Given the huge success of the first two, I suppose the trilogy was bound to happen - but by now the joke and the characterisations had really worn very thin indeed. "Drebin" (Leslie Nielsen) is now happily (?) retired and living with his long-suffering wife "Jane" (Priscilla Presley) when he is sought out by his erstwhile colleagues "Ed" (George Kennedy) and "Nordberg" (OJ Simpson) to help out on their most dangerous case yet. Nope, the Queen is not making another state visit - it's "Rocco" (Fred Ward) and it looks like he wants to save Chris Rock any future embarrassment by blowing up the Oscars ceremony. What now ensues is a by now routine sequence of frying pan to fire scenarios, straight out of a Laurel & Hardy film. Sadly, that humour is all a bit passé now and though an appearance by Anna Nicole Smith must have given every budding actress from Tallahassee to Timbuktu a sense of hope that if she can make it, they can - the rest of it falls pretty flat! It is well enough made, the quips are quickly delivered and some of them still raise the odd smile. In the main, though, it is 80 minutes that almost looks like out-takes from the first two films with a thinly constructed plot by way of a template to hold it all together. It is watchable, but just not a patch on the earlier iterations.
**A fitting end to one of the great comedy trilogies of the 90s.** This is the third and final film in the “Naked Gun” trilogy. Throughout the film, one can smell farewell and conclusion, and it is undeniable that, among them, this is the weakest and least interesting. Even so, the film does what it needs to do to please its audience, who already know perfectly well what they are going to see and have a certain level of expectations. Although his style of humor may displease many people, we cannot deny that the three films were a notable success in the 80s and 90s, and that they had a major impact on Leslie Nielsen's filmography. In fact, the strength of Nielsen's work and charisma is what makes the film work. Without him, or with another actor, nothing would make sense and the final product would have no value. Even so, we must also highlight the work developed by O. J. Simpson, Priscilla Presley and George Kennedy, actors who put a lot of effort into their respective roles and found, in this film, time and material to match their talent. In fact, compared to its predecessors – and in these cases comparisons are inevitable – I thought this film gave more space to the secondary actors and gained additional quality as a result. It's not worth talking too much about the technical aspects, as this is a comical film that invests little in them and puts all its chips on humor and the main actor's performance. Even so, we can say that the film manages to maintain the quality that the trilogy has accustomed the public to. The script continues to be a problem, however, and is seen only as a vehicle for successive comic sequences and slapstick humor routines.
'Naked Gun 33⅓: The Final Insult' is the weakest of the trilogy, though fair amusement is still produced. Leslie Nielsen is so good in the lead role that I don't think it's really possible for these films to drag, at least alongside the decent gags and short run time. Admittedly this third entry does meander a tad, though my interest in events never waned into negative territory. The ending is the strongest part, that facepalm scene (which I knew of before) is gold. Overall, this is a good franchise. I'm quite looking forward to hopefully checking out Liam Neeson in the 2025 remake, as long as the writing is suitable I think he can absolutely make it work.
It's Ted the Bellhop's first night on the job...and the hotel's very unusual guests are about to place him in some outrageous predicaments. It seems that this evening's room service is serving up one unbelievable happening after another.
J.R. has been shot in his sensitive parts. After spending a season in the hospital, and anxious for revenge, he returns to find the culprit. He is accompanied by a bodyguard that prevents the presence of women who could approach him, thus delaying his recovery.
A dangerous criminal named Jack Hammer has been caught. Inspectors Spencer and Natalie have the mission of interrogating him and find out why he is doing this. What is missing.
George and Jane Jetson scold Elroy for his terrible behavior, hi-jinks ensue.
The adventures of two California Highway Patrol motorcycle officers as they make their rounds on the freeways of Los Angeles.
The beautiful Agent 00 is sent by the girlfriend of a mafia boss to catch his band of miscreants.
Forensic accountant Monica Bolland tracks down white-collar criminals, but when her husband Josh, an undercover agent for the FBI, is killed, she goes undercover herself to find his murderer. She gets a bookkeeping job with a criminal cartel but her cover is blown just as she discovers the devastating truth about her husband and the forces that brought him down.
Two young men, Martin and Rudi, both suffering from terminal cancer, get to know each other in a hospital room. They drown their desperation in tequila and decide to take one last trip to the sea. Drunk and still in pajamas they steal the first fancy car they find, a 60's Mercedes convertible. The car happens to belong to a bunch of gangsters, which immediately start to chase it, since it contains more than the pistol Martin finds in the glove box.
Jackie Brown is a flight attendant who gets caught in the middle of smuggling cash into the country for her gunrunner boss. When the cops try to use Jackie to get to her boss, she hatches a plan — with help from a bail bondsman — to keep the money for herself.
In 1920s Chicago, Italian immigrant and notorious thug, Antonio 'Tony' Camonte, aka Scarface, shoots his way to the top of the mobs while trying to protect his sister from the criminal life.
Senator Walter Chalmers is aiming to take down mob boss Pete Ross with the help of testimony from the criminal's hothead brother Johnny, who is in protective custody in San Francisco under the watch of police lieutenant Frank Bullitt. When a pair of mob hitmen enter the scene, Bullitt follows their trail through a maze of complications and double-crosses. This thriller includes one of the most famous car chases ever filmed.