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FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/fantastic-beasts-secrets-dumbledore-spoiler-free-review "Fantastic Beasts: The Secrets of Dumbledore is a significant improvement over its predecessors, proving that Steve Kloves really can work miracles - J. K. Rowling still has a lot to learn. By completely shifting the main focus of the franchise to the love relationship between Albus Dumbledore and Gellert Grindelwald, as well as the exploration of the former's imperfections and the tragic, complex past of his family, it gains an emotionally powerful, genuinely fascinating narrative component. Jude Law and Mads Mikkelsen's superb performances broadly contribute to this. Too bad the first half suffers from the constant tweaks to the saga, taking once-important characters through irrelevant side adventures and repairing plot points established in earlier installments, seriously undermining the previous films and negatively affecting the pacing of this one. The boat is no longer sinking, but the damage might be too much to continue sailing..." Rating: B
It feels like The Secrets of Dumbledore spends more time allowing characters to blather on and adamantly stare out windows over actually delivering worthwhile wizard action, which is essentially what people want to see in films like this. Full review: https://boundingintocomics.com/2022/04/18/fantastic-beasts-the-secrets-of-dumbledore-review-a-broken-franchise-filled-with-disjointed-magic/
Meh again. 'Fantastic Beasts: The Secrets of Dumbledore' isn't any worse than the two films it follows, which is a minor positive at least. I'd actually put it above 1 but just below 2, though I'm splitting hairs really. I just feel all three are simply missing that little something extra, yet I'm not sure exactly what. I also feel the same about the cast as I do for the preceding instalments, with the likes of Eddie Redmayne and Jude Law not doing much for me; though Law is at his best in the role here. I will say, however, that I did mildly enjoy Jessica Williams' performance. The pacing is a tad iffy, if nothing super slow. The ending does feel delayed, I would've personally cut a decent chunk of it to be honest. The dialogue and humour is average, but one scene involving Pickett and Teddy did make me laugh in fairness. All in all, I'm undoubtedly underwhelmed by these spin-offs/prequels to the great 'Harry Potter' franchise.
We just want Story. It felt like the entire movie was filler plot with no substance. Perhaps JK wanted it to be a trilogy and WB wanted more so they filled in a bunch of nothingness like the Hobbit trilogy or the Mandalorian.
Nice!!!
Didn't care much for the first one, really disliked the second and this one continues that trend. At two hours plus, this was an absolute bore mainly because I didn't care about the plot (as thin as it is) and characters that, even three films in, I have no attachment to. I guess a positive is Jude Law was okay as Dumbledore and the effects were fine when I could tell what the heck was going on since this was so dimly lit. Honestly don't know how this series can keep going though I imagine it'll probably be destined for HBO Max if it happens at all. **1.75/5**
I have to confess that I went into watching this movie with quite some negative bias following woke Disney’s dismissal of Johnny Depp. Not that I am such a great fan of Depp but it was just wrong. Woke Disney’s asshats have been trying to get rid of him since the first Pirates movie so they used a bullshit excuse to get rid of him. Then already in the first couple of scenes woke Disney goes full woke to cater for a very small but loudmouthed minority. Totally unnecessary since the vast majority do not care and a lot of said majority are simply fed up by having woke shit crammed into the movies for no justifiable reason whatsoever. So, for me, this movie did get off to a poor start indeed. Unfortunately the rest of the movie had literally nothing in it to remedy this bad start except for a bunch of special effects. I really do not understand what woke Disney thought when the put this franchise killer together. The first movie, Fantastic Beasts and Where to Find Them, in the franchise was a great movie. It was colorful, it was family oriented and it was filled with magic and fantastic beasts. It was fun, it was humorous and it had a bit of adventure in it. This movie is nothing like that. Why they call it Fantastic Beasts I do not understand. They should call it Boring Political Drama in the Potter Universe instead. It is dark, grey and, mostly, boring. It is not really a family movie. A lot of the time not much is happening except people walking, standing or sitting and looking gloomy. There are some outbursts of magic action and these are really the only enjoyable scenes in the movie thanks to the special effects. They even managed to drag the supposedly happy ending epilogue out to become frustratingly boring. Amazing how Disney, who has made so many enjoyable family movies, has transformed into woke Disney spewing out one disaster after another.
Overly long and largely unmemorable. I long to feel something other than apathy during this series.
As a newly crowned princess, Cinderella quickly learns that life at the Palace - and her royal responsibilities - are more challenging than she had imagined. In three heartwarming tales, Cinderella calls on her animal friends and her Fairy Godmother to help as she brings her own grace and charm to her regal role and discovers that being true to yourself is the best way to make your dreams come true.
An old Chinese man rides into the town of Abalone, Arizona and changes it forever, as the citizens see themselves reflected in the mirror of Lao's mysterious circus of mythical beasts.
A hypochondriac irks his partner by embracing the advice of an eccentric healer.
Mr Banks is looking for a nanny for his two mischievous children and comes across Mary Poppins, an angelic nanny. She not only brings a change in their lives but also spreads happiness.
When disillusioned Swedish knight Antonius Block returns home from the Crusades to find his country in the grips of the Black Death, he challenges Death to a chess match for his life. Tormented by the belief that God does not exist, Block sets off on a journey, meeting up with traveling players Jof and his wife, Mia, and becoming determined to evade Death long enough to commit one redemptive act while he still lives.
One day at work, unsuccessful puppeteer Craig finds a portal into the head of actor John Malkovich. The portal soon becomes a passion for anybody who enters its mad and controlling world of overtaking another human body.
A supernatural tale set on death row in a Southern prison, where gentle giant John Coffey possesses the mysterious power to heal people's ailments. When the cell block's head guard, Paul Edgecomb, recognizes Coffey's miraculous gift, he tries desperately to help stave off the condemned man's execution.
A surprise visit from Spock's father provides a startling revelation: McCoy is harboring Spock's living essence.
When a huge alien probe enters the galaxy and begins to vaporize Earth's oceans, Kirk and his crew must travel back in time in order to bring back whales and save the planet.
A beautiful girl, Snow White, takes refuge in the forest in the house of seven dwarfs to hide from her stepmother, the wicked Queen. The Queen is jealous because she wants to be known as "the fairest in the land," and Snow White's beauty surpasses her own.
Siblings Lucy, Edmund, Susan and Peter step through a magical wardrobe and find the land of Narnia. There, they discover a charming, once peaceful kingdom that has been plunged into eternal winter by the evil White Witch, Jadis. Aided by the wise and magnificent lion, Aslan, the children lead Narnia into a spectacular, climactic battle to be free of the Witch's glacial powers forever.