Family Feud Canada - (Mar 20th)
Crimewatch Live - (Mar 20th)
The Nature of Things - (Mar 20th)
Paradis City - (Mar 20th)
Canadas Ultimate Challenge - (Mar 20th)
NCIS- Sydney - (Mar 20th)
Bangers and Cash - (Mar 20th)
Australia- An Unofficial History - (Mar 20th)
The Weekly with Charlie Pickering - (Mar 20th)
The Chase Australia - (Mar 20th)
Vince - (Mar 20th)
Pawn Stars - (Mar 20th)
Beyond the Gates - (Mar 20th)
Love Is Blind- Sweden - (Mar 20th)
The Thundermans- Undercover - (Mar 20th)
Reacher - (Mar 20th)
The Wheel of Time - (Mar 20th)
House of David - (Mar 20th)
Battle of Cualicán- Heirs of the Cartel - (Mar 20th)
Cóyotl, Hero and Beast - (Mar 20th)
**Blue is the warmest colour.** This is an exceptional film, but only from one perspective and that is, LGBT. I totally respect that, because I'm a big supporter. But apart from that, particularly from the filmmaking aspect I did not like it. I felt like this film took place somewhere in Africa, but the accent was American. Because I could not find a single white or any other race people, even in the background. The happy parts are, it is surprisingly a very interesting theme. I loved the storyline. The three phases of a man's life. How things around us can influence to build a personality. Sometimes in a good sense, but according to this film, there are some dramatic turns. Though the end was very simple, but I liked the first episode. It had potential to be a message film, but the later parts turned differently. Most importantly realistic narrative. More like it is about the life cycle. Feels like a short and suburban version of 'Spring, Summer, Fall, Winter and Spring'. All the actors were so good. The screenplay was adapted from a book. Looks like it's a breakthrough for the director. I hope he keeps up the momentum and gives us the best products in the future. This film is not for everyone, mainly because of the theme. Initial parts were okay, but the latter developments were unexpected. It is one of the good films of the year, not the best. _7/10_
It's the third segment of this that's the most interesting but the preceding two are essential in helping us to understand the situation in which the young "Chiron" (Alex R. Hibbert, then an effective Ashton Sanders as a troubled teenager before finally, by this latter point, Trevante Rhodes) finds himself. Initially we see a young boy living in Miami with his crack-addicted mother "Paula" (Naomie Harris). He grows up being shunned and bullied at school with his search for some sort of stability and guidance through life coming largely from his pal "Kevin", neighbourhood dealer "Juan" (Mahershala Ali) and his generously spirited girlfriend "Teresa" (Janelle Monáe). It's these people that put him on a path - a twisting and uncomfortable path - to his own self-discovery and a start in believing in himself and in his own identity. It's a coming of age drama, sure, but it carefully and delicately looks at the life of a young boy who evolves amidst an environment of indifference, confusion and intolerance. Of a lad who is coming to terms with his own sexual identity with little if any peer support to assist with this complex process of maturity. His grasp on decency and integrity is sorely challenged all through his life, but he never loses a sense of what is right and the last half hour is as poignant a tale of manhood as you're likely to see on screen. The acting across the board is pretty top drawer, as is the powerfully delivered but sparingly written dialogue. This is not a festival of endless chatter, but a presentation of scenarios that we can assess as "Chiron" grows up and we share in his life choices. It's emotional and engaging, not without a little humour to lighten it at times and we maybe even get the start of a love story? Well worth a watch a few times, i'd say.
Léto, a young trans and gay man, lives in a small, social housing apartment near Tours. During the day, he kills boredom on his phone from the ticket booth of a movie theater on its last legs. But where he's looking for feelings, he's only offered sex. So at night, he flees disillusionment by heading for the stars. The roof of his high-rise building is like his moped: a refuge, an escape. However, one morning, the parking lot of an ice rink becomes the setting for a life-changing encounter when he comes face to face with Hamza, a solitary employee with an enigmatic charm. The emotional disturbance is immediate. With all due respect to the scoundrels!
Andreas and Alessandro are two friends who have known each other since their childhood. Now that they have grown up, they study at University in different cities but they always spend the summer together in the place where they were born: a seaside resort that regularly fills up with tourists every year.
Childhood friends Matías and Jerónimo reach adolescence and experience sexual attraction to each other, before being separated by circumstances. Later, as young adults, they meet again, and the film follows themes of complicated relationships and sexual tensions, as well as issues of homophobia.
Previously lost exploitation film which chronicles the sexual journey of a teenager who introduces her own family to the liberated ways of the free love rebellion.
A modern-day take on the "Beauty and the Beast" tale where a New York teen is transformed into a hideous monster in order to find true love.
Three moments in Takaki's life: his relationship with Akari and their forced separation; his friendship with Kanae, who is secretly in love with him; the demands and disappointments of adulthood, an unhappy life in a cold city.
Tobacco heiress Doris Duke develops an unlikely friendship with her butler, Bernard Lafferty.
Welcome to the front lines of AIDS activism, where the latest enemy raids are being run by a band of unlikely warriors: two drag queens, an HIV-positive man with tiny gemstones dotting his bald head, and his HIV-positive sister.
Polo and Domingo spend their last days together between Ciudad Mendoza and Cordoba, in Veracruz, Mexico, before Domingo moves to another city for college. Domingo has to say goodbye to his girlfriend, Mina; while Polo deals with his feelings towards his best friend in the little time they have left.
The unintentional shooting by police of a star basketball player has profound personal, political and community repercussions in this acclaimed adaptation of the novel Hog Butcher by Ronald Fair. This was one of the more thoughtful urban dramas produced at the height of the "blaxploitation" craze. Also released under the title Hit the Open Man, it features the screen debut of Laurence Fishburne, who was barely a teenager at the time.
A middle-aged Orthodox Jew, Aaron, living and working in Jerusalem with his wife and children, meets a homeless 19-year-old student. Aaron offers to give Ezri work as his assistant at his family's butcher shop. The two men grow close and their attraction becomes sexual. Aaron must now confront his own sexuality, his feelings for Ezri, and his obligations to his family and faith.