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Sometimes a film can turn out to be nothing like you expected, and it can be a real challenge not to be completely disappointed, but rather try and keep an open mind about what you're watching instead of dismissing it just because it's not what you thought it would be. Because every now and then, you just need to let something surprise you. Defendor is just such a film. At first glance, everything about this film just screams 'hilarious comedy' (trailers can be so misleading...). Perhaps it was the production company's intention to promote it as such, but it is nothing of the sort. But then again, if they were afraid a dramatic film about a sympathetic loser who thinks he's a superhero wasn't going to fly with the audience, they shouldn't have made it in the first place. But they did and here it is, and it's no surprise it wasn't a big box office success. That's bad promotion for you. Nevertheless, Defendor certainly has its charm, mostly, if not completely, thanks to Woody Harrelson. I've personally never seen him fail, and there's something about the way he plays this character that just makes him instantly lovable. He plays a really sweet, 'intellectually challenged' man named Arthur Poppington who prefers to be addressed as his vigilante alter-ego Defendor (with an O!), blindly convinced of his duty to defend the needy. The fact that he has no real skills, hardly any physical strength and relies on marbles, angry wasps and lemon juice as his weapons of choice, never deter him in any way. In fact, they're exactly the ingredients that make up his identity. "Guns are for cowards!" is his credo. But it's only fun and games until he assaults the owner of a dry cleaner's and is placed under court-ordered psychiatric supervision. Here his story slowly unravels and it becomes apparent that there's much more to this silly, troubled superhero wannabe than meets the eye. In conversations with his psychiatrist we learn of his friendship with a young hooker named Kat and his obsession with catching his arch enemy, Captain Industry, whom he holds responsible for a traumatising experience in his childhood. Let me start with the films plus points. First of all, the cast is great. Like I said, Woody Harrelson never fails and his portrayal of Defendor is charming, sympathetic and just plain sweet. He is a simple man, but his intentions are genuinely heartfelt and righteous. When he's not fighting crime (with marbles...) he tries to help this girl Kat to kick her habit of drug use. And of course, he ends up needing her just as much as she needs him. This character is played by Kat Dennings, who is not yet very well known, but I have a feeling she definitely will be. I think she has more personality and talent than most "glamorous" young actresses that you see in every magazine these days, and she's very pretty, so that should work in her favour. Her character in this film is a tough, streetwise young woman, who has seen more and done more than any girl her age should, and she plays her role with style. Actually, the film mostly revolves around the chemistry between these two characters, and that chemistry is great. Elias Koteas plays an undercover cop, Dooney, who keeps getting in Defendor's way. Although he is a good actor, his role here isn't very memorable. The same goes for Sandra Oh, who plays Arthur's psychiatrist. Not bad, but not irreplaceable. Basically, these characters could have been played by anybody. But that has more to do with the fact that these characters simply weren't written interestingly enough. Although Defendor is said to be a comedy, the funny moments are few and far in between, and although these moments are pretty hilarious here and there, there really aren't enough of them for this film to qualify as a full-fledged comedy. And that's not a bad thing, but if you're going to watch it, you should understand that this film is more of a drama film than a comedy, it's simply too dark and heavy for that. Thematically, Defendor focuses more on the main characters' issues than on the silly things they do. Though it must be said that Defendor's actions against his enemies make for some of the film's best moments, although said actions are actually more endearing than they are effective. Something about this film that could have definitely used some improvement is the pacing. It takes too long for the story to really take off, and when it does it continues to just kind of meander along, without properly working towards a decent climax. Also, the ending isn't really satisfying. Actually, it is quite weak. This falls in line with the overall fluctuating quality of the story, which never really engages you much at any point, and then at the end just leaves you feeling kind of puzzled and somewhat disappointed. In conclusion, Defendor is a charming little film, not strong enough to garner its own cult-following like some films in this genre have, but definitely nice enough to watch at least once. _(February 2012)_
After being bitten by a genetically altered spider at Oscorp, nerdy but endearing high school student Peter Parker is endowed with amazing powers to become the superhero known as Spider-Man.
Peter Parker is going through a major identity crisis. Burned out from being Spider-Man, he decides to shelve his superhero alter ego, which leaves the city suffering in the wake of carnage left by the evil Doc Ock. In the meantime, Parker still can't act on his feelings for Mary Jane Watson, a girl he's loved since childhood. A certain anger begins to brew in his best friend Harry Osborn as well...
The seemingly invincible Spider-Man goes up against an all-new crop of villains—including the shape-shifting Sandman. While Spider-Man’s superpowers are altered by an alien organism, his alter ego, Peter Parker, deals with nemesis Eddie Brock and also gets caught up in a love triangle.
John Constantine has literally been to Hell and back. When he teams up with a policewoman to solve the mysterious suicide of her twin sister, their investigation takes them through the world of demons and angels that exists beneath the landscape of contemporary Los Angeles.
"The Hours" is the story of three women searching for more potent, meaningful lives. Each is alive at a different time and place, all are linked by their yearnings and their fears. Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.
A hack screenwriter writes a screenplay for a former silent film star who has faded into Hollywood obscurity.
After a police chase with an otherworldly being, a New York City cop is recruited as an agent in a top-secret organization established to monitor and police alien activity on Earth: the Men in Black. Agent K and new recruit Agent J find themselves in the middle of a deadly plot by an intergalactic terrorist who has arrived on Earth to assassinate two ambassadors from opposing galaxies.
Kay and Jay reunite to provide our best, last and only line of defense against a sinister seductress who levels the toughest challenge yet to the MIB's untarnished mission statement – protecting Earth from the scum of the universe. It's been four years since the alien-seeking agents averted an intergalactic disaster of epic proportions. Now it's a race against the clock as Jay must convince Kay – who not only has absolutely no memory of his time spent with the MIB, but is also the only living person left with the expertise to save the galaxy – to reunite with the MIB before the earth submits to ultimate destruction.
The Moon Mask Rider is a tokusatsu movie produced by Purumie International/Herald Enterprises and distributed by Nippon Herald Pictures, was released theatrically on March 14, 1981. Considered Japan's answer to the American box-office fiasco, The Legend of the Lone Ranger (released the same year), this updated version of the Moonlight Mask legend bombed at the Japanese box-office. Daisuke Kuwahara (who, like Klinton Spilsbury , disappeared from doing films) plays George Owara (Moon Mask Rider's new alter-ego), and the rest of the cast made up of veteran action starlets: Sue Shihomi, Daijiro Harada and Takayuki Godai.
Batman learns he has a violent, unruly pre-teen son, secretly raised by the terrorist group known as The League of Assassins.
Despite trying to keep his swashbuckling to a minimum, a threat to California's pending statehood causes the adventure-loving Don Alejandro de la Vega and his wife, Elena, to take action.