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The film opens with quick-cut scenes of Arun in his current scenario. His friends, a group that's involved in theatre, too, pop in and out of the frame, setting the story in the present. When the group comes across a dud of a guy trying to express his love to a girl, juxtaposed cleverly with a similar movie scene running on a telly in a cafe, Arun gets this idea to make what they all are passionate about - theatre and drama - their profession. So, they all start setting up elaborate scenes to bring together 'romantically challenged' people in love. So far, so good; you wait to see director Vijay live up to the promise he showed in Madrassapattinam and Saivam. And so, even if the odd, elusive feeling that you've seen something similar (read Ilayathalapathy Vijay in Shahjahan) flashes by, you want to push it aside and enjoy the scenic visuals, and those cleverly spaced close-ups; you want to see what happens next. The pacing is good, and a semi-serious, often broody Arun and friends manage to elicit a few laughs. And then, the movie goes into flashback mode at a point that forces Arun to contemplate his college days, and the love he lost, and that is when the plot starts to disintegrate. What one thought might be parallel stories at the start (the present, the past, and the varied play scenes the cast sets up), converges into a cliched excuse of misunderstood love. To top it, though debutant Keerthy looks like a collegian, one does find it tough to accept Vikram as one. That apart, the cliches just pile on, and the plot starts dragging its feet as the pace slows down considerably. In fact, when the movie cuts back to the present again, and Vikram starts to deliberately mess up the staged scenes, for a moment, our sympathy actually veers towards the other guy, who is for sure going to lose his money, and his love. And by the time the 'twist' comes, you're wishing Vikram just get over with it. For, from the moment the film bangs you back into the present (well, there's a war scene of sorts playing on the TV in the background), till the end, there is no progress in the story - it's just an extended series of ploys the hero adopts to make sure his love doesn't fall in love again. Mind you, Vikram does look good in parts - the hockey scene is one of the best in the movie, his dance steps are fluid, and he actually does the broody part better, but the problem with Idhu Enna Maayam is, instead of letting the plot rule screen and take the conclusion to another level, Vijay has tried to fit every scene, including the climax, into a pre-conceived, tried and tested template that leaves the actors no choice but to fall in line with the banality.
A party game in which players compete for a decreasing number of chairs, the losers in successive rounds being those unable to find a chair to sit on when the accompanying music is stopped.
Arun owns a property in Bangalore where he invites his friends for a reunion. However, Arun receives an offer for the place but along with his friends, he is trapped in the house.
Faced with unfortunate complications beyond her control, go-getter events manager Andi Medina has no other person to turn to. She is then forced to reconnect with her ex-boyfriend, cosmetic surgeon Max Labarador. Much to Andi’s shock, Max is already in a three-year live-in relationship with pediatric oncologist Christian Pilar. With nowhere else to go and left with no other options, she agrees to live with the couple – both parties agreeing into a deal that will change the course of their lives and hearts.
Cousins Thomas and David, owners of a mobile restaurant, team up with their friend Moby, a bumbling private detective, to save the beautiful Sylvia, a pickpocket.
Harvard graduate James Averill is the sheriff of prosperous Jackson County, Wyo., when a battle erupts between the area's poverty-stricken immigrants and its wealthy cattle farmers. The politically connected ranch owners fight the immigrants with the help of Nathan Champion, a mercenary competing with Averill for the love of local madam Ella Watson. As the struggle escalates, Averill and Champion begin to question their decisions.
As they travel around the country, a singer-songwriter duo's love triangle with their roadie jeopardizes their unannounced farewell tour.
A conflicted animation filmmaker travels to Argentina chasing after a girl he met online, only to end up living with her and her intimidating boyfriend on an isolated island on the outskirts of Buenos Aires.
At a sizable public college, high-minded student Eddy is forced to room with the slovenly Stuart, but the pair strike up a surprising friendship. When attractive co-ed Alex is assigned to live with the two male students because of her gender-neutral name, a roundabout love triangle ensues. Eddy secretly yearns for Stuart, who wants Alex, but she prefers Eddy. The complex situation leads to sexual experimentation and strained relationships.
Dia(Pankaja Menon) heroine of the movie is a management student in Mangalore. She and four of her friends(Catherine, Hashim, Yamini and Chinna Gounder) visits Rajasthan for 15 days to attend a marriage. There she meets a Rajput boy Pavan(Arun Shankar) and falls in love with him. What happens to her there after that in that unknown land makes the content of the film.
New Year's Eve 1999 finds college-bound Clark and Trevor concerned about the future of their friendship, and a request for Clark to be Trevor's wingman ensures things will never be the same again.
The son of King Uther Pendragon, Arthur has no idea about his lineage until he pulls Excalibur from its stone sheath. He takes the throne of the kingdom with the help of Merlin, the great sorcerer. King Arthur finds love with Guinevere, but is oblivious to her romance with Lancelot of the Lake. Meanwhile, Arthur’s half-sister Morgana longs for revenge against him and sets up a conspiracy that drives King Arthur to danger.
