The Game is Dead

A flashback to the early life of the narrator/ protagonist 'Tanuk' (Juvenile) shows life in the Magnolia projects in New Orleans. He bears witness to his father's demise at the hands of local gangster Garr over a debt of $2000. Fast forward to the year 2000. Beatrice (Birdman aka Baby or #1 stunna) along with Tanuk, Chopper (B.G) and Teke (Turk) meet with representatives of a drug cartel and purchase a large batch of cocaine. We then see scenes of everyday business in Magnolia with Iceberg Shorty (Lil Wayne) selling some drugs.

Two blue-collar buddies search the underworld for a winning lottery ticket lost in a nightclub holdup.

While gun violence was on the decline in most major US cities, why did it continue to increase in Chicago's segregated communities? What is known about the systems that created the problem, the laws that isolated it, and the policies that abandoned it? Using dramatic footage, including interviews with residents on the front lines over the last 15 years, this documentary opens a rare historical window into the systematic creation of poverty stricken communities plagued by gun violence. 

A remake of 1973 film of the same name. "Bulan di Atas Kuburan" is a tale of hardships in the capital city. Sahat, Tigor and Sabar ; three friends from Samosir, North Sumatra, quest after greatness whilst deperately holding on to their inner idealism.

Naples. Present day. Giovanna, a combative 60-year-old social worker on the frontline of the daily war against pervasive criminality, is confronted, like a modern Antigone, with a moral dilemma that threatens to destroy her work and her life. Giovanna runs an after-school centre that takes care of underprivileged children; a grassroots alternative to the mafia dominance of the city. But one day, young Maria, wife of a ruthless Camorra criminal on the run, and her two children take refuge at the centre, and ask Giovanna for protection.

An unemployed Brit vents his rage on unsuspecting strangers as he embarks on a nocturnal London odyssey.

In a Holy Grail War, Mages (Masters) and their Heroic Spirits (Servants) fight for the control of the Holy Grail—an omnipotent wish-granting device said to fulfill any desire. Years have passed since the end of the Fifth Holy Grail War in Japan. Now, signs portend the emergence of a new Holy Grail in the western American city of Snowfield. Sure enough, Masters and Servants begin to gather... A missing Servant class... Impossible Servant summonings... A nation shrouded in secrecy... And a city created as a battleground. In the face of such irregularities, the Holy Grail War is twisted and driven into the depth of madness. Let the curtain rise on a masquerade of humans and heroes, made to dance upon the stage of a false Holy Grail.

‘Moscou’ is a densely populated working class neighbourhood on the outskirts of Ghent, Belgium. Matty, mother of three, bumps her car into a truck on the parking lot of a supermarket. Johnny climbs down from the cabin. He is infuriated by the dent in his front bumper and yells at Matty. Although impressed by the accident, Matty fights back with sharp words. Their discussion turns into a row, and the police have to intervene. Matty goes home, the trunk of her car dancing up and down. Back in her apartment, Matty takes a hot bath to recover from the afternoon’s emotionswhen the phone rings. It’s Johnny, apologizing for his behaviour on the parking lot. Matty tells him to stay out of her life. A dramatic comedy begins about a woman whose soul is full of dents and bruises.

The Candyman, a murderous soul with a hook for a hand, is accidentally summoned to reality by a skeptic grad student researching the monster's myth.

LarceNY's adventure of love, lust, greed and deceit take you on a suspenseful ride filled with drama in a story that depicts real life. No matter who you are, in the game of life and love, "The Game Don't Differ".

Three NYC stories at a climax. Stories about breaking up, losing, leaving, giving away... the things or people you love, you live with, you depend on, which formed your past... The stories are about how difficult this is, how terrifying and how frightening. Yet, you HAVE to do what you have to do. The three girls are met at the turning point of their lives. The film is wonderful written, with few words and a great, exciting pace (though it takes its time and lot of it). Stop: there may be a lot of words, sometimes, but what's important is between-the-lines. The performances are marvellous. Style and location (all shot "on location") remind of this specific independent NYC style of Jarmusch, Poe, Seidelman, Silver, etc.