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Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Star Wars- Young Jedi Adventures - (Mar 19th)
Australian Survivor - (Mar 19th)
The One Show - (Mar 19th)
Renovation Aloha - (Mar 19th)
Pitino- Red Storm Rising - (Mar 19th)
The Joe Schmo Show - (Mar 19th)
Good American Family - (Mar 19th)
The Beat with Ari Melber - (Mar 19th)
All In with Chris Hayes - (Mar 19th)
The Rachel Maddow Show - (Mar 19th)
The Last Word with Lawrence ODonnell - (Mar 19th)
The Real Housewives of Beverly Hills - (Mar 19th)
Kitchen Nightmares - (Mar 19th)
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Sesame Street - (Mar 19th)
With Dick Van Dyke in the lead, its lack of naughty language and the movie’s 60s look (which is of course when it was filmed), I hope I can be forgiven for wondering if this was a Disney film. I have lost track of many of them over the years. But no, apparently not. It was released in Canada by the crazy title A Garden of Cucumbers, which sounds less crazy when you know that was the title of the novel it is based on, which in turn is based on a bible quote. This is a pleasant and lighthearted comedy, one you can watch both with both family and friends as the plot is simple enough so as not to require much concentration. There is also some romance baked into it, though it is not what we think of as rom-coms these days. So there you are. And I guess after you get past Van Dyke and Barbara Feldon, the excellent ensemble cast of character actors also contributed to my wondering if Disney had made this film. Most movies don’t do this great a job choosing actors for the lesser roles. We watched this as a holiday movie, though for 90% of the movie it doesn’t feel like one. But near the end they start mentioning Christmas and the climactic scenes take place at Gimbels on Christmas Eve. I can’t say I would seek out this movie to watch again, but it was amusing enough so that I wouldn’t root around for the controller if it came on while I was doing something else with the TV on. Sitting chatting with friends and family, for example.
Frustrated and unemployed after being sexually harassed repeatedly, Stella decides to play the role of a guy, using the identity of her twin brother (who is living in Australia) hoping to get a job. She immediately wins the trust of her new employers and soon gets promoted to manager. The troubles begin when she falls in love with her boss' son.
Leaving their hometown of Fulchester in the North of England, Sandra and Tracey head for the bright lights of London, shagging and boozing their way to fame and fortune.
Alice, the only relatively normal member of the eccentric Sycamore family, falls in love with Tony Kirby, but his wealthy banker father and snobbish mother strongly disapprove of the match. When the Kirbys are invited to dinner to become better acquainted with their future in-laws, things don't turn out the way Alice had hoped.
An alcoholic falls in love with and gets married to a young woman, whom he systematically addicts to booze so they can share his "passion" together.
Since his wife's death, Andrew Blake is depressed. In an ultimate impetus, he leaves London to go back to France, in the house he met her. This journey through happy days memories won't go as planned.
After robbing and murdering his married lover and then making her death look like suicide, conniving philanderer Ronnie Mason relocates to Los Angeles. Under a new identity and claiming to be a writer, Ronnie finds lodging at the home of Hilda Fenchurch and her mother. He woos Hilda, knowing she has money, but when he discovers that Hilda's sister, Anne, has just inherited $25,000, he switches his attentions to her.
A wealthy man falls for a widow but is locked into a loveless marriage with a woman who has contrived to convince his parents she is the ideal wife.
Madge Winton, a beautiful secretary, makes herself look homely in order to avoid advances by lecherous bosses. When her new employer, writer Freddy Matthews, accidentally sees her without her disguise, she has to pretend to be her roommate Sadie.
A spoiled, wealthy yacht owner is thrown overboard and becomes the target of revenge from his mistreated employee.
Class barriers threaten the budding romance of two young lovers striving to realize their artistic ambitions.
