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Sadly the whole here is not greater than the sum of the parts - and heaven only knows there are enough parts in this rather lacklustre theatrical-based comedy. Disillusioned thespian "Tony" (Sir Michael Caine) is treading the boards every evening playing the Nazi variation of Shakespeare's "Richard III" to an audience who were either doing a school project, or who just wanted to keep warm. One night he and one of his on-stage minions "Tom" (Dylan Moran) concoct a plan that could see them fleece a local gangster "Barreller" (Sir Michael Gambon) of a small fortune then play him and his felonious colleagues off one another long enough for them to escape with the loot. The basic idea is quite fun, but sadly only Sir Michael really turns up - and even then, his tongue is pretty firmly planted in his cheek. The rest of this is a pretty weak and contrived comedy poking fun at a load of things Irish and rarely raises much of a laugh. There is far too much dialogue and Moran, erstwhile a talented stand-up comic, looks uncomfortable and out of his depth amidst the more established cast which also, rather inexplicably, includes Miranda Richardson as well a few rent-a-cameos from others from the British comedy circuit. It's perfectly watchable for ninety minutes, it's not in the least offensive. Nor is it remotely memorable.
When a wealthy young lady loses her inheritance, she decides to apply for work in disguise. In prim and proper working girl attire she becomes the respectable companion of a woman looking to reform her wayward nephew.
Years after winning a race down the Göta Canal, life for a family of shipbuilders gets complicated when they get entangled with the mafia.
Set in modern upper-crust Manhattan, an exploration of love and commitment as seen through the eyes of a charming perpetual bachelor questioning his single state and his enthusiastically married, slightly envious friends.
Three out of work actors breaks into a bank through the toilet of a railroad station.
Wrongly accused of physically abusing a fellow actor, starving thespians Arthur and Maurice find themselves pursued by the law aboard a cruise ship.
In 1843, despite the fact that Dickens is a successful writer, the failure of his latest book puts his career at a crossroads, until the moment when, struggling with inspiration and confronting reality with his childhood memories, a new character is born in the depths of his troubled mind; an old, lonely, embittered man, so vivid, so human, that a whole world grows around him, a story so inspiring that changed the meaning of Christmas forever.
