War of the Worlds Extinction 2024 - Movies (Mar 28th)
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Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
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Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
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England’s Lions The New Generation 2025 - Movies (Mar 26th)
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The Last Word with Lawrence ODonnell - (Mar 29th)
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They are saying she’s a Faerie Changeling. The Daisy Chain is directed by Aisling Walsh and stars Samantha Morton, Steven Mackintosh, Mhairi Anderson and David Bradley. Grieving over the loss of their first child to Sudden Infant Death Syndrome, newly pregnant couple Martha and Tomas decide to leave England and live on the Irish coast. They settle in quickly and things seem to be going well, but when their neighbours house burns down, leaving young Daisy an orphan, Martha and Tomas decide to foster care for Daisy in spite of her being a little different and introverted. Soon enough bad things seem to befall people who come into contact with Daisy, leading to the locals to suspect she may be something terrible from Irish folklore. Ok! There’s some pretty venomous reviews of this out there in internet land, but really it’s a very well constructed creeper that’s not without intelligence. Firstly it needs to be noted that this is not a horror film as such, anyone searching for a scare fest or Omen like shocks are in for the biggest of disappointments. Secondly, taking some time out to read something about the legends of Faerie Changeling’s will significantly improve your viewing experience. Walsh’s movie firmly deals in the realm of superstitious legend, adds in a heart aching strand involving surrogacy via grief, and then lets it play out in ethereal beats till the chilling conclusion is reached. Morton and young Anderson are superb, the former stoic of motherly instincts but still emotionally cracked underneath, the latter a pallid and unnerving presence that haunts the picture even without much dialogue. The photography around the coastal hillside location is stripped back for realism purpose, it may be beautiful terrain, but there’s a greyness hanging in the air, suitably so as well. The musical score is a touch irritating, and Walsh is guilty of over doing the slow burn approach, but this definitely has more going for it than has previously been said. Not one to rush out and buy for sure, but certainly worthy of TV time on proviso you understand the Faerie thematics at work first. 7/10
When an arranged marriage brings Ada and her spirited daughter to the wilderness of nineteenth-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.
Anaïs is twelve and bears the weight of the world on her shoulders. She watches her older sister, Elena, whom she both loves and hates. Elena is fifteen and devilishly beautiful. Neither more futile, nor more stupid than her younger sister, she cannot understand that she is merely an object of desire. And, as such, she can only be taken. Or had. Indeed, this is the subject: a girl's loss of virginity. And, that summer, it opens a door to tragedy.
Bridget Jones is an average woman struggling against her age, her weight, her job, her lack of a man, and her various imperfections. As a New Year's resolution, Bridget decides to take control of her life, starting by keeping a diary in which she will always tell the complete truth. The fireworks begin when her charming though disreputable boss takes an interest in the quirky Miss Jones. Thrown into the mix are Bridget's band of slightly eccentric friends and a rather disagreeable acquaintance into whom Bridget cannot seem to stop running or help finding quietly attractive.
Cecilie and Joachim are about to get married when a freak car accident leaves Joachim disabled, throwing their lives into a spin. The driver of the other car, Marie, and her family don’t get off lightly, either. Her husband Niels works in the hospital where he meets Cecilie and falls madly in love with her.
Several lonely hearts in a semi-provincial suburb of a town in Denmark use a beginner's course in Italian as the platform to meet the romance of their lives. The film, which unspools the connections and family drama shared between the students, complies with several aesthetic principles of Dogme 95 movement.
A solitary nurse bonds with a badly burned patient who survived an accident on an oil rig.
A love-themed anthology adapted from the music album of the same title by Dewi "Dee" Lestari.
Former policeman Lenny Nero has moved into a more lucrative trade: the illegal sale of virtual reality-like recordings that allow users to experience the emotions and past experiences of others. While they typically contain tawdry incidents, Nero is shocked when he receives one showing a murder.
While waiting for her divorce papers, a repressed literature professor finds herself unexpectedly attracted by a carefree, spirited young woman named Cay.
Beyond Silence is about a family and a young girl’s coming of age story. This German film looks into the lives of the deaf and at a story about the love for music. A girl who has always had to translate speech into sign language for her deaf parents yet when her love for playing music grows strong she must decide to continue doing something she cannot share with her parents.
A woman and her daughter struggle to make their way through the aftermath of the Balkan war.