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Frantic to be free of Felix, her wealthy but drunken and violent drug-lord husband, Ana tricks her fresh-from-prison sister, Aurora, and two other ex-partners in crime into coming to her aid. Now that their crew is reassembled, the women begin planning a heist that will rid Ana of Felix and net them enough cash to be set for life.
Revenge, redemption and chance are the topics that underpin José Luis Valle’s new film. A man runs his errands: cleans the house, picks up the dry cleaning, pays his debts and buys groceries. Then, inexplicably commits suicide. His death smites his wife, Elvira, who is unaware of the reasons for suicide. At another point, Ulises is assaulted and stripped of the portfolio that held the only photo he kept of her deceased daughter. He sets out to find the thief and kill him. The lives of Elvira and Ulises intersect unexpectedly.
Construction worker Douglas Quaid's obsession with the planet Mars leads him to visit Recall, a company that manufactures memories. When his memory implant goes wrong, Doug can no longer be sure what is and isn't reality.
Director Wim Umboh experiments again and the first third of the movie is filled with a series of images almost without dialogue relating the work of brothers, Johanes and Leo Mokodompis.
Ema finds out she is pregnant with an unplanned child she's not sure she wants to keep, the same week her beloved grandmother becomes gravely ill. Spending her last days at her grandmother's side, Ema is forced to spend time with her estranged, larger than life mother, getting to know her and seeing her with new eyes. As she spends time with the people gathered around her grandmother in her last days; Ema re-evaluates her beliefs, her fears and her set ideas about family, love and parenthood.
MANOS: The Hands of Felt is a puppet musical re-imagining of the cult classic MANOS: The Hands of Fate. The film's story of a family vacation gone horribly wrong combines with the backstage drama of a movie shoot gone horribly wrong to tell the bizarre tale of fertilizer salesman-turned-film director Harold P. Warren. With song and dance numbers. And puppets.
A man escapes from a Louisiana prison to be at the California hospital bedside of his ailing son.