Lost on a Mountain in Maine 2024 - Movies (Dec 29th)
Sonic the Hedgehog 3 2024 - Movies (Dec 29th)
Moana 2 2024 - Movies (Dec 29th)
Mr. Jimmy 2023 - Movies (Dec 29th)
Murderfest 2024 - Movies (Dec 28th)
Behind the Crime Deadly Military Love Triangle 2024 - Movies (Dec 28th)
Dont Break the Rules 2024 - Movies (Dec 28th)
Adult Swim Yule Log 2 Branchin Out 2024 - Movies (Dec 28th)
D-Day 80th Anniversary 2024 - Movies (Dec 28th)
Chaos Glacier Country 2024 - Movies (Dec 28th)
The Books He Didnt Burn 2023 - Movies (Dec 28th)
Bigfoot Isnt Real 2024 - Movies (Dec 28th)
Before Macintosh The Apple Lisa 2024 - Movies (Dec 28th)
Christmas at the Four Seasons Park Lane 2024 - Movies (Dec 28th)
Beyoncé Bowl 2024 - Movies (Dec 28th)
The Fire Inside 2024 - Movies (Dec 27th)
Adopted 2024 - Movies (Dec 27th)
National Theatre Live Nye 2024 - Movies (Dec 27th)
Forbidden Knowledge Prophecies Portals and Time Machines 2023 - Movies (Dec 27th)
The Real Will Smith Fresh Prince or Bad Boy 2024 - Movies (Dec 27th)
Twisters The Real Story 2024 - Movies (Dec 27th)
What If... - (Dec 29th)
Earth Abides - (Dec 29th)
Landman - (Dec 29th)
The Beat with Ari Melber - (Dec 29th)
The Sunday Show with Jonathan Capehart - (Dec 29th)
Lives Well Lived - (Dec 29th)
The Worlds Strongest Man - (Dec 29th)
Mysteries of the Deep - (Dec 29th)
Masterpieces Performed by NHK Symphony Orchestra - (Dec 29th)
Hannity - (Dec 28th)
Jesse Watters Primetime - (Dec 28th)
Gutfeld - (Dec 28th)
The Five - (Dec 28th)
Special Report with Bret Baier - (Dec 28th)
The Ingraham Angle - (Dec 28th)
DEMON LORD 2099 - (Dec 28th)
Saturday Kitchen Live - (Dec 28th)
Masters Of Taste - (Dec 28th)
We Got Time Today - (Dec 28th)
The Katie Phang Show - (Dec 28th)
> Some discoveries come at the last hours of the life. When a movie is based on the play, setting wise it will be a tight narration. But the advantage is, movies can expand its screenplay in the natural world where stage plays has a limitation with the fake backgrounds. And obviously movies can reach any corner of the earth in the todays digital world while plays are for a limited live audience. So I think that is how this play turned into a motion picture, importantly, it was funded by the government and all the above it won a couple of Australian Academy Awards. It was a cancer themed thin comedy-drama with a little road adventure in the backdrop. A story that follows a 70-year-old cab driver Rex from Broken Hill. He has never been outside his town until he finds he has a cancer, so he takes a 3000 kilometer drive to Darwin looking for a doctor who can help him with his suffering. At the dusk hours of his life, he encounters some strangers and many stuffs for the first time. So this film is all about his final and best experience in the end of the life journey. I like sentimental films, I chose it because I haven't felt the emotions through my heart for a movie in the recent time. I expected it to fulfill my desire, but it only fell short. To me it was a decent movie in the first half, but it got better in the next half. The opening was kind of slow and dry, the cast was totally unfamiliar to me. I needed time to get used to a sudden change of accent after watching so many Hollywood flicks. Because you know we don't watch Aussie movies everyday and so the style of comedies differs with the different region. > "You want everything to be black and white, but it's not. It's gray." The best thing ever happened was the introduction of the characters Tilly and Julie. One is an aboriginal and the other is a British who joins Rex, the Aussie. They are the main source for the story to grow in the right direction. Because of them the narration had a subplot to focus their perspectives as well. Without them definitely it would have been a worthless flick. The end was not at its best. It hat many options, but they decided to finish it in an uncertain manner. Since it was a road movie, I also anticipated exhibition of beautiful Australian landscapes, that never came. I understand they don't want distraction from the main plot, because this was one of those films that took time for the characters to settle down. Even though it approaches the conclusion, the characters had kept deepening in its development. My upset with the movie was, it was a quite different from the usual cancer films. Precisely to say, it was very weak in the exhibition of character feelings. Certainly it won't make you weep. Just like one of the lines at the beginning that says 'everyone gets cancer', the movie was too casual like this is a regular thing. But the scenario where the story sets in and takes us with it was exceptional. I have a hesitation to recommend it, but it is a good movie if you're okay with the thing I expressed which are lacking. 6½/10
When the beautiful, efficient and successful Christine, 42, arrives at their summer beach home with her husband and teenage daughter, a young hitchhiker catches her eye. What follows is the story of a woman who frees herself, tears her life into pieces and puts it back together in a different order.
A talented art student named Angélique is passionately in love with Dr. Loïc Le Garrec, a handsome married man whom she believes will leave his wife. When he eventually decides to stay in his marriage, it causes Angélique to spiral. However, as the story shifts from Angélique's perspective to Loïc's, the surprising truth about their relationship is revealed.
Long-haul driver Hannes (Manfred Krug) picks up a young hitchhiker, Herb (Jaecki Schwarz), who had a falling-out with his parents after dropping out of college and now travels around doing odd jobs. After a series of adventures, they are joined by Johanna (Jutta Hoffmann) and her child, who missed their bus and need a ride to Berlin. Johanna has left her husband so that he can reflect on their broken relationship and both men gradually begin to fall in love with her.
A young man living in a cold southern village in South America, decides to start a trip looking for his father. By doing this he discovers unexpected facts about his Latin American essence.
Patagonia narrates the journeys of two women - one looking for her past, the other for her future. The film inter-cuts between their stories, in which one of them travels south to north through the Welsh springtime and the other east to west through the Argentine autumn.
Middle-aged cinephile and film projectionist Pera still lives with his mother - and best friend - Mara, in Belgrade. It's 1999 and when NATO bombs start raining down on Serbia, the two of them become refugees. After a surreal journey, they end up in New York, where Pera realizes that he can no longer do the old job he loved so much. While he and Mara were struggling to survive, the new age of digital projection was born. Then Pera stumbles upon some discarded projectors and his new mission in life becomes clear: he will travel around and show people the magic of Real Cinema - the magic that can only be created by celluoid, mechanical projectors, the silver screen and flickering light.
While walking their shiba dogs, 3 middle-aged men meet at the park everyday. They do not know each other's names. They keep their distance, but chat about whatever is on their minds.
Seven old college friends gather for a weekend reunion after the funeral of one of their own.
Twenty years have passed since those two apartments in the heart of Mexico City were the battlefield of a war of the sexes between Ana, Carlos, Andrea, Miguel, Tomás and María. All that is left of those apartments are memories and the image of Tomás' dead body at the bottom of the elevator shaft. Their lives have changed, their families have grown and new and unexpected characters have come to unsettle their daily lives and trigger a chain of events that will make them realize that modesty has been replaced by public disclosure; sex is only an app away; but love...love is still something elusive that everyone in today's banal and chaotic world is seeking.