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**What is the most painful, the war or the lies?** This is pleasantly a surprise film. I would say it is this year's the Oscar winning film 'Ida'. Frankly, there's nothing to compare between two. Not just both of them are modern black and white film, but they are quite similar in the portrayal of lead female characters. Just like 'Marie's Story', it was also inspired by another Hollywood film, 'Broken Lullaby'. I haven't seen that. Even not many people have seen it. One of the less known classic drama which I am going to give a try now. Coming back to the film, it was about the World War I that centres on a young woman who lost her fiancé. Nearly two hours drama, quite slowly narrated, but I never felt drag in storytelling or boring to follow it. From the director of 'In the House', yet another masterpiece. Yeah, it looked like that way for me. Only a very few characters and they all developed so well, almost till the end when a few more joined them. The title role was appeared for like only 4-5 minutes in the entire film. Well, that was the topic, a reason for this story to begin along with the WWI. Though the following storyline was built on a different platform. Like there is a saying 'to hide one lie, a thousand lies are needed', that's what this film was actually about. Living and keep on evolving in the endless process. It is a moral, a message film, but the mistake was committed by someone else that another person has to take the fall for it, even after he goes out of the picture. Really a touching story, but not a tearjerker. The journey of life is sometimes unexpected, particularly when it comes to romance that blooms when one needed it last at the circumstance he's at his life. > ❝What would the truth bring? More pain, more tears.❞ This is not a war film, just in case if you are expecting one. It was a subject under everything happen. So, there's only less than 5 minute clips of them in the film. Basically, those clips too were not required, but it's always nice to see them in pictures when a flashback come into play. It is a pure drama that sets in just after the end of the WWI. A young German woman is mourning for the death of her fiancé. She discovers a young French man who claims his close friend came to condole his demise. He meets the rest of the family and shares those happy days he spent with him in Paris before the war. During his stay, they all get along quite well, despite the people from society are against it/him. That was the first half of the film, developed slowly and steadily, but ended with a twist. The following half began on the new direction with lots of mysteries surrounding. Completely unpredictable, yet as a viewer, I had hundred of different thoughts about the upcoming developments. I was somewhat right on most of the occasion, but I was even happier about how it all went on its own style. Now the story entered the France. More twist and turns unfolded. The pace of the story looked the same, though lots of developments made it look advanced very fast. The World War II is the most dominated theme in the war films. When you see a film on WWI, you will come to realise its perspective, if the film was made with the right dose of everything, even if it was not based on the real event or the person. Fighting the war, carrying the wound, grieving for the lost ones, struggling to rebuild the life and the nation. This is definitely one of the best WWI related, I mean about the aftermath of the war films I've seen. The screenplay was magic. I would surely give an award for it. And then the beautiful photography. I don't know it was because of the black and white, but virtually you would be taken back to the 1919. Simple, yet a great camera angles that must be appreciated. Wonderful cast. Without those amazing performances, this film would have been nothing. Anna is the name you would remember for very long and the actress who played it. In a couple places, the screenplay turns semi colour, particularly when musics takes the front stage. Just in case if you are yet to watch, pay attention to that, because not everybody notices that. To me it looks like an Oscar product, but the release date confirms not eligible for the next Oscars. Different people have different opinion, but I think it is a must see. Those who struggle with slow paced narration, if they manage the opening half, then they would enjoy the remaining and love the overall film. Definitely a hidden gem, it just needs more audience, that's all. _8.5/10_
Joe is a twenty-something gay man who decides to film people he meets on the street with a camera given to him by his boyfriend.
Set in China in the 1930s, the film is about the unsettling relationship between three characters, each involved with a performance of the opera Fleeing by Night in a local theatre.
The mysterious Count Orlok summons Thomas Hutter to his remote Transylvanian castle in the mountains. The eerie Orlok seeks to buy a house near Hutter and his wife, Ellen. After Orlok reveals his vampire nature, Hutter struggles to escape the castle, knowing that Ellen is in grave danger. Meanwhile Orlok's servant, Knock, prepares for his master to arrive at his new home.
Oskar Matzerath is a very unusual boy. Refusing to leave the womb until promised a tin drum by his mother, Agnes, Oskar is reluctant to enter a world he sees as filled with hypocrisy and injustice, and vows on his third birthday to never grow up. Miraculously, he gets his wish. As the Nazis rise to power in Danzig, Oskar wills himself to remain a child, beating his tin drum incessantly and screaming in protest at the chaos surrounding him.
After 39 years together, Ben and George finally tie the knot, but George loses his job as a result, and the newlyweds must sell their New York apartment and live apart, relying on friends and family to make ends meet.
A short film inspired by true events and follows the story of a teenager dealing with his sexuality whilst having to grow up in early 90s Northern Ireland. As physical and mental abuse become a daily struggle, Fintan retreats into a world of anger and silence. With no solution on the horizon, he yearns to escape from the small town he’s been trapped in all his life, bringing nothing but his younger brother. As he comes closer to planning his journey to freedom, one night he is shown the reality of acceptance and love.
Two teen track stars discover first love as they train for the biggest relay race of their young lives.
Take two ambitious men, one top LA advertising firm, add a competition for the same high ranking job. Tough ex-LAPD cop, Steve Miller quit police to work in the calm environment of a business office. Mark Richfield, the glamorous new kid in the office, soon wins favor with the big boss and co-workers causing Steve to cringe in jealousy. After a crazy night in the Santa Fe desert Steve becomes torn between passionate love and passionate hatred. Steve and Mark endure agonizing decisions that will affect their lives forever.
Pepijn and George’s steady, seven-year relationship is shaken up after they allow a young student named Cas to sleep on their couch until he finds a place of his own. Gradually, both men fall head over heels for Cas’ laconic charm and it forces them to reconsider their many long-term plans. Is Cas’ presence endangering their relationship or is he actually a blessing in disguise?
Out of the haunting shadows of the sexual underground in Medellin, sixteen-year-old Jhony is excited and hopeful for this upcoming date with the boy he loves.
During a night of drinking, M. arrives by chance in an apartment where an orgy takes place. Embarrassed, he locks himself in the bathroom where he will find a sleeping guy he knows pretty well.
