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I'm not stickin' my neck out. Why should I? Phenix City has been what it is for 80, 90 years. Who am I to try to reform it? The Phenix City Story is directed by Phil Karlson and written by Daniel Mainwaring and Crane Wilbur. It stars John McIntire, Richard Kiley, Kathryn Grant, Edward Andrews and John Larch. Music is by Harry Sukman and cinematography by Harry Neumann. A crime-busting lawyer (Kiley) and his initially reluctant attorney father (McIntire) take on the forces that run gambling and prostitution in the "Sin City Of The South", Phenix City, Alabama. Karlson's uncompromising film noir is based around the real life 1954 assassination of Albert Patterson (McIntire), who after being nominated for the role of Alabama Attorney General was on a mission to rid Phenix City of organized crime. It's important to note that this is not a historical fact film as such, it's more an interpretation of the Patterson murder and how Phenix City was a cess pool at the time in focus. Print of the film I personally viewed had a 13-minute newsreel preface where newsman Clete Roberts interviews many of the actual participants of the events in the story. I wasn't prepared for it and thought I was about to watch a documentary, but then we shift to Karlson's film and it delivers quality noir film making. Karlson ("Scandal Sheet" - "99 River Street") and his team don't hold back from violence and devastating scenes. Yet somehow in spite of the dark turns that occur, where the stink of racism and organized crime resides, there's an overriding message that even though we may want to fight fire with fire, sometimes the lawful ballot box is the best option. Cast are well directed, so much so there's no weak links here, but one has to admire the class McIntire brings to the role of Patterson, while Larch gives us one of film noir's most repugnant villains. Neumann's photography is only ok, there's some flashes of expressionism here, but one can't help wishing for some chiaroscuro magic to befit the dark tones being played out. This is still a film noir enthusiast essential, on proviso that it's understood there's some poetic licence undertaken. 8/10
Career criminal Johnny Clay recruits a sharpshooter, a crooked police officer, a bartender and a betting teller named George, among others, for one last job before he goes straight and gets married. But when George tells his restless wife about the scheme to steal millions from the racetrack where he works, she hatches a plot of her own.
A private detective takes on a case that involves him with three eccentric criminals, a beautiful liar, and their quest for a priceless statuette.
Private Investigator Philip Marlowe is hired by wealthy General Sternwood regarding a matter involving his youngest daughter Carmen. Before the complex case is over, Marlowe sees murder, blackmail, deception, and what might be love.
In 1920s Chicago, Italian immigrant and notorious thug, Antonio 'Tony' Camonte, aka Scarface, shoots his way to the top of the mobs while trying to protect his sister from the criminal life.
When Baby Sam is told his pet bunny rabbit has gone on vacation he suspects foul play.
Mrs. Elizabeth Bright Murdock hires Marlowe to find an old rare coin, the Brasher Doubloon, that belonged in her deceased husband's collection. Marlowe begins investigating, but quickly finds himself entangled in a series of unexplained murders.
Private eye Phillip Marlowe wants to get out of the detective racket and into crime writing. But when he's called to the office of editor Adrienne Fromsett, it's not to talk about his story ideas — she wants him to locate the missing wife of her boss, Mr. Kingsby. The assignment quickly becomes complicated when bodies start turning up.
Kathy leaves the newspaper business to marry homicide detective Bill, but is frustrated by his lack of ambition and the banality of life in the suburbs. Her drive to advance Bill's career soon takes her down a dangerous path.
Ambulance driver Frank Jessup is ensnared in the schemes of the sensuous but dangerous Diane Tremayne.
Set in New Jersey in 1938, "Drop Dead, Gorgeous" follows the stories of high-society woman Irene Moretti and private investigator Miles Marshall. After Irene's husband, mob boss Luca Moretti, is murdered, Irene hires Marshall to help her flee the country. Meanwhile, her husband's mob connections double-hire Marshall to track down the killer, creating problems for themselves, Irene, and ultimately for Marshall himself. This twenty-minute short film takes inspiration from the classic noir tradition.
Yuri Orlov is a globetrotting arms dealer and, through some of the deadliest war zones, he struggles to stay one step ahead of a relentless Interpol agent, his business rivals and even some of his customers who include many of the world's most notorious dictators. Finally, he must also face his own conscience.