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Harker's World of Wonders. The Howling (1981) remains to me one of the finest Werewolf movies ever made, though looking a bit tired these days, there still remains a wrought terror there, the effects work impressive even in this age of amazing effects advancements. What is actually surprising is that it would spawn a whole raft of sequels, becoming a cash cow franchise that not only failed to grasp the essence of writer Gary Brander's prose, but also in how the stories were schizophrenic in relation to the Werewolf formula. Part VI: The Freaks is not a great movie, but it has a grand idea at its core, shifting the story arc into the mysterious realm of circus freaks, thus making this very much of interest for anyone with a kink for carnival/fairground/circus horror films. It's this backdrop, and the all round eerie atmospherics wrung out by director Hope Perello and cinematographer Edward Pei, that keeps this sequel above average. Plot basically finds a drifter known only as Ian (Brendan Hughes) wandering into the town of Canton Bluff and in spite of some hostility from the sheriff of the town, manages to find some lodgings with troubled pastor Dewey (Jered Barclay) and his daughter Elizabeth (Michele Matheson). All seems rosy until the arrival of a travelling show called Harker's World of Wonders. Fronted by the mysterious R.B. Harker (Bruce Payne), it's a veritable showcase for the misfits, the freaks and the runts. But much like Harker has a dark secret, so too does Ian, and when revealed, the town of Canton Bluff will never be the same. Unfortunately the main promotional poster for the film gives the game away, so it's no spoiler to say that it's all building towards a monster face-off, with the character name of Harker a not very subtle clue as well. In between there is the standard relationship building narrative, with Ian battling his demons as he comes to adore both Elizabeth and Dewey, while the tours around the "show" are suitably creepy. Payne is giving good pompous aristocratic entertainment, while seeing Antonio Fargas and Carol Lynley in this gives novelty value whilst serving to remind that actors do sometimes have to work for food! It's dressed up nicely and never insulting, and in context to the budget available it deserves a gentle golf clap type of grudging appreciation. Even if it's hardly a must see for Werewolf lovers. 6/10
The mysterious Count Orlok summons Thomas Hutter to his remote Transylvanian castle in the mountains. The eerie Orlok seeks to buy a house near Hutter and his wife, Ellen. After Orlok reveals his vampire nature, Hutter struggles to escape the castle, knowing that Ellen is in grave danger. Meanwhile Orlok's servant, Knock, prepares for his master to arrive at his new home.
After kidnapping a father and his two kids, the Gecko brothers head south to a seedy Mexican bar to hide out in safety, unaware of its notorious vampire clientele.
When deadly attacks from a nearby forest beset a secluded retirement community, it is up to a blind army veteran to discover what the residents are hiding.
A soldier turned gunfighter rises from the grave only to find himself in a modern time where the same werewolf outlaw gang that brutally murdered his wife are running rampant. Aided by a beautiful widow, a broken down sheriff, and a corrupt Mayor, Colt must face the blood thirsty creatures once again to save a small sleepy southern town.
A man who serves in the war between the forces of Light and Dark comes into possession of a device that can restore life to Moscow, which was nearly destroyed by an apocalyptic event.
When a team of techno-savvy thieves break into a high-security vault, they don't discover priceless works of art... they find a crypt unopened for 100 years.
A group of medical students discover the body of the infamous count. Soon, they find themselves in the middle of a bizarre and dangerous conflict when a shadowy figure offers them $30 million for the body so that he may harvest his blood.
Dracula leads vampire hunters Father Uffizi and Luke back to Eastern Europe, and a country plagued by civil war.
In New France, in the year of grace 1642. Anguerant de Ganélon, witch hunter and hunter of monsters, leaves Europe accompanied by his valet and a priest in order to pursue the vampire who killed his wife.
A New York City cop and an expert criminologist trying to solve a series of grisly deaths in which the victims have seemingly been maimed by feral animals discover a sinister connection between the crimes and an old legend.
Private eye Rafe Guttman is hired by repressed, born-again Katherine to find her missing bad-boy brother. The trail leads him to a whorehouse run by a thousand-year-old vampire and secretly backed by Katherine's boss, televangelist Jimmy Current.
