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Letters and Numbers - (Jan 1st)
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Are You Smarter Than a Celebrity - (Jan 1st)
Queen Of The New Year - (Jan 1st)
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Hard Knocks - (Jan 1st)
The Chocolate Queen - (Jan 1st)
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NEXT at the Kennedy Center - (Jan 1st)
Live at the Apollo - (Jan 1st)
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Star Wars- Skeleton Crew - (Jan 1st)
QI - (Jan 1st)
University Challenge - (Jan 1st)
The Bold and the Beautiful - (Jan 1st)
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**Home is where all the memories preserved.** I have to start the review by mentioning the recent year Russian film 'Durak', also known as 'The Fool' in English. In the same year, another similar themed Russian film, 'Leviathan' got nominated for the Oscars. What those both films highlighted were not just the corruptions, but the threats the common people face. Raising voice for good against evil is still a distant for such potential country. Here comes the Brazilian version. This is not on the same level. I meant the intensity of the event, how all folds. Nevertheless, the same core issue in a different continent. This film met with several controversies. One of them omitted it from the Oscars race. But the film was received well from all the quarters. I did not find any issue. I thought it became unfortunate victim, especially, could be because of the developers and their connection with the corrupt powerful men. It's neither a masterpiece. I just consider it a good film. A message film. But not for everyone. Particularly, it is good for grownups viewing for the reason I'll going mention later. The story of the 65 year old Clara. Her life has been successful being a music critic. Now a widow, and all her children settled down. It opened on her birthday where all the friends and family gathered to celebrate the occasion. Living alone in a small and beautiful beach view apartment. But the thing is she's the last one who still in that old building. Everyone had left it when the developers decided to demolish it and build a modern one. She's fighting to save the heritage. All her memories lie in there. But the developers have a different plan to force her out, and that's the remaining film to unfold how and other following developments. > ❝So when you like it, it's 'vintage'. If you don't like it, it's 'old'. Right?❞ The opening scene was a slight offbeat. Because right away it does not reveal who is the person of the film. Besides, some of the odd scenes in the middle would raise some eyebrows. Those were not actually the full fledged scenes, but glimpses that goes back to like the 70s or something. The idea of those parts were not properly understandable, but I think it is about missing those good times. The lone fighter concept was inspiring. At one point, when everybody around her thought that she's making an unnecessary scene out of it, she was firm on her decision and did what has to be done. This was one of those films I did not like it on the spot. But slowly captivated. Once it's focus was fixed on one particular character, the rest of the tale set forward on what it wanted to tell us. As I understood it, it was not exactly about corruption, except a part of it was. It was the fight for ones right. A fight to save the past. On the other hand, the people from her opposite are ready to take extreme steps to defeat her. That's where it gets into the controversy. The controversy of those stupid tricks used to achieve the goal. This kind of a film coming from Brasil is really wonderful to educate poor knowledge people who easily become victims in a similar fashion. It was a French-Brasil collaboration film. I'm reviewing it after a couple of days of my watch. Because I wanted to think about it for a while, scene by scene. The more I recall, the more I'm starting to like it. So I advise same to you as well that don't come to any conclusion just after you have watched. Because it could not be what you have heard about it. My only issue was the runtime. The 150 minutes were a too long. But manageable if you watch regularly, such slow films. Well written, directed and acted. Even the location was ideal. But they could have avoided the those sex scenes which I earlier labelled them as odd scenes. There were too many, even camera pans out from somewhere far away in the bush. Kind of unrelated. I am not against such an idea, as human daily life filled with those. But when the theme was seriously pivoting on a serious issue, these came as distraction. Why I'm pointing out that strongly is that a fine film like this should be for all ages, even for teenagers. It missed that opportunity. Otherwise and still a nice drama film to recommend the adults. _7/10_
During World War II, looking up the Mountain, in Italy, a Brazilian Expeditionary Force - FEB - mines weeping platoon is hit by a panic-attack that sets them running aimlessly right in the middle of 'no man's land'. Desperate cold and hungry, the ill-prepared soldiers have to choose between facing military court or delve deeper into enemy lines. After a tense discussion, they decide to save their faces with the Brazilian Army by tackling a daring military objective: to disarm the most feared minefield in Italy. On their way there, they end meeting two others deserters; a remorseful Italian soldier trying to join the Partigianos and German officer who is just simply tired of war. with unexpected help of their ex-enemy, the soldiers are set to accomplish a mission that so far had been deemed impossible.
Ana (Manuela Campagna) is a 17-year-old girl who lives in a border town between Brazil and Argentina. There, she has no leisure options and no internet access. Your only refuge is to visit a tallow / lanhouse known as "The Cave". It is there that, one day, she ends up meeting Murilo (Fagundes Emanuel), the boy she will fall in love with.
In 1960s Rio de Janeiro, aspiring writer Felipe leads a life of wild parties held in an apartment in famous street Barata Ribeiro in Copacabana. There he and his friends enjoy freedom even in the midst of a complicated political moment.
During the Rio Grande do Sul revolution of 1923, two brothers fight on opposite sides.
When a doctor decides to carry out an AIDS prevention program inside Latin America’s largest prison: the Casa de Detenção de São Paulo - Carandiru, he meets the future victims of one of the darkest days in Brazilian History when the State of São Paulo’s Military Police, with the excuse for law enforcement, shot to death 111 people. Based on real facts and on the book written by Dráuzio Varella.
Best buddies Acerola and Laranjinha, about to turn 18, discover things about their missing fathers' pasts which will shatter their solid friendship, in the middle of a war between rival drug gangs from Rio's favelas.
In 1997, before the visit of the pope to Rio de Janeiro, Captain Nascimento from BOPE (Special Police Operations Battalion) is assigned to eliminate the risks of the drug dealers in a dangerous slum nearby where the pope intends to be lodged.
Graça is a single mother who works as a massage therapist and lives with her two children: Moreno, 8, and Papoula, 15. One day, in a visit to the doctor, Graça is diagnosed with a brain aneurism that may rupture at any moment. Desperate about who will take care of her kids in the event of her death, she decides to go after her brother, Luiz Carlos, whom she hasn't seen in over 15 years due to a quarrel. When they meet, however, Luiz Carlos has become Gloria, a beautiful and successful trans woman, who now owns a restaurant and brags about being independent. At first, Gloria is unwilling to reconnect with her family; but as she becomes more guilt-stricken, she accepts Graça's invitation to meet her nephews and eventually realizes that maybe, to be complete, she needs to become a mother.
Luzimar cycles each day to and from work at the local cotton mill in his hometown of Cataguases, Minas Gerais, Brazil. He is a hard-working man, trying to make the most of what he has. One day, his childhood friend Gildo reappears, driving a fancy car and boasting of his successful life in São Bernardo do Campo, São Paulo. As the two sit down for a beer, memories, regrets and old resentments slowly resurface.
One day, Eduardo arrives at his house and discovers that Julia, his wife, tried to commit suicide. She left her husband and two children without saying goodbye. After some time, she comes back home. He tries everything to set her straight, but the impossibility of knowing her fully grieves him. The shadow of the suicide and the inevitable ghost of a new chance hover over their heads. Eduardo insists on understanding his wife, but an increasing jealousy and an unexpected discovery of her past torture him. He does not realize that, most of the time, the search for control easily becomes an obsession.
The film tells the story of an intuitive, adventurous man who loved his country and being Brazilian. This man fought to be loyal to himself. His music is a transparent portrait of his genius, intuition, freedom, adventure and passion for Brazil.