Ruben Guthrie

When a boy becomes a young man, the way he sees the world can change not just his perceptions of those around him, but how others see him. As burgeoning desires come to the surface, there is the choice of either embracing and acting upon them, or burying them. Includes: On the Roof [En la azotea] (2015); The Son [El hijo] (2012); Inside [Dentro] (2013); Tomboy [Même pas mort] (2007); Paradigma (2016).

An anxious high schooler scrambles to get back the love note accidentally sent to the boy he has a crush on.

Rahma, a woman who is agitated because she has to leave her female lover Dewi to marry at the demands of her parents.

A visual album. A story of falling apart and putting yourself back together again as the world does the same. It is a story about personal death and rebirth, mental health, dealing with the tragedies of the world, queer love and finding community while featuring two of the most important places to the artist, MALINDA- Brooklyn and the west coast of Ireland.

A bible publisher is falling in love with a chorus girl and finds himself backing a Broadway show.

Bella Donna, a seductive woman snares Nigel Armine into marriage and he takes her to Egypt to live. Tired of her simple husband, Bella becomes involved with brutish Baroudi.

The smooth narration, corresponding to the requirements of a light comedy, develops the smiling and optimistic story of the "one-armed" beggar Dostál, who earned enough money with his excellent begging skills to buy a nice house, become a respectable master of the house, and save the impoverished lawyer Neprosil from poverty, who he contributed regularly to him when he was still well off. He also wanted to get him together with his pretty ward Zorka, for whom he said he would be an ideal husband, but the young people were able to do that by themselves and without his clumsy help, or rather despite his rather ineffective help... The film was shown at the VI. IFF in Venice in 1938.

A married couple of 6 years invites an old friend and his new, free spirited girlfriend to their Hamptons Summer home for a long weekend. Emotions and desires are stirred but in ways none of them expected.

Based on the Hungarian writer Ferenc Herczeg's novel written in 1894, this film takes the viewers to the past of Hungary. Professor Sergius (Elemér Baló) insists that he invented a machine that can fly faster than the speed of earth's rotation and this enables him (or anyone who travels with him) to fly back with it to the past; that is to travel in time. To prove this the professor promises the hand of his daughter Rózsi (Katalin Karády) and all his possessions to the one who is willing to try the 'space travel' with him in his machine. The romantic and adventurous Hungarian count Ákos Tibor (László Szilassy) finally accepts the challenge. For the count's luck before the time travel he attends a costume ball dressed as a Hungarian hussar. Because when they arrive in the past, people think that he is a far relative of the wealthy landlord whose field they landed. This is how the strange adventures begins for our 20th century hero in the world of the 18th century Austro-Hungary.

Trey feels small. He is gay, HIV-positive and lonely in NYC. All around him are hulking, powerful men, intimidating and challenging him everywhere he looks. Throughout his day, he obsesses over how to get BIG - and his insecurities keep him trapped in a cycle of trauma and abuse.

A comedy about constructive criticism.