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They are saying she’s a Faerie Changeling. The Daisy Chain is directed by Aisling Walsh and stars Samantha Morton, Steven Mackintosh, Mhairi Anderson and David Bradley. Grieving over the loss of their first child to Sudden Infant Death Syndrome, newly pregnant couple Martha and Tomas decide to leave England and live on the Irish coast. They settle in quickly and things seem to be going well, but when their neighbours house burns down, leaving young Daisy an orphan, Martha and Tomas decide to foster care for Daisy in spite of her being a little different and introverted. Soon enough bad things seem to befall people who come into contact with Daisy, leading to the locals to suspect she may be something terrible from Irish folklore. Ok! There’s some pretty venomous reviews of this out there in internet land, but really it’s a very well constructed creeper that’s not without intelligence. Firstly it needs to be noted that this is not a horror film as such, anyone searching for a scare fest or Omen like shocks are in for the biggest of disappointments. Secondly, taking some time out to read something about the legends of Faerie Changeling’s will significantly improve your viewing experience. Walsh’s movie firmly deals in the realm of superstitious legend, adds in a heart aching strand involving surrogacy via grief, and then lets it play out in ethereal beats till the chilling conclusion is reached. Morton and young Anderson are superb, the former stoic of motherly instincts but still emotionally cracked underneath, the latter a pallid and unnerving presence that haunts the picture even without much dialogue. The photography around the coastal hillside location is stripped back for realism purpose, it may be beautiful terrain, but there’s a greyness hanging in the air, suitably so as well. The musical score is a touch irritating, and Walsh is guilty of over doing the slow burn approach, but this definitely has more going for it than has previously been said. Not one to rush out and buy for sure, but certainly worthy of TV time on proviso you understand the Faerie thematics at work first. 7/10
Two teen track stars discover first love as they train for the biggest relay race of their young lives.
It is New Zealand 1959. Teen swimmer Alex Archer has to battle set backs, intense rivalry and personal tragedy in her bid to win selection for the 1960 Olympic Games in Rome.
A woman director is making a film about Billie Holiday. She wants to learn from her how to "feel" again, how to love again.
Two lost souls visiting Tokyo - the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial - find an odd solace and pensive freedom to be real in each other's company, away from their lives in America.
The strange comedy film of two close brothers; one, Wilbur, who wants to kill himself, and the other, Harbour, who tries to prevent this. When their father dies leaving them his bookstore they meet a woman who makes their lives a bit better yet with a bit more trouble as well.
A young transgender man explores his gender identity and searches for love in rural Nebraska.
Wes Thorne and Shelly Ackerman — two people living in opposite worlds. Shelly’s mother is off her medication so her home life is in shambles and she’s being bullied at school. Wes is an eccentric, wealthy man who has deep-seated issues with women and no close friends. When Wes offers to be Shelly’s legal guardian, both of their lives take a dramatic turn.
Pelle is in love with Dagmar and really wants to reveal this to her, but his drunken dad keeps getting in the way. Rasmus can't accept that his newborn son is seriously ill and ends up distancing himself from his wife in order to try to hold on to the hope. Aksel wants to get back together with his ex-wife and is using his daughter as a go-between until the day when his ex-wife suddenly brings home a new boyfriend.
Three stories of young disillusioned Poles of different background and region of origin. What binds them together is that they all meet on the bus to London shortly after Poland's entry into EU.
Instead of giving herself time to come to terms with the loss of her relationship, Natalie has a first date with Sascha that triggers exactly what she wanted to suppress: her lovesickness. She needs one night and some more or less self-destructive and bizarre encounters until she can find peace again.
Amy, an 11-year-old girl, joins a group of dancers named “the cuties” at school, and rapidly grows aware of her burgeoning femininity—upsetting her mother and her values in the process.
