Point of View

As a practical joke, an actor impersonates the screen monster he made famous. A lost film.

A sexual reverie unfolds over the course of one ethereal night. Characters wander through an erotic maze of love and lust, blurring the lines between wet dream and lucid nightmare as a macabre, erotic stage performance sends a ripple of lustful desires through its audience and performers.

A dark and violent murder involving a couple and an estranged ex-boyfriend.

A doctor must remove a parasite infestation from within a patient's breast.

One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.

After mistakenly killing one of his victims, a young vampire soon meets a human who shares a similar craving for blood.

Oscar works in a public bath, where he murders several people.

A young man journeys through a desert, where he is kidnapped by a sadistic stranger clad in a pig mask. The stranger proceeds to brutally torture the young man, who then finds himself escaping into his imagination, with fantasy and reality intersecting.

Described as 'a fairytale with its roots in the worlds of dadaism and surrealism'.

After accidentally hitting a dog with her car, a woman attempts to take the animal to the vet, but is impeded by the dog's gruesome transformation into a human.

Stepmother Doris' final feast turns deadly when her dying husband's three children plot to poison her, driven by a sinister desire to claim their father's inheritance.