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Portrait in Smoke. Wicked as They Come is directed by Ken Hughes who also co-writes the screenplay with Sigmund Miller and Robert Westerby. It stars Arlene Dahl, Philip Carey, Herbert Marshall, Michael Goodlife and Ralph Truman. Music is by Malcolm Arnold and cinematography by Basil Emmott. Adapted from the Bill S. Ballinger novel, story has Dahl as a poor but beautiful girl who realises that her sexuality will get her all the finer things in life - at whatever cost. Efficient little British Noirer that makes up for a lack of originality with some strong psychological smarts. We are all guilty of it, film fans and critics that is, in how we often compare a film recently viewed with something of a similar ilk that is far better. One such case is Wicked as They Come, a piece coming late in the original film noir cycle that sticks a major league femme fatale out there front and centre. Dahl's Kathy Allen (nee Allenbourg) is hot to trot, a viper of the highest order, her beauty and sexuality is stunning, thus men line up to eat out of her hands. Where once was sane and astute business men, now sit lap dogs soon ready to fall into the vipers nest. If that sounds familiar then of course it is, even from the pre code days there were film makers exploring the sex as a weapon angle, toying with bad girl persona's as a course of cinematic titillation. Ken Hughes knows his draw card is Dahl, who even in black and white is heart achingly gorgeous, a smouldering vixen to literally die for. The story trajectory is nothing new, Kathy tramples on every man she can to feather her own nest, but sooner or later things have to come to a head, where the reason for the distorted psyche will out and the crossroads of life ominously appears at film's closure. Better films out there that deal with the same themes? Yes, absolutely. That doesn't mean this should be readily dismissed as a viable option to those with an interest in such femme fatale dalliances. Dahl is super, her male co-stars equally so, and Hughes steers it safely to a perfectly ambiguous finale. Welcome to noirville, men enter at your own risk. 7/10
A gang of young thieves flee Paris during the violent aftermath of a political election, only to hole up at an Inn run by neo-Nazis.
Lily and Amanda, two high school students living in suburban Connecticut, rekindle their unlikely friendship after years of drifting apart. Together, they devise a plan to kill Lily's abusive stepfather by hiring a lowlife drug dealer.
An aspiring actress, whose sugar-coated appearance belies her ruthless drive, worms herself into the life of an aging star and schemes to replace her on the stage as the star of a new play.
In order to get his way, New York producer Matt Saxon manipulates and controls everyone around him but his latest protégé, novelist Eric Busch, finally stands-up to him.
A young girl sent to an orphanage run by nuns gets confronted with the cruel and outdated methods used by the staff.
In this David and Goliath story for the 21st century, a group of proud Scottish homeowners take on celebrity tycoon Donald Trump as he buys up one of Scotland's last wilderness areas to build a golf resort.
Don Vincente is determined to make a success of himself and his band. He gets his break by performing at the Garden of the Moon, which is broadcast over the radio. The problem is that John Quinn is the club's ruthless, scheming manager who will do anything to keep Vincente under his thumb. John's assistant, Toni Blake, falls for Vincente, complicating the escalating war.
Five different criminals face imminent death after botching a job quite badly.
Andrew returns to his hometown for the funeral of his mother, a journey that reconnects him with past friends. The trip coincides with his decision to stop taking his powerful antidepressants. A chance meeting with Sam - a girl also suffering from various maladies - opens up the possibility of rekindling emotional attachments, confronting his psychologist father, and perhaps beginning a new life.
The story of an old Jewish widow named Daisy Werthan and her relationship with her black chauffeur, Hoke. From an initial mere work relationship grew in 25 years a strong friendship between the two very different characters, in a time when those types of relationships were shunned.
A retired farmer and widower in his 70s, Alvin Straight learns one day that his distant brother Lyle has suffered a stroke and may not recover. Alvin is determined to make things right with Lyle while he still can, but his brother lives in Wisconsin, while Alvin is stuck in Iowa with no car and no driver's license. Then he hits on the idea of making the trip on his old lawnmower, thus beginning a picturesque and at times deeply spiritual odyssey.