initially she takes the case as a springboard for her career. Despite her prejudices, incomprehension and sometimes Vera herself, she doesn't abandon the case. Luckily she is not the only one who sides with the family. There is a social worker whose attempts to help the Horváths are also motivated by his entirely private interest in the attractive lawyer.
After a botched surgery a rookie doctor takes a job in a meteorological station in the Arctic Circle.
Dreaming of the West, Boryana is determined not to have a child in communist Bulgaria. Nonetheless, her daughter Viktoria enters the world in 1979, curiously missing a belly button, and is declared the country’s Baby of the Decade. Pampered by her mother state until the age of nine, Viktoria’s decade of notoriety comes crashing down with the rest of European communism. But can political collapse and the hardship of new times finally bring Viktoria and her reluctant mother closer together
The film follows Kamala, a young woman from Chitkul village and her girl child Manya, who embarks on a journey leaving their native land in search for her missing husband. Along this journey she encounters Nawazudin, a free spirited army deserter who helps them to get to their destination with his own selfish motive.
During the making of a video film about a communist printing press, a union member and a leftist activist discuss how to present their information, especially how to caption two specific images: one of a protest in Portugal, the other of a strike in France. One of them decides to write to his son, a manual worker living outside of Paris with his girlfriend, telling the young man about his troubles.
Marie is a Manhattan vampire thirsting for acceptance and blood, not necessarily in that order. Apparently a renaissance woman, she sings the blues, poses for a picture, and rides through Times Square in a horse drawn carriage. Ariel is a fashion photographer attracted to the beguiling vampire. Attraction escalates into obsession, and before long locate the elusive creature of the night.