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A Stranger in Rock Pass. Station West is directed by Sidney Lanfield and adapted to screenplay by Frank Fenton and Winston Miller from the novel written by Luke Short. It stars Dick Powell, Jane Greer, Agnes Moorehead, Raymond Burr, Tom Powers, Guinn Williams, Gordon Oliver and Burl Ives. Music is by Heinz Roemheld and cinematography by Harry J. Wild. Powell plays an undercover army agent sent into Rock Pass to find out who robbed and murdered two soldiers who were guarding a gold shipment. There has always – and always will be – debates about what constitutes film noir, but undoubtedly it is a line of film making that positively thrives on a style that cloaks a number of characterisations. Thus we have the many off-shoots of film noir, such as the Noir Western. Noir Westerns in all actuality don’t number more than 20, and even some of those that get put forward are tenuous additions. Where the likes of Pursued, Ramrod and Blood on the Moon are confidently held up as the leading lights of Noir Westerns, it actually pays to look towards a rarer picture like Raton Pass or this here under seen treasure, Station West, for unseen sub-noir rewards. Station West has it all so as to earn its noir badge. It’s got Powell doing a Western version of Phillip Marlowe, complete with swagger, sarcasm and the ability to nonchalantly smile in the face of peril. Then there’s Greer, fresh from Out of the Past the previous year, Greer is in full tilt femme fatale mode, marrying up her hard beauty with feminist strength. Both Powell and Greer are wonderful, their respective characters constantly jostling for domination, trading quips and glib asides, the sexual tension consistently palpable. The town of Rock Pass is in the process of booming, but with that comes corruption, and it is rife, with unlikely sources pulling the crooked strings. Greed and betrayal are words that hover over the intelligent screenplay, even as the script snaps with delightful one liners and sarcastic wit, there’s a moody ambiance snuggling on up with the fun side of things, these bed fellows are meant to be. While the man himself, Haven (Powell), has a reputation for not towing the party line, he’s clearly in the right place then! Filmed out of beautiful Sedona in Arizona, Harry Wild’s photography is gorgeous for the exterior locations (those rock formations are just visual orgasms), and film noir nirvana for everything else as he brings expressionistic touches to all the key sequences. In the support acting ranks we have Burr as a twitchy lawyer, Moorehead as a stoic wealthy widow, Williams as bad boy muscle, Oliver as the smarm, Powers as the grumpy un-cooperative army captain and Ives as a hotel clerk – cum – balladeer who has a morbid hobby on the side. All of them contribute good characterisations. I can’t say that Roemheld’s score is particularly memorable, and a big fist-fight between Williams and Powell is ferocious but tainted by the over dramatics that were indicative of the time, but from begining to sombre end this is a cracker and it deserves to be better known and loved. 9/10
To the Los Angeles elite, Ford Fairlane is known as "Mr. Rock 'n' Roll Detective." This loudmouthed ladies' man serves an exclusive rock star clientele, who depend on his keen eye and smug discretion. So when a heavy-metal musician dies mid-concert, Fairlane is on the case before the lights come up. But things turn shocking when radio personality Johnny Crunch hires Fairlane to find a missing groupie mere hours before he is electrocuted live on air.
Still recovering from a heart transplant, a retired FBI profiler returns to service when his own blood analysis offers clues to the identity of a serial killer.
A former government operative renowned for his stealth, Jack Cole is now a Los Angeles police detective. When a series of horrible murders occurs in the metro area, Cole is assigned to the case, along with tough-talking fellow cop Jim Campbell. Although the two men clash, they gradually become effective partners as they uncover a conspiracy linked to the killings, which also involves terrorism and organized crime.
Officer Chan Ka Kui manages to put a major Hong Kong drug dealer behind the bars practically alone, after a shooting and an impressive chase inside a slum. Now, he must protect the boss' secretary, Selina, who will testify against the gangster in court.
A young British officer resigns his post when he learns of his regiment's plan to ship out to the Sudan for the conflict with the Mahdi. His friends and fiancée send him four white feathers as symbols of what they view as his cowardice. To redeem his honor, he disguises himself as an Arab and secretly saves their lives.
After a phone call from his ex-girlfriend, teenage loner Brendan Frye learns that her dead body was found. Vowing to solve her murder himself, he must infiltrate high-school cliques that he previously avoided. His search for the truth brings him before some of the school’s roughest characters.
When a prostitute is found dead in a Los Angeles skyscraper occupied by a large Japanese corporation, detectives John Connor and Web Smith are called in to investigate. Although Connor has previous experience working in Japan, cultural differences make their progress difficult until a security disc showing the murder turns up. Close scrutiny proves the disc has been doctored, and the detectives realize they're dealing with a cover-up as well.
A journalist goes undercover to ferret out businessman Harrison Hill as her best friend's killer. Posing as one of his temps, she enters into a game of online cat-and-mouse.
On her first night as a dockside dancer, Mary Foster loses her job when she tries to fend of the advances of first mate Groder. On the street and being pursued by a Policeman who thinks she is a prostitute, Mary seeks shelter on an old freighter. She is soon discovered by second mate Tommy and they quickly fall in love, but with first mate Groder lurking around will their lives work out in the end?
D Company is a 2013 Indian Malayalam action portmanteau film. It is an anthology of three independently shot action films directed by M. Padmakumar, Vinod Vijayan and Diphan. Its cast includes Jayasurya, Anoop Menon, Unni Mukundan, Fahad Fazil and Asif Ali. The film is produced by Vinod Vijayan, Seven Arts Mohan and Faisal Latheef under the banner of D Cutz Film Company. (From Wikipedia)