El amor tiene cara de mujer

The daughter of an American diplomat is forced to spy for Mexican revolutionaries.

The dead body of a young man who was kidnapped is found, the police looks for the kidnappers as a web of corruption its uncovered in the police department.

Officer Blanca Bravo arrives in Juarez, Mexico — a grim nexus of corporate colonialism and sexual tourism — to investigate a rash of killings targeting female migrant workers. But with no help from the locals, bringing the responsible parties to justice becomes a frustrating exercise. As Bravo rails against indifference and local corruption, she finds herself on a collision course with Mickey Santos, a Mexican mogul with a taste for young prostitutes.

A group of terrorists cause chaos in a small mexican city, now Mario, the town's mayor, and a special forces group must restore peace in the city.

A man entranced by his dreams and imagination is lovestruck with a French woman and feels he can show her his world.

A stranded ship. A man and two boys go to its rescue - uncle Arturo and his two nephews. The ship is empty, except for a little girl - the only survivor.

A small suburban town receives a visit from a castaway unfinished science experiment named Edward.

Nacho Libre is loosely based on the story of Fray Tormenta ("Friar Storm"), aka Rev. Sergio Gutierrez Benitez, a real-life Mexican Catholic priest who had a 23-year career as a masked luchador. He competed in order to support the orphanage he directed.

Sabine and Natacha are 22. They live ‘here’, in the sticks, next door to each other. One day, Natacha has an opportunity: leave ‘here’ to go ‘over there’, thus abandoning Sabine. This act of treason will prove fatal.

A hacker who is spying on a pretty neighbour messes up his assignment to break into Swiss bank accounts for Russian mobsters.

Nearly thirty years after making his surrealist La Formula Secreta, director Rubén Gámez returned to filmmaking with this impressionistic portrait of modern-day Mexico. Reminiscent in some ways of Godfrey Reggio’s Koyaanisqatsi, Tequila appears to be a cinematic extension of Mexico’s muralist tradition, a contemporary equivalent of Diego Rivera or David Alfaro Siqueiros with vignettes, quick ideas, visual puns, cartoons, and political statements.