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In May 1978, the mining town of Kolwezi in Katanga, Zaire (now Democratic Republic of Congo, the former Belgian Congo) is under attack from a group of communist guerillas coming from nearby Angola. The Europeans who work for the Belgian mining company and the Blacks who live in the town are taken as hostages by the invaders, who start a blood bath, shooting Europeans as well as Africans. Many of the Europeans being French, the French decide to organize a counter-attack, and to send a Regiment of Paratroopers from the Foreign Legion. The movie follows the stories of Delbart, a former non-commissioned officer, who was about to go back to France with his African wife and his child, Damrémont, who was Delbart's replacement, Bia, a Zairian doctor, and Annie, an American married to a Belgian engineer as well as Non com Legion officer Federico and the French Ambassador and the Military Attaché.

Irish Commandant Pat Quinlan leads a stand off with troops against French and Belgian Mercenaries in the Congo during the early 1960s.

Over 6,000 men served and 19 fell in the Congo Battalion (1960-64), Sweden's most dramatic and contentious UN operation. Many of the participants have borne the experience as a lifelong, well-hidden trauma. A visit to the Congo after fifty years causes some of them to finally open up and tell the things that they haven't even been able to say to their closest family.

Commissioned for the Irish representation at the 55th Venice Biennale in 2013, The Enclave is an immersive, six-screen video art installation by Irish contemporary artist Richard Mosse. Partly inspired by Joseph Conrad’s modernist literary masterpiece Heart of Darkness, the visceral and moving work was filmed in the Democratic Republic of Congo using 16mm colour infra-red film, which captures otherwise invisible parts of the spectrum. The resulting imagery in Mosse’s work is hallucinatory and dream-like with the usual greens of jungle and forest replaced by shimmering violet. The Enclave depicts a complicated, strife-ridden place in a way that reflects its complexity, using a strategy of beauty and transfixion to combat the wider invisibility of a conflict that has claimed so many.

The Democratic Republic of Congo in Africa is one of the world’s most resource-rich countries. A wide range of rare minerals can be found here in abundance, all commanding high prices in world commodity markets. Diamonds for jewellery, tantalum, tungsten and gold for electronics; uranium used in power generation and weaponry and many others. Congo has copious deposits of raw materials that are in high demand internationally but remains one of the poorest countries in the world. For our translator, Bernard Kalume Buleri, his country’s history of turmoil is very personal; like most Congolese people, he and his family fell victim to the unending mineral based power struggle. Born in the year of his country’s independence, he has lived through war and seen his homeland torn apart by violent looting and greed. His story is a damning testament, illustrating how nature’s bounty, instead of being a blessing, becomes a deadly curse.

A band of mercenaries led by Captain Curry travel through war-torn Congo across deadly terrain, battling rival armies, to steal $50 million in uncut diamonds. But infighting, sadistic rebels and a time lock jeopardize everything.

Report retracing the military campaigns of the Belgian colonial troops in Africa through geographical maps, title cards, and documentary footage.

After leaving a wealthy Belgian family to become a nun, Sister Luke struggles with her devotion to her vows during crisis, disappointment, and World War II.

In June 2010, French actress Marion Cotillard spent a week in the heart of the tropical forests of the Democratic Republic of Congo with members of Greenpeace France and Greenpeace Africa. She delivers in video a strong testimony on the looting of Congolese forests which benefits a few industrial groups, often European.

A chronicle of the violence that occurred in much of the African continent throughout the 1960s. As many African countries were transitioning from colonial rule to other forms of government, violent political upheavals were frequent. Revolutions in Zanzibar and Kenya in which thousands were killed are shown, the violence not only political; there is also extensive footage of hunters and poachers slaughtering different types of wild animals.

Sven Nykvist, best known as Ingmar Bergman cinematographer, made this film as a tribute to his father who was a missionary in Kongo in the early 20th century. The story of his father Gustav Natanael Nykvist is told through his own photos, letters, and films. Director & cinematographer: Sven Nykvist. Narrators in the English dubbed version: Liv Ullmann & Sean Connery. Produced by Ingmar Bergman (Cinematograph AB). Digitally restored in 2022.