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A remake of The Intouchables, a 2011 French film that was a box office phenomenon in its home country, Thozha is heart-warming and crowd-pleasing, two qualities that ensure that we don't dwell much on its formulaic plot that involves characters from varied socio-economic backgrounds learning life lessons from each other. Director Vamshi sticks to the structure of the original and this largely helps his film because more than story and plot, this is a film that is about its lead characters. Here, the two characters are Seenu (Karthi), a small-time criminal out on parole, and Vikramadithya (Nagarjuna), a man with an embarrassing amount of wealth. And Vamshi gets the crucial element of casting right. In Karthi, he has an actor who can be loud, blunt, and wide-eyed, and still remain charming. The character is even slightly lecherous towards Keerthi (Tamannaah, whose brief for this role must have had only two words: dress fashionably), Vikram's secretary, but it is because of Karthi that we look past this aspect. The actor also nicely captures the astonishment and anguish of the character. Seenu might come across as someone enjoying the perks that come in the way of his job, but we are also able to sense that deep down he would rather swap the riches for his family's love. His railway clerk 'mother' (Jayasudha), who is the breadwinner of the family, detests him for having become a criminal, while his sister and brother give a damn about him. The incidents involving this family's problems is something that we have seen often, and yet, as a drama, it works. But the character of Vikram is one-note. He is written as an implausibly saintly figure even though his disability itself automatically makes the audience empathise with his character. Every other character in the film, even his ex (Anushka, in a cameo), speaks of him in a worshipful manner that there is hardly any edge to Vikram. He doesn't even seem to be angry at his situation, even at his lowest point. Nagarjuna projects the stature of a multi-millionaire effortlessly, but he is somewhat unconvincing when it comes to conveying the helplessness and trauma of a disabled person. Still, the strong sense of camaraderie between Karthi and Nagarjuna is instrumental in making us root for their characters. And even though it deals with disability, things rarely get treacly in Thozha. It even finds a way to have a Seenathana-like item number. And when things get emotional, there is always a humourous remark a couple of dialogues away. Take for example the scene where Vikram's friend Prasad (Prakash Raj in a tailor-made role) talks to Seenu on Vikram's past. Like Seenu, we turn misty-eyed when we learn what happened, but soon start laughing when Seenu lightens the mood by revealing the truth about a painting that Prasad had bought. In fact, more than the emotions, it is the laughs like this one that make the film tick.
A young man spurs romance and helps his friend and himself go through the struggles of their ordinary life in Denmark.
Jacques is the curmudgeonly owner of a gritty New York dive bar that serves as home to a motley assortment of professional drinkers. Jacques is determinedly drinking and smoking himself to death when he meets Lucas, a homeless young man who has already given up on life. Determined to keep his legacy alive, Jacques deems Lucas is a fitting heir and takes him under his wing.
In a rundown area of Buenos Aires, at the dawn of the 1980s, Adrian LeDuc owns both a struggling movie theater and a shabby apartment building filled with eccentric, squabbling tenants. To make ends meet, Adrian takes in a roommate, Jack Carney, but soon begins to suspect that the quiet American is responsible for a series of political assassinations that are rocking the city.
In his last months alive a young man calls upon his four closest friends to make his existence infinite through the assembly of five key elements from his life.
When a heartbroken scientist moves back home to start over, her scheming brother hires a handsome stranger to convince her to sell their land.
Two former geeks become 1980s punks, then party and go to concerts while deciding what to do with their lives.
Helmut and Sabine Halm have always managed vacations of lazy privacy at their favorite retreat on Germany′s Lake Constance. So when the energetic, handsome Klaus Buch turns up with his beautiful girlfriend Helene, Helmut is quite ready to dismiss this dimly familiar acquaintance. But Klaus is overjoyed to recognize his old schoolmate Helmut, eager to recall every incident of their shared time, and to display every detail of this successful lifestyle as a fit sportsman and author. The precious days of privacy give way to an unwanted and awkward intimacy, as the Buchs and the Halms hike, dine and sail together. Their joint activities aggravate myriad psychological tensions among the four characters, which are all the more intensely ironic for their peaceful veneer and which must eventually erupt.
A struggling songwriter named Dave Seville finds success when he comes across a trio of singing chipmunks: mischievous leader Alvin, brainy Simon, and chubby, impressionable Theodore.
Four friends take a road trip to kick back, hit the pubs, and go surfing. Tension builds among the group between Sandy, a quiet young man who is angered by the obnoxious, womanizing Boo who seduces a teenaged girl while on their trip in one of his usual one night stands. Meanwhile, the girl's psychotic dad is also looking for Boo out of revenge for what he did to his daughter. Boo is in for a major wake up call.
40-year-old Elling, sensitive, would-be poet, is sent to live in a state institution when his mother, who has sheltered him his entire life, dies. There he meets Kjell Bjarne, a gentle giant and female-obsessed virgin, also in his 40s.