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I Dream in Another Language is ambitious but uneven. It has good ideas, but struggles with the execution. It’s visually flawless, which is a good thing if we subscribe to the theory that a picture is worth a thousand words, but it can also be seen as a triumph of style over substance, especially in a film that’s supposed to be about words – both said and unsaid. And yet, I can’t help liking it, because director Ernesto Contreras and screenwriter Carlos Contreras show a sincere love of language and communication, even if they, somewhat ironically, don’t know quite how to express it. It’s almost as if something was lost in the translation from dream to reality. The movie revolves around a fictitious indigenous language called Zikril. There are other plot points, but this is the most interesting one, though in the end it doesn’t amount to much more than a missed opportunity. I caught exactly two words of Zikril; the rest is nothing but a lot of mumbling – and the problem is not the sound or the actors; as a native speaker, I can assure that the Spanish dialogue comes through loud and clear. Furthermore, we don't learn a lot about the culture that originally gave rise to Zikril, apart from some mythology about how it came into being, as well as learning about the afterlife where its speakers go when they die: a physical place on the mountain called “El Encanto”, to which they apparently ascend, like the Virgin into the heavens, bodily and not just in spirit (the movie is firmly planted in the tradition of magical realism, and is in particular reminiscent of Alejo Carpentier’s novel Los Pasos Perdidos, which it emulates but does not equal). What the film, shot deep in the Veracruzan jungle, does very well, however, is what Werner Herzog calls the ‘voodoo of location.’ All things considered, I Dream in Another Language is intriguing enough to hold the viewer's interest throughout its 103-minute running time, but perhaps the filmmakers should have resorted to some already existing, but still obscure, language, instead of half-assing an entirely new one.
Beautiful young housewife Séverine Serizy cannot reconcile her masochistic fantasies with her everyday life alongside dutiful husband Pierre. When her lovestruck friend Henri mentions a secretive high-class brothel run by Madame Anais, Séverine begins to work there during the day under the name Belle de Jour. But when one of her clients grows possessive, she must try to go back to her normal life.
As Anna and her girlfriend Mia spend their last hours together before Anna sets off to leave Milwaukee to join the Peace Corps, Mia is troubled by her departure.
A transgender woman takes an unexpected journey when she learns that she had a son, now a teenage runaway hustling on the streets of New York.
"The Hours" is the story of three women searching for more potent, meaningful lives. Each is alive at a different time and place, all are linked by their yearnings and their fears. Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.
Crotchety retired doctor Isak Borg travels from Stockholm to Lund, Sweden, with his pregnant and unhappy daughter-in-law, Marianne, in order to receive an honorary degree from his alma mater. Along the way, they encounter a series of hitchhikers, each of whom causes the elderly doctor to muse upon the pleasures and failures of his own life. These include the vivacious young Sara, a dead ringer for the doctor's own first love.
Young Dorothy finds herself in a magical world where she makes friends with a lion, a scarecrow and a tin man as they make their way along the yellow brick road to talk with the Wizard and ask for the things they miss most in their lives. The Wicked Witch of the West is the only thing that could stop them.
A tormented jazz musician finds himself lost in an enigmatic story involving murder, surveillance, gangsters, doppelgängers, and an impossible transformation inside a prison cell.
Mikaela has undergone gender reassignment and is now a woman. One night at a bar, she meets a guy and takes him back to her place.
The New York club scene of the 80s and 90s was a world like no other. Into this candy-colored, mirror ball playground stepped Michael Alig, a wannabe from nowhere special. Under the watchful eye of veteran club kid James St. James, Alig quickly rose to the top... and there was no place to go but down.
In the 1970s, a young transgender woman called “Kitten” leaves her small Irish town for London in search of love, acceptance, and her long-lost mother.
In New York City in the days following the events of 9/11, Monty Brogan is a convicted drug dealer about to start a seven-year prison sentence, and his final hours of freedom are devoted to hanging out with his closest buddies and trying to prepare his girlfriend for his extended absence.