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***How a beautiful woman affects men*** An attractive, but otherwise normal and decent teen girl (Alicia Silverstone), takes a short-notice babysitting gig in the Los Angeles area. She unknowingly stirs the fantasies of the middle-aged husband of the house (J.T. Walsh), the preadolescent boy, her current boyfriend (Jeremy London) and his wannabe Fonzie frenemy (Nicky Katt). Alicia Silverstone was a hot item in the 90s, but the direct-to-video “The Babysitter” (1995) fell through the cracks. It’s not great like “Clueless” (1995) or “The Crush” (1993), but it’s still a worthy 90’s Silverstone drama/comedy with romance/thriller elements in the same league as “True Crime” (1995) and “Excess Baggage” (1997). As suggested above, the movie’s about how males of all ages react to a nubile female who’s not completely aware of her effect on males and therefore is indifferent to it. The story is helped by the fact that she’s a genuinely decent, ordinary girl unaware of all the raging male hormones she is unwittingly arousing. “The Babysitter” successfully conveys the intangible world of fantasy that goes on in people’s mind, and not just guys (albeit mostly guys). This is a force that each individual is responsible to monitor and control. If foolishly left unchecked it can result in negative consequences. The film runs 1 hour, 29 minutes, and was shot in Pasadena & Ventura, California. Additional cast members include Lee Garlington, George Segal and Lois Chiles. GRADE: B-
Well, Alicia Silverstone does a good job. Have to give her that. But, this is pretty much "The Crush" only with a much worse cast, a slightly different plot that still follows the lolita theme, and a the worst possible execution possible. I believe the plot summary is that a man and his children all have a thing for the babysitter... and that is just about all you need to know. Films like this you expect tension, something that keeps you on the edge of your seat and makes a knot in the muscles on your back. Tension that is both sexual and fatal. Instead it pushes for an eroticism that is never really achieved and any feelings of peril are absolutely void. The cover suggests enough, but in the end the mood never gets there enough to make it an enjoyable watch.
A group of high school students try to capture evidence of an urban legend on film but soon realize that they're the ones being watched.
A 15-year-old Somalian boy meets a 40-year-old Iranian man in a refugee camp in Skåne, in the south of Sweden. With the threat of deportation hanging over them, they decide to take their faiths in their own hands and together they go on a journey in the Swedish summer.
The executive producers of High School Musical keep the good times rolling with this upbeat musical comedy set in the one place every American teenager's home away from home - the local shopping mall. Ally (Nina Dobrev) is an optimistic adolescent singer/songwriter whose hard working mother owns the mall music shop frequented by every teen in town. When Ally shares her music with Joey (Rob Mayes), a janitor in the mall who harbors rock star ambitions, she is thrilled to find someone who can truly relate to her songs as well as her heart. Trouble looms on the horizon, however, in the form of the mall owner's spoiled rotten daughter Madison (Autumn Reeser). Madison is the kind of girl who's used to getting whatever she wants, and what she wants now could prove disastrous for both Ally's ambitions, and her mother's popular music store.
A seemingly mild mannered man - who has just murdered his entire family - quickly adopts a new identity and leaves town. After building a new relationship with a widow and her teenage daughter, he struggles to hide his true identity and maintain a grip on reality.
The film's main theme is obsession. An obsession with love, with art, originality, copying, with success, money and... with oneself. Sooner or later, if we lose our rational upper hand over it and let ourselves be dragged down by it, every obsession leads to destruction. But it is only when being dragged down, in spite of all the cuts and bruises, that we find a unique DELIGHT, if only for a few short moments - and what else is life really about? It is like a drug. What at first seems to be weak and trivial is capable of expanding and growing into a serious problem that can appear to be absolutely incomprehensible and absurd to those who have never experienced anything like it.
These five award-winning coming of age short films offer a glimpse of how boys and young men tackle life's difficult desires: confronting one's demons, understanding sexual relationships, gaining the respect of one's father, or simply running away from it all. This is only the start of their complex formative years, where not every question has an answer, and not every answer makes sense. The short films are: Boys [Pojkarna] (2015); Ioana (2015); Kiem Holijanda (2017); Picnic [Piknik] (2015); Tomer & Elias [Tomer en Elias] (2016).
Shakes plods about his duties as party clown, and uses all of his free time getting seriously drunk. Binky, another clown, wins the spot on a local kiddie show, which depresses Shakes even more, and his boss threatens him with unemployment if he can't get his act under control.
Overprotective mother Liz Benedict meets 18-year-old orphan Joanna Redwine and hires her as house help and live-in companion to rambunctious daughter Tara. Liz's husband Jeff isn't too thrilled with the arrangement, and his fears soon prove justified when Joanna begins to manipulate everyone and to slowly destroy the family. Meanwhile, next-door neighbor Dr. Linquist investigates and discovers Joanna has a disturbing past.
While celebrating their reconciliation and six years of marriage, American actress Sally Nash and British novelist Joe Therrian receive their close friends, some colleagues and their next door neighbors in a party. Under the effect of Ecstasy, revelations are disclosed and relationships deteriorate among the group.
Mr. Miyagi decides to take Julie, a troubled teenager, under his wing after he learns that she blames herself for her parents' demise and struggles to adjust with her grandmother and fellow pupils.
Rajputana, India, 13th century. The tyrannical usurper Alauddin Khilji, sultan of Delhi, becomes obsessed with Queen Padmavati, wife of King Ratan Singh of Mewar, and goes to great lengths to satisfy his greed for her.