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In this age of instant protests and calls for ban, Adhik Ravichandran, for a debutant, is audacious enough in having made this romantic comedy that sends up things that the so-called upholders of culture hold sacred, and where the romance is mainly fuelled not by heart but by hormones and plenty of alcohol. One of his two heroines offers a drink to the hero and asks him to use her as the side dish, while the second downs two beer bottles at the same time and tells him to piss off when he tells her not to drink. One doesn't mind admitting that she has had sex after breaking up with him and the other accuses him of not trying to make out with her. One character tells the hero that virginity is as dead as dinosaurs! And despite behaving like the average Tamil cinema hero (who considers TASMAC a home away from home, lectures women on morals while lusting after them all the time), his hero comes across as a sap who always finds out that he can never command the interest of a woman. The film is about Jeeva (a very convincing GV Prakash who seems to have lost the inhibition that could be sensed in his debut, Darling), who falls in love with his childhood friend Ramya (Anandhi). When she breaks up with him, he instantly chooses to go out with his other childhood friend Aditi (Manisha Yadav). But she, too, ditches him, and now, Jeeva goes back to wooing Ramya, little realising that the game has changed. His uncle Visu (VTV Ganesh) and Ramya's aunt Simran (Simran) try to help him out and act as his love gurus, though they clearly see him for what he is — a pathetic loser. The best thing that can be said about Trisha Illana Nayanthara is that it is unabashed about being crass and sexist and wears its 'A' certificate as a badge of honour. There are innumerable innuendos (at one point, Ramya says, "Naan onna thorandhu kaataren") and adult comedy (Jeeva makes out with a doll as practice) and misogynist dialogues, but they do not come across as exploitative but rather harmless fun. And the film also has moments of genuine absurdity (like three pregnancies happening at the same time with an MGR-like figure taking charge, a psycho who pops up now and then to throw bricks at everyone) that prove us that the director clearly knows what he is doing. But the blatant pandering to the fan bases of Ajith and Vijay (an unfortunate trend in Tamil films of late) becomes rather annoying after a point. And the uninvolving songs (save for Mutham Kodutha Maayakaari) and a sub-plot involving Simran and her scientist husband (Yuhi Sethu) only make the film longer than it should ideally be.
An ambitious U.S. Senator reflects back on his life after the death of a woman whom he loved and kept in contact with only through correspondence.
A couple discover they have a rare-genetic condition that makes them allergic to each other and must decide between facing the hazardous pain of being together or suffering the agony of being apart.
One evening, a couple of women decide to spend the night at home, facing the eternal dilemma of choosing movies to watch and what to order for lunch. As they debate their options, the conversation turns to topics such as movies, religion and politics, revealing their personalities, their differences and the love that unites them.
After four years in prison, Bobby is released into a world he no longer recognizes. His exgirlfriend Penny is abusing drugs. Their daughter is in foster care. Bobby's sister is in the process of rebuilding her life after a bad relationship.
Everyone deserves a great love story, but for 17-year-old Simon Spier, it's a little more complicated. He hasn't told his family or friends that he's gay, and he doesn't know the identity of the anonymous classmate that he's fallen for online.
The protagonist is Carmen X, a sexy female member of a terrorist gang. She asks her uncle Jean, a washed-up film director if she can borrow his beachside house to make a film with some friends, but they are in fact planning to rob a bank. During the robbery she falls in love with a security guard. The film intercuts between Carmen's escape with the guard, her uncle's attempt to make a comeback film, and a string quartet attempting to perform Beethoven.
A woman suffers a nervous breakdown and an oppressive mother before being freed by the love of a man she meets on a cruise.
Roland Dane finally retires to the house he was brought up in. Lost in thoughts of his lost love Lark, he does not want to be disturbed in his last days. However, the appearance of his niece and her subsequent romance with Lark's nephew causes him to reevaluate his life and offer some advice so the young couple doesn't make the same mistake he did, all those years ago.
Galaxina is a lifelike, voluptuous android who is assigned to oversee the operations of an intergalactic Space Police cruiser captained by incompetent Cornelius Butt. When a mission requires the ship's crew to be placed in suspended animation for decades, Galaxina finds herself alone for many years, developing emotions and falling in love with the ship's pilot, Thor.
Wealthy American, Jervis Pendleton has a chance encounter at a French orphanage with a cheerful 18-year-old resident, and anonymously pays for her education at a New England college. She writes letters to her mysterious benefactor regularly, but he never writes back. Several years later, he visits her at school, while still concealing his identity, and—despite their large age difference—they soon fall in love.